Fujifilm XP130 vs Sony RX1
The Fujifilm FinePix XP130 and the Sony Cyber-shot DSC-RX1 are two digital cameras that were revealed to the public, respectively, in January 2018 and September 2012. Both the XP130 and the RX1 are fixed lens compact cameras that are based on a 1/2.3-inch (XP130) and a full frame (RX1) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP130||Sony RX1|
|Fixed lens compact camera||Fixed lens compact camera|
|28-140mm f/3.9-4.9||35mm f/2.0|
|15.9 MP, 1/2.3" Sensor||24 MP, Full Frame Sensor|
|1080/60p Video||1080/60p Video|
|ISO 100-3200||ISO 100-25600 (50-102400)|
|No viewfinder, LCD framing||Viewfinder optional|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||5 shutter flaps per second|
|In-body stabilization||No shake reduction|
|240 shots per battery charge||270 shots per battery charge|
|110 x 71 x 28 mm, 207 g||113 x 65 x 70 mm, 482 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP130 and the Sony Cyber-shot DSC-RX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm XP130 and the Sony RX1. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the RX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX1 is notably smaller (6 percent) than the Fujifilm XP130. However, the RX1 is substantially heavier (133 percent) than the XP130. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
Concerning battery life, the XP130 gets 240 shots out of its NP-45S battery, while the RX1 can take 270 images on a single charge of its NP-BX1 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm XP130»||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||-||Fujifilm XP130|
|Sony RX1«||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Sep 2012||2,799||-||Sony RX1|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||-||Fujifilm XP120|
|Nikon P1000« »||5.7 in||4.7 in||7.1 in||49.9 oz||250||n||Jul 2018||999||Nikon P1000|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon D5300« »||4.9 in||3.9 in||3.0 in||16.9 oz||600||n||Oct 2013||799||-||Nikon D5300|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||-||Olympus TG-4|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Sony RX1R II« »||4.4 in||2.6 in||2.8 in||17.9 oz||220||n||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||5.0 in||3.6 in||3.3 in||14.5 oz||470||n||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||4.4 in||2.6 in||2.8 in||17.0 oz||270||n||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||4.7 in||2.6 in||1.7 in||14.1 oz||430||n||Aug 2011||1,349||-||Sony NEX-7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XP130 was launched at a markedly lower price (by 92 percent) than the RX1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XP130 features a 1/2.3-inch sensor and the Sony RX1 a full frame sensor. The sensor area in the RX1 is 2943 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP130 has a native 4:3 aspect ratio, while the one in the RX1 offers a 3:2 aspect.
With 24MP, the RX1 offers a higher resolution than the XP130 (15.9MP), but the RX1 nevertheless has larger individual pixels (pixel pitch of 5.96μm versus 1.33μm for the XP130) due to its larger sensor. However, the XP130 is a much more recent model (by 5 years and 4 months) than the RX1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP130 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX1 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The Fujifilm FinePix XP130 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX1 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm XP130»||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Sony RX1«||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93||Sony RX1|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Fujifilm XP120« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP120|
|Nikon P1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon P1000|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Nikon D5300« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.9||1338||83||Nikon D5300|
|Olympus TG-5« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
|Sony RX1R II« »||Full Frame||42.2||7952||5304||1080/60p||25.8||13.9||3204||97||Sony RX1R II|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony RX1R« »||Full Frame||24.0||6000||4000||1080/60p||25.0||13.6||2537||91||Sony RX1R|
|Sony NEX-7« »||APS-C||24.0||6000||4000||1080/60i||24.1||13.4||1016||81||Sony NEX-7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. The XP130 and the RX1 are similar in the sense that neither of the two has a viewfinder. The images are, thus, framed using live view on the rear LCD. That said, the RX1 can be equipped with an optional viewfinder – the FDA-EV1MK. The following table reports on some other key feature differences and similarities of the Fujifilm XP130, the Sony RX1, and comparable cameras.
|Fujifilm XP130»||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Sony RX1«||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Nikon P1000« »||2359||n||3.2||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P1000|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon D5300« »||optical||n||3.2||1037||swivel||n||1/4000s||5.0||Y||n||Nikon D5300|
|Olympus TG-5« »||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
|Sony RX1R II« »||2360||n||3.0||1229||tilting||n||1/4000s||5.0||n||n||Sony RX1R II|
|Sony A3000« »||202||n||3.0||230||fixed||n||1/4000s||2.5||Y||n||Sony A3000|
|Sony RX1R« »||-||n||3.0||1229||fixed||n||1/4000s||5.0||Y||n||Sony RX1R|
|Sony NEX-7« »||2359||n||3.0||921||tilting||n||1/4000s||10.0||Y||n||Sony NEX-7|
The Fujifilm XP130 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP130 is equipped with a zoom lens, while the RX1 comes with a built-in prime. The XP130 has a 28-140mm f/3.9-4.9 optic and the RX1 offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Fujifilm provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Sony. The RX1 offers the faster maximum aperture.
