Fujifilm XP130 vs Sony A7R III
The Fujifilm FinePix XP130 and the Sony Alpha A7R III are two digital cameras that were revealed to the public, respectively, in January 2018 and October 2017. The XP130 is a fixed lens compact, while the A7R III is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP130) and a full frame (A7R III) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 42.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP130 and the Sony Alpha A7R III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm XP130 and the Sony A7R III is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the A7R III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7R III is considerably larger (56 percent) than the Fujifilm XP130. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP130 has a lens built in, whereas the A7R III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7R III and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the XP130 gets 240 shots out of its NP-45S battery, while the A7R III can take 650 images on a single charge of its NP-FZ100 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229|
|2.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199|
|3.||Canon SX600||104 mm||61 mm||26 mm||188 g||290||n||Jan 2014||249|
|4.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229|
|5.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229|
|6.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399|
|7.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389|
|8.||Olympus TG-5||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449|
|9.||Olympus TG-4||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379|
|10.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279|
|11.||Sony A1||129 mm||97 mm||81 mm||737 g||530||Y||Jan 2021||6,499|
|12.||Sony A7S III||127 mm||97 mm||81 mm||699 g||600||Y||Jul 2020||3,499|
|13.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449|
|14.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429|
|15.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399|
|16.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199|
|17.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP130 was launched at a lower price than the A7R III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP130 features a 1/2.3-inch sensor and the Sony A7R III a full frame sensor. The sensor area in the A7R III is 2979 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP130 has a native 4:3 aspect ratio, while the one in the A7R III offers a 3:2 aspect.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors.
With 42.2MP, the A7R III offers a higher resolution than the XP130 (15.9MP), but the A7R III nevertheless has larger individual pixels (pixel pitch of 4.52μm versus 1.33μm for the XP130) due to its larger sensor. However, the XP130 is a somewhat more recent model (by 2 months) than the A7R III, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Sony A7R III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7R III for good quality output (200 dots per inch) amounts to 39.8 x 26.5 inches or 101 x 67.4 cm, for very good quality (250 dpi) 31.8 x 21.2 inches or 80.8 x 53.9 cm, and for excellent quality (300 dpi) 26.5 x 17.7 inches or 67.3 x 44.9 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The A7R III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the XP130, the A7R III has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm FinePix XP130 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha A7R III are ISO 100 to ISO 32000, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|6.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|11.||Sony A1||Full Frame||49.8||8640||5760||8k/30p||25.9||14.5||3163||98|
|12.||Sony A7S III||Full Frame||12.0||4240||2832||4K/120p||23.7||13.9||2520||86|
|16.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|17.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the A7R III provides a better video resolution than the XP130. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7R III has an electronic viewfinder (3686k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP130 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XP130, the Sony A7R III, and comparable cameras.
|1.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|2.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Canon SX600||none||n||3.0 / 461||fixed||n||1/2000s||3.9/s||Y||Y|
|4.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|5.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|6.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|7.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|8.||Olympus TG-5||none||n||3.0 / 460||fixed||n||1/2000s||20.0/s||Y||Y|
|9.||Olympus TG-4||none||n||3.0 / 460||fixed||n||1/2000s||5.0/s||Y||Y|
|10.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|11.||Sony A1||9437||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|12.||Sony A7S III||9440||n||3.0 / 1440||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|14.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|15.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|17.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The XP130 has one, while the A7R III does not. While the built-in flash of the XP130 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7R III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP130 and the Sony A7R III both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP130 writes its imaging data to SDXC cards, while the A7R III uses SDXC or Memory Stick PRO Duo cards. The A7R III features dual card slots, which can be very useful in case a memory card fails. In contrast, the XP130 only has one slot. The A7R III supports UHS-II cards on its first slot and UHS-I on its second one, while the XP130 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP130 and Sony Alpha A7R III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|2.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|3.||Canon SX600||-||mono / mono||-||-||micro||2.0||Y||Y||-|
|4.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|5.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|6.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Olympus TG-5||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Olympus TG-4||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|11.||Sony A1||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|12.||Sony A7S III||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|14.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7R III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP130 does not feature such a mic input.
