Fujifilm XP130 vs Olympus E-M1 II
The Fujifilm FinePix XP130 and the Olympus OM-D E-M1 Mark II are two digital cameras that were revealed to the public, respectively, in January 2018 and September 2016. The XP130 is a fixed lens compact, while the E-M1 II is a mirrorless interchangeable lens camera. The cameras are based on a 1/2.3-inch (XP130) and a Four Thirds (E-M1 II) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm XP130||Olympus E-M1 II|
|Fixed lens compact camera||Mirrorless system camera|
|28-140mm f/3.9-4.9||Micro Four Thirds lenses|
|15.9 MP, 1/2.3" Sensor||20.2 MP, Four Thirds Sensor|
|1080/60p Video||4K/30p Video|
|ISO 100-3200||ISO 200-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2360k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|10 shutter flaps per second||18 shutter flaps per second|
|In-body stabilization||In-body stabilization|
|Waterproof body (nom)||Weathersealed body|
|240 shots per battery charge||440 shots per battery charge|
|110 x 71 x 28 mm, 207 g||134 x 91 x 67 mm, 574 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP130 and the Olympus OM-D E-M1 Mark II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm XP130 and the Olympus E-M1 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The XP130 can be obtained in five different colors (black, blue, yellow, green, white), while the E-M1 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 II is considerably larger (56 percent) than the Fujifilm XP130. More than that, the XP130 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP130 has a lens built in, whereas the E-M1 II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1 II and their specifications in the Micro Four Thirds Lens Catalog.
Concerning battery life, the XP130 gets 240 shots out of its NP-45S battery, while the E-M1 II can take 440 images on a single charge of its BLH-1 power pack. The power pack in the XP130 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm XP130»||4.3 in||2.8 in||1.1 in||7.3 oz||240||n||Jan 2018||229||-||Fujifilm XP130|
|Olympus E-M1 II«||5.3 in||3.6 in||2.6 in||20.2 oz||440||Y||Sep 2016||1,999||Olympus E-M1 II|
|Fujifilm XP140« »||4.3 in||2.8 in||1.1 in||7.3 oz||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||4.3 in||2.8 in||1.1 in||7.2 oz||210||Y||Jan 2017||229||-||Fujifilm XP120|
|Nikon P1000« »||5.7 in||4.7 in||7.1 in||49.9 oz||250||n||Jul 2018||999||Nikon P1000|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Olympus TG-5« »||4.4 in||2.6 in||1.3 in||8.8 oz||340||Y||May 2017||449||-||Olympus TG-5|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus TG-4« »||4.4 in||2.6 in||1.2 in||8.7 oz||380||Y||Apr 2015||379||-||Olympus TG-4|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||449||Sony HX99|
|Sony HX95« »||4.0 in||2.3 in||1.4 in||8.5 oz||370||n||Aug 2018||429||Sony HX95|
|Sony WX800« »||4.0 in||2.3 in||1.4 in||8.2 oz||370||n||Oct 2018||399||Sony WX800|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XP130 was launched at a lower price than the E-M1 II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XP130 features a 1/2.3-inch sensor and the Olympus E-M1 II a Four Thirds sensor. The sensor area in the E-M1 II is 704 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 20.2MP, the E-M1 II offers a higher resolution than the XP130 (15.9MP), but the E-M1 II nevertheless has larger individual pixels (pixel pitch of 3.34μm versus 1.33μm for the XP130) due to its larger sensor. However, the XP130 is a somewhat more recent model (by 1 year and 4 months) than the E-M1 II, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus E-M1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 II for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Fujifilm XP130 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The E-M1 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the XP130, the E-M1 II has the capacity to capture high quality composite images (50MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm FinePix XP130 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Olympus OM-D E-M1 Mark II are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm XP130»||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP130|
|Olympus E-M1 II«||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80||Olympus E-M1 II|
|Fujifilm XP140« »||1/2.3||15.9||4608||3456||4K/15p||-||-||-||-||Fujifilm XP140|
|Fujifilm XP120« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Fujifilm XP120|
|Nikon P1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon P1000|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Olympus TG-5« »||1/2.3||12.0||4000||3000||4K/30p||-||-||-||-||Olympus TG-5|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus TG-4« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Olympus TG-4|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony HX99« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX99|
|Sony HX95« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony HX95|
|Sony WX800« »||1/2.3||18.0||4896||3672||4K/30p||-||-||-||-||Sony WX800|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the E-M1 II provides a better video resolution than the XP130. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1 II has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP130 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP130 and Olympus E-M1 II in connection with corresponding information for a sample of similar cameras.