The XP130 writes its imaging data to SDXC cards, while the RX1 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP130 and Sony Cyber-shot DSC-RX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP130»||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Sony RX1«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Nikon P1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon P1000|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon D5300« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Nikon D5300|
|Olympus TG-5« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
|Sony RX1R II« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony RX1R II|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony RX1R« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony RX1R|
|Sony NEX-7« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony NEX-7|
It is notable that the XP130 offers wifi support, while the RX1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the XP130 and the RX1 have been discontinued, but can regularly be found used on eBay. The RX1 was replaced by the Sony RX1R, while the XP130 was followed by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm XP130 and the Sony RX1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm FinePix XP130:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- Less heavy: Is lighter (by 275g or 57 percent) and hence easier to carry around.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 5 years and 4 months of technical progress since the RX1 launch.
Reasons to prefer the Sony Cyber-shot DSC-RX1:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing options: Can be equipped with a hotshoe-mounted accessory-viewfinder.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/3.9).
- Longer lasting: Gets more shots (270 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of individual advantages (bullet points above) is taken as a guide, the RX1 emerges as the winner of the match-up (14 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP130 and the Sony RX1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the XP130 or the RX1 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm XP130»||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Sony RX1«||-||79/100||4/5||4.5/5||4.5/5||Sep 2012||2,799||-||Sony RX1|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||o||-||3.5/5||-||4/5||Jan 2017||229||-||Fujifilm XP120|
|Nikon P1000« »||+||73/100||3.5/5||4.5/5||3.5/5||Jul 2018||999||Nikon P1000|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Nikon D5300« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Oct 2013||799||-||Nikon D5300|
|Olympus TG-5« »||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Sony RX1R II« »||-||82/100||-||o||4.5/5||Oct 2015||3,299||Sony RX1R II|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony RX1R« »||-||-||4/5||o||4.5/5||Jun 2013||2,799||-||Sony RX1R|
|Sony NEX-7« »||+ +||81/100||4.5/5||5/5||5/5||Aug 2011||1,349||-||Sony NEX-7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon G15 vs Sony RX1
- Canon G7 X Mark II vs Sony RX1
- Canon G7 X vs Fujifilm XP130
- Canon M100 vs Sony RX1
- Canon SX510 vs Sony RX1
- Canon T2i vs Sony RX1
- Canon XTi vs Fujifilm XP130
- Fujifilm XP130 vs Hasselblad X1D
- Fujifilm XP130 vs Nikon 1 V1
- Kodak AZ901 vs Sony RX1
- Panasonic LX100 vs Sony RX1
- Sony RX1 vs Sony RX100 V
Specifications: Fujifilm XP130 vs Sony RX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP130||Sony RX1|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/3.9-4.9||35mm f/2.0|
|Launch Date||January 2018||September 2012|
|Launch Price||USD 229||USD 2799|
|Sensor Specs||Fujifilm XP130||Sony RX1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.8 x 23.8 mm|
|Sensor Area||28.0735 mm2||852.04 mm2|
|Sensor Diagonal||7.7 mm||43 mm|
|Sensor Resolution||15.9 Megapixels||24 Megapixels|
|Image Resolution||4608 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||1.33 μm||5.96 μm|
|Pixel Density||56.73 MP/cm2||2.82 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100-3200 ISO||100-25600 ISO|
|ISO Boost||no Enhancement||50-102400 ISO|
|DXO Sensor Quality (score)||..||93|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.3|
|DXO Low Light (ISO)||..||2534|
|Screen Specs||Fujifilm XP130||Sony RX1|
|Viewfinder Type||No viewfinder||Viewfinder optional|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm XP130||Sony RX1|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/4000/s|
|Continuous Shooting||10 shutter flaps/s||5 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Fujifilm XP130||Sony RX1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm XP130||Sony RX1|
|Battery Life (CIPA)||240 shots per charge||270 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
113 x 65 x 70 mm
(4.4 x 2.6 x 2.8 in)
|Camera Weight||207 g (7.3 oz)||482 g (17.0 oz)|
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