Studio photographers will appreciate that the Sony A7R III (unlike the XP130) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the XP130 and the A7R III have been discontinued, but can regularly be found used on eBay. The A7R III was replaced by the Sony A7R IV, while the XP130 was followed by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Is the Fujifilm XP130 better than the Sony A7R III or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm FinePix XP130:
- Ready to shoot: Has a lens built-in, whereas the A7R III requires a separate lens.
- More compact: Is smaller (110x71mm vs 127x96mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7R III).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 2 months after the A7R III).
Arguments in favor of the Sony Alpha A7R III:
- More detail: Has more megapixels (42.2 vs 15.9MP), which boosts linear resolution by 66%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1440k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (650 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More heavily discounted: Has been on the market for longer (launched in October 2017).
If the count of relative strengths (bullet points above) is taken as a measure, the A7R III is the clear winner of the contest (25 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP130 and the Sony A7R III place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the XP130 or the A7R III perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229|
|2.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199|
|3.||Canon SX600||..||+||..||..||4/5||4/5||Jan 2014||249|
|4.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229|
|5.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229|
|6.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399|
|7.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389|
|8.||Olympus TG-5||..||+ +||..||..||4/5||4/5||May 2017||449|
|9.||Olympus TG-4||..||+||..||79/100||4/5||4/5||Apr 2015||379|
|10.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279|
|11.||Sony A1||5/5||o||4.5/5||93/100||4.5/5||5/5||Jan 2021||6,499|
|12.||Sony A7S III||..||+ +||5/5||91/100||4.5/5||5/5||Jul 2020||3,499|
|13.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449|
|14.||Sony HX95||..||..||..||..||..||..||Aug 2018||429|
|15.||Sony WX800||..||..||..||..||..||..||Oct 2018||399|
|16.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199|
|17.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark III vs Sony A7R III
- Canon 250D vs Fujifilm XP130
- Canon T6 vs Sony A7R III
- Fujifilm XP130 vs Nikon D2H
- Fujifilm XP130 vs Pentax K-5
- Fujifilm XP130 vs Ricoh GR III
- Fujifilm XP130 vs Sony A68
- Fujifilm XP130 vs Sony H200
- Leica TL vs Sony A7R III
- Nikon B500 vs Sony A7R III
- Sony A7R III vs Sony NEX-6
- Sony A7R III vs Sony RX10 II
Specifications: Fujifilm XP130 vs Sony A7R III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP130||Sony A7R III|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/3.9-4.9||Sony E mount lenses|
|Launch Date||January 2018||October 2017|
|Launch Price||USD 229||USD 3,199|
|Sensor Specs||Fujifilm XP130||Sony A7R III|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||35.9 x 24.0 mm|
|Sensor Area||28.0735 mm2||861.6 mm2|
|Sensor Diagonal||7.7 mm||43.2 mm|
|Sensor Resolution||15.9 Megapixels||42.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||7952 x 5304 pixels|
|Pixel Pitch||1.33 μm||4.52 μm|
|Pixel Density||56.73 MP/cm2||4.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 32,000 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.0|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||3523|
|Screen Specs||Fujifilm XP130||Sony A7R III|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1440k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP130||Sony A7R III|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Fujifilm XP130||Sony A7R III|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm XP130||Sony A7R III|
|Environmental Sealing||Waterproof body (20m)||Weathersealed body|
|Battery Life (CIPA)||240 shots per charge||650 shots per charge|
|In-Camera Charging||USB charging||USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
127 x 96 x 74 mm
(5.0 x 3.8 x 2.9 in)
|Camera Weight||207 g (7.3 oz)||650 g (22.9 oz)|
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