|Fujifilm XP130»||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Olympus E-M1 II«||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y||Olympus E-M1 II|
|Fujifilm XP140« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Nikon P1000« »||2359||n||3.2||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P1000|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Olympus TG-5« »||-||n||3.0||460||fixed||n||1/2000s||20.0||Y||Y||Olympus TG-5|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus TG-4« »||-||n||3.0||460||fixed||n||1/2000s||5.0||Y||Y||Olympus TG-4|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony HX99« »||638||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony HX99|
|Sony HX95« »||638||n||3.0||922||tilting||n||1/2000s||10.0||Y||Y||Sony HX95|
|Sony WX800« »||-||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
One difference between the cameras concerns the presence of an on-board flash. The XP130 has one, while the E-M1 II does not. While the built-in flash of the XP130 is not very powerful, it can at times be useful as a fill-in light.The E-M1 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the XP130 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP130 and the Olympus E-M1 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the XP130 and the E-M1 II write their files to SDXC cards. The E-M1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the XP130 only has one slot. The E-M1 II supports UHS-II cards on its first slot and UHS-I on its second one, while the XP130 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP130 and Olympus OM-D E-M1 Mark II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XP130»||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Olympus E-M1 II«||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-||Olympus E-M1 II|
|Fujifilm XP140« »||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm XP120« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Nikon P1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon P1000|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Olympus TG-5« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-5|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus TG-4« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus TG-4|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony HX99« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX99|
|Sony HX95« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony HX95|
|Sony WX800« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
It is notable that the E-M1 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The XP130 does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M1 II (unlike the XP130) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The E-M1 II is a recent model that features in the current product line-up of Olympus. In contrast, the XP130 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the XP130 was succeeded by the Fujifilm XP140. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Which of the two cameras – the Fujifilm XP130 or the Olympus E-M1 II – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm FinePix XP130:
- Ready to shoot: Has a lens built-in, whereas the E-M1 II requires a separate lens.
- More compact: Is smaller (110x71mm vs 134x91mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M1 II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 4 months after the E-M1 II).
Advantages of the Olympus OM-D E-M1 Mark II:
- More detail: Has more megapixels (20.2 vs 15.9MP), which boosts linear resolution by 13%.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (18 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (440 versus 240) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 II is the clear winner of the contest (26 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP130 and the Olympus E-M1 II place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the XP130 and the E-M1 II in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm XP130»||o||-||3.5/5||-||4/5||Jan 2018||229||-||Fujifilm XP130|
|Olympus E-M1 II«||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999||Olympus E-M1 II|
|Fujifilm XP140« »||+||-||3.5/5||-||4/5||Feb 2019||229||Fujifilm XP140|
|Fujifilm XP120« »||o||-||3.5/5||-||4/5||Jan 2017||229||-||Fujifilm XP120|
|Nikon P1000« »||+||73/100||3.5/5||4.5/5||3.5/5||Jul 2018||999||Nikon P1000|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Olympus TG-5« »||+ +||-||4/5||o||4/5||May 2017||449||-||Olympus TG-5|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Olympus TG-4« »||+||79/100||4/5||4/5||4/5||Apr 2015||379||-||Olympus TG-4|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony HX99« »||-||-||4/5||-||4.5/5||Aug 2018||449||Sony HX99|
|Sony HX95« »||-||-||-||-||-||Aug 2018||429||Sony HX95|
|Sony WX800« »||-||-||-||-||-||Oct 2018||399||Sony WX800|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G16 vs Olympus E-M1 II
- Canon SX520 vs Fujifilm XP130
- Canon XC10 vs Fujifilm XP130
- Fujifilm XP130 vs Leica M10
- Fujifilm XP130 vs Nikon Df
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Specifications: Fujifilm XP130 vs Olympus E-M1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP130||Olympus E-M1 II|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-140mm f/3.9-4.9||Micro Four Thirds lenses|
|Launch Date||January 2018||September 2016|
|Launch Price||USD 229||USD 1999|
|Sensor Specs||Fujifilm XP130||Olympus E-M1 II|
|Sensor Format||1/2.3" Sensor||Four Thirds Sensor|
|Sensor Size||6.17 x 4.55 mm||17.3 x 13.0 mm|
|Sensor Area||28.0735 mm2||224.9 mm2|
|Sensor Diagonal||7.7 mm||21.6 mm|
|Sensor Resolution||15.9 Megapixels||20.2 Megapixels|
|Image Resolution||4608 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||1.33 μm||3.34 μm|
|Pixel Density||56.73 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||no Enhancement||64-25600 ISO|
|DXO Sensor Quality (score)||..||80|
|DXO Color Depth (bits)||..||23.7|
|DXO Dynamic Range (EV)||..||12.8|
|DXO Low Light (ISO)||..||1312|
|Screen Specs||Fujifilm XP130||Olympus E-M1 II|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP130||Olympus E-M1 II|
|Autofocus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/2000/s||1/8000/s|
|Continuous Shooting||10 shutter flaps/s||18 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Fujifilm XP130||Olympus E-M1 II|
|External Flash||no Hotshoe||Hotshoe|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm XP130||Olympus E-M1 II|
|Environmental Sealing||Waterproof body (20m)||Weathersealed body|
|Battery Life (CIPA)||240 shots per charge||440 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
134 x 91 x 67 mm
(5.3 x 3.6 x 2.6 in)
|Camera Weight||207 g (7.3 oz)||574 g (20.2 oz)|
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