Fujifilm XP120 vs Zeiss ZX1
The Fujifilm FinePix XP120 and the Zeiss ZX1 are two digital cameras that were announced, respectively, in January 2017 and September 2018. Both the XP120 and the ZX1 are fixed lens compact cameras that are based on a 1/2.3-inch (XP120) and a full frame (ZX1) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Zeiss provides 37.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Zeiss ZX1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm XP120 and the Zeiss ZX1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The XP120 can be obtained in three different colors (blue, yellow, green), while the ZX1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Zeiss ZX1 is considerably larger (69 percent) than the Fujifilm XP120. Moreover, the ZX1 is substantially heavier (294 percent) than the XP120. It is worth mentioning in this context that the XP120 is splash and dust resistant, while the ZX1 does not feature any corresponding weather-sealing. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.
The power pack in the XP120 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm XP120||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229||ebay.com|
|2.||Zeiss ZX1||142 mm||93 mm||46 mm||800 g||250||n||Sep 2018||5,999||amazon.com|
|3.||Fujifilm XP140||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229||amazon.com|
|4.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|5.||Fujifilm XP130||110 mm||71 mm||28 mm||207 g||240||Y||Jan 2018||229||ebay.com|
|6.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995||amazon.com|
|7.||Leica V-LUX 5||136 mm||97 mm||131 mm||812 g||350||n||Jul 2019||1,249||amazon.com|
|8.||Nikon W300||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||amazon.com|
|9.||Olympus TG-5||113 mm||66 mm||32 mm||250 g||340||Y||May 2017||449||ebay.com|
|10.||Olympus TG-4||112 mm||66 mm||31 mm||247 g||380||Y||Apr 2015||379||ebay.com|
|11.||Panasonic FZ1000 II||136 mm||97 mm||131 mm||810 g||350||n||Feb 2019||899||amazon.com|
|12.||Panasonic FZ1000||137 mm||99 mm||131 mm||831 g||360||n||Jun 2014||899||ebay.com|
|13.||Ricoh WG-60||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||ebay.com|
|14.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199||ebay.com|
|15.||Sony HX99||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||449||amazon.com|
|16.||Sony HX95||102 mm||58 mm||36 mm||242 g||370||n||Aug 2018||429||amazon.com|
|17.||Sony WX800||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XP120 was launched at a markedly lower price (by 96 percent) than the ZX1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Zeiss ZX1 a full frame sensor. The sensor area in the ZX1 is 2986 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.0. The sensor in the XP120 has a native 4:3 aspect ratio, while the one in the ZX1 offers a 3:2 aspect.
With 37.4MP, the ZX1 offers a higher resolution than the XP120 (15.9MP), but the ZX1 nevertheless has larger individual pixels (pixel pitch of 4.81μm versus 1.33μm for the XP120) due to its larger sensor. Moreover, the ZX1 is a somewhat more recent model (by 1 year and 8 months) than the XP120, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Zeiss ZX1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the ZX1 for good quality output (200 dots per inch) amounts to 37.4 x 25 inches or 95.1 x 63.4 cm, for very good quality (250 dpi) 30 x 20 inches or 76.1 x 50.7 cm, and for excellent quality (300 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm. The corresponding values for the Fujifilm XP120 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Zeiss ZX1 are ISO 80 to ISO 51200 (no boost).
In terms of underlying technology, the XP120 is build around a BSI-CMOS sensor, while the ZX1 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Zeiss ZX1||Full Frame||37.4||7488||4992||4K/30p||25.2||14.1||2759||94|
|6.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|7.||Leica V-LUX 5||1-inch||20.0||5472||3648||4K/30p||22.2||12.4||584||65|
|11.||Panasonic FZ1000 II||1-inch||20.0||5472||3648||4K/30p||22.1||12.4||546||65|
|14.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the ZX1 provides a better video resolution than the XP120. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the ZX1 has an electronic viewfinder (6221k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP120 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XP120, the Zeiss ZX1, and comparable cameras.
