Fujifilm XP120 vs Sony A68
The Fujifilm FinePix XP120 and the Sony Alpha SLT-A68 are two digital cameras that were officially introduced, respectively, in January 2017 and November 2015. The XP120 is a fixed lens compact, while the A68 is a DSLR. The cameras are based on a 1/2.3-inch (XP120) and an APS-C (A68) sensor. The Fujifilm has a resolution of 15.9 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix XP120 and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Fujifilm XP120 and the Sony A68. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The XP120 can be obtained in three different colors (blue, yellow, green), while the A68 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is considerably larger (90 percent) than the Fujifilm XP120. It is worth mentioning in this context that the XP120 is splash and dust resistant, while the A68 does not feature any corresponding weather-sealing. More than that, the XP120 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XP120 has a lens built in, whereas the A68 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup.
Concerning battery life, the XP120 gets 210 shots out of its Fujifilm NP-45S battery, while the A68 can take 540 images on a single charge of its Sony NP-FM500H power pack. The power pack in the XP120 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP120 | 110 mm | 71 mm | 28 mm | 203 g | 210 | Y | Jan 2017 | 229 | ebay.com | |
2. | Sony A68 | 143 mm | 104 mm | 81 mm | 610 g | 540 | n | Nov 2015 | 699 | ebay.com | |
3. | Fujifilm XP140 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Feb 2019 | 229 | ebay.com | |
4. | Fujifilm XP130 | 110 mm | 71 mm | 28 mm | 207 g | 240 | Y | Jan 2018 | 229 | ebay.com | |
5. | Nikon W300 | 112 mm | 66 mm | 29 mm | 231 g | 280 | Y | May 2017 | 389 | ebay.com | |
6. | Olympus TG-5 | 113 mm | 66 mm | 32 mm | 250 g | 340 | Y | May 2017 | 449 | ebay.com | |
7. | Olympus TG-4 | 112 mm | 66 mm | 31 mm | 247 g | 380 | Y | Apr 2015 | 379 | ebay.com | |
8. | Pentax WG-90 | 123 mm | 62 mm | 30 mm | 194 g | 300 | Y | Nov 2023 | 279 | amazon.com | |
9. | Pentax K-S1 | 121 mm | 93 mm | 70 mm | 558 g | 410 | n | Aug 2014 | 749 | ebay.com | |
10. | Ricoh WG-60 | 123 mm | 62 mm | 30 mm | 193 g | 300 | Y | Oct 2018 | 279 | ebay.com | |
11. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
12. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
13. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | 399 | ebay.com | |
14. | Sony A77 II | 143 mm | 104 mm | 81 mm | 647 g | 480 | Y | May 2014 | 1,199 | ebay.com | |
15. | Sony A6000 | 120 mm | 67 mm | 45 mm | 344 g | 360 | n | Feb 2014 | 599 | ebay.com | |
16. | Sony A58 | 129 mm | 95 mm | 78 mm | 492 g | 690 | n | Feb 2013 | 599 | ebay.com | |
17. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The XP120 was launched at a lower price than the A68, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XP120 features a 1/2.3-inch sensor and the Sony A68 an APS-C sensor. The sensor area in the A68 is 1211 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 5.6 and 1.5. The sensor in the XP120 has a native 4:3 aspect ratio, while the one in the A68 offers a 3:2 aspect.
With 24MP, the A68 offers a higher resolution than the XP120 (15.9MP), but the A68 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 1.33μm for the XP120) due to its larger sensor. However, the XP120 is a somewhat more recent model (by 1 year and 2 months) than the A68, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the XP120 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm XP120 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The Fujifilm FinePix XP120 has a native sensitivity range from ISO 100 to ISO 3200. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
In terms of underlying technology, the XP120 is build around a BSI-CMOS sensor, while the A68 uses a CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP120 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.5 | 11.9 | 900 | 49 | |
2. | Sony A68 | APS-C | 24.0 | 6000 | 4000 | 1080/60i | 24.1 | 13.5 | 701 | 79 | |
3. | Fujifilm XP140 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/15p | 20.7 | 12.2 | 1102 | 52 | |
4. | Fujifilm XP130 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.1 | 1000 | 51 | |
5. | Nikon W300 | 1/2.3 | 15.9 | 4608 | 3456 | 4K/30p | 20.5 | 12.0 | 938 | 50 | |
6. | Olympus TG-5 | 1/2.3 | 12.0 | 4000 | 3000 | 4K/30p | 20.5 | 11.9 | 934 | 50 | |
7. | Olympus TG-4 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/30p | 20.2 | 11.6 | 737 | 47 | |
8. | Pentax WG-90 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.9 | 12.8 | 1570 | 54 | |
9. | Pentax K-S1 | APS-C | 20.0 | 5472 | 3648 | 1080/30p | 23.5 | 13.0 | 1061 | 78 | |
10. | Ricoh WG-60 | 1/2.3 | 15.9 | 4608 | 3456 | 1080/60p | 20.6 | 12.2 | 1072 | 51 | |
11. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
12. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
13. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
14. | Sony A77 II | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.4 | 13.4 | 1013 | 82 | |
15. | Sony A6000 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.1 | 1347 | 82 | |
16. | Sony A58 | APS-C | 19.8 | 5456 | 3632 | 1080/60i | 23.3 | 12.5 | 753 | 74 | |
17. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the XP120 provides a higher frame rate than the A68. It can