|1.||Fujifilm XP120||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|2.||Zeiss ZX1||6221||n||4.3 / 2765||fixed||Y||1/1000s||3.0/s||n||n|
|3.||Fujifilm XP140||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|4.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|5.||Fujifilm XP130||none||n||3.0 / 920||fixed||n||1/2000s||10.0/s||Y||Y|
|6.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0/s||n||Y|
|7.||Leica V-LUX 5||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|8.||Nikon W300||none||n||3.0 / 921||fixed||n||1/4000s||7.0/s||Y||Y|
|9.||Olympus TG-5||none||n||3.0 / 460||fixed||n||1/2000s||20.0/s||Y||Y|
|10.||Olympus TG-4||none||n||3.0 / 460||fixed||n||1/2000s||5.0/s||Y||Y|
|11.||Panasonic FZ1000 II||2360||n||3.0 / 1240||swivel||Y||1/4000s||12.0/s||Y||Y|
|12.||Panasonic FZ1000||2359||n||3.0 / 921||swivel||n||1/4000s||12.0/s||Y||Y|
|13.||Ricoh WG-60||none||n||2.7 / 230||fixed||n||1/4000s||8.0/s||Y||n|
|14.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|15.||Sony HX99||638||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|16.||Sony HX95||638||n||3.0 / 922||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony WX800||none||n||3.0 / 922||tilting||Y||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The XP120 has one, while the ZX1 does not. While the built-in flash of the XP120 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the ZX1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm XP120 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP120 is equipped with a zoom lens, while the ZX1 comes with a built-in prime. The XP120 has a 28-140mm f/3.9-4.9 optic and the ZX1 offers a 35mm f/2.8 (focal lengths in full frame equivalent terms). Hence, the Fujifilm provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Zeiss. The ZX1 offers the faster maximum aperture.
The XP120 writes its imaging data to SDXC cards, while the ZX1 uses an internal SSD.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Zeiss ZX1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm XP120||-||mono / mono||-||-||micro||2.0||Y||-||-|
|2.||Zeiss ZX1||Y||stereo / mono||-||-||-||3.1||Y||Y||Y|
|3.||Fujifilm XP140||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|4.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|5.||Fujifilm XP130||-||mono / mono||-||-||micro||2.0||Y||-||Y|
|6.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|7.||Leica V-LUX 5||Y||stereo / mono||-||-||micro||2.0||Y||-||Y|
|8.||Nikon W300||-||stereo / mono||-||-||micro||2.0||Y||-||Y|
|9.||Olympus TG-5||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Olympus TG-4||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|11.||Panasonic FZ1000 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|12.||Panasonic FZ1000||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|13.||Ricoh WG-60||-||mono / mono||-||-||micro||2.0||-||-||-|
|14.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|15.||Sony HX99||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|16.||Sony HX95||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|17.||Sony WX800||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the ZX1 has a hotshoe, which makes it possible to easily attach optional accessories, such as an external flash gun. The XP120 does not feature such an accessory-socket.
The ZX1 is a recent model that features in the current product line-up of Zeiss. In contrast, the XP120 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the XP120 was succeeded by the Fujifilm XP130. Further information on the features and operation of the XP120 and ZX1 can be found, respectively, in the Fujifilm XP120 Manual (free pdf) or the online Zeiss ZX1 Manual.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm XP120 or the Zeiss ZX1 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm FinePix XP120:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster shutter: Has higher mechanical shutter speed (1/2000s vs 1/1000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More compact: Is smaller (110x71mm vs 142x93mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 597g or 75 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (96 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in January 2017).
Reasons to prefer the Zeiss ZX1:
- More detail: Has more megapixels (37.4 vs 15.9MP), which boosts linear resolution by 56%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (4.3" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2765k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.8 vs f/3.9).
- Longer lasting: Gets more shots (250 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More prestigious: Has the Zeiss luxury appeal, which ensures a high resale value.
- More modern: Was introduced somewhat (1 year and 8 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the ZX1 is the clear winner of the contest (20 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP120 and the Zeiss ZX1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the XP120 and the ZX1 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm XP120||..||o||..||..||3.5/5||4/5||Jan 2017||229||ebay.com|
|2.||Zeiss ZX1||3/5||..||..||83/100||4/5||4/5||Sep 2018||5,999||amazon.com|
|3.||Fujifilm XP140||..||+||..||..||3.5/5||4/5||Feb 2019||229||amazon.com|
|4.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|5.||Fujifilm XP130||..||o||..||..||3.5/5||4/5||Jan 2018||229||ebay.com|
|6.||Leica Q2||..||..||4.5/5||84/100||4.5/5||4/5||Mar 2019||4,995||amazon.com|
|7.||Leica V-LUX 5||..||..||..||..||4/5||4/5||Jul 2019||1,249||amazon.com|
|8.||Nikon W300||..||+||..||..||4/5||4/5||May 2017||389||amazon.com|
|9.||Olympus TG-5||..||+ +||4.5/5||..||4/5||4/5||May 2017||449||ebay.com|
|10.||Olympus TG-4||..||+||..||79/100||4/5||4/5||Apr 2015||379||ebay.com|
|11.||Panasonic FZ1000 II||..||..||..||83/100||4.5/5||4.5/5||Feb 2019||899||amazon.com|
|12.||Panasonic FZ1000||4/5||+ +||..||82/100||4.5/5||4.5/5||Jun 2014||899||ebay.com|
|13.||Ricoh WG-60||..||..||..||..||..||..||Oct 2018||279||ebay.com|
|14.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199||ebay.com|
|15.||Sony HX99||..||..||..||..||4/5||4.5/5||Aug 2018||449||amazon.com|
|16.||Sony HX95||..||..||..||..||..||..||Aug 2018||429||amazon.com|
|17.||Sony WX800||..||..||..||..||..||..||Oct 2018||399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 500D vs Fujifilm XP120
- Canon R6 Mark II vs Zeiss ZX1
- Canon RP vs Zeiss ZX1
- Epson R-D1 vs Fujifilm XP120
- Fujifilm XF10 vs Fujifilm XP120
- Fujifilm XP120 vs Nikon Z6 II
- Fujifilm XP120 vs Sony A7R
- Fujifilm XP120 vs Sony A7S
- Nikon D5 vs Zeiss ZX1
- Nikon D5600 vs Zeiss ZX1
- Panasonic ZS100 vs Zeiss ZX1
- Pentax K-50 vs Zeiss ZX1
Specifications: Fujifilm XP120 vs Zeiss ZX1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm XP120||Zeiss ZX1|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-140mm f/3.9-4.9||35mm f/2.8|
|Launch Date||January 2017||September 2018|
|Launch Price||USD 229||USD 5,999|
|Sensor Specs||Fujifilm XP120||Zeiss ZX1|
|Sensor Format||1/2.3" Sensor||Full Frame Sensor|
|Sensor Size||6.17 x 4.55 mm||36.0 x 24.0 mm|
|Sensor Area||28.0735 mm2||864 mm2|
|Sensor Diagonal||7.7 mm||43.3 mm|
|Sensor Resolution||15.9 Megapixels||37.4 Megapixels|
|Image Resolution||4608 x 3456 pixels||7488 x 4992 pixels|
|Pixel Pitch||1.33 μm||4.81 μm|
|Pixel Density||56.73 MP/cm2||4.33 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||80 - 51,200 ISO|
|Screen Specs||Fujifilm XP120||Zeiss ZX1|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||6221k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||4.3inch|
|LCD Resolution||920k dots||2765k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm XP120||Zeiss ZX1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||no handshake reduction|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SSD cards|
|Single or Dual Card Slots||Single card slot||Single SSD|
|Connectivity Specs||Fujifilm XP120||Zeiss ZX1|
|External Flash||no Hotshoe||Hotshoe|
|USB Connector||USB 2.0||USB 3.1|
|HDMI Port||micro HDMI||no HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm XP120||Zeiss ZX1|
|Environmental Sealing||Waterproof body (20m)||not weather sealed|
|Battery Life (CIPA)||210 shots per charge||250 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
110 x 71 x 28 mm
(4.3 x 2.8 x 1.1 in)
142 x 93 x 46 mm
(5.6 x 3.7 x 1.8 in)
|Camera Weight||203 g (7.2 oz)||800 g (28.2 oz)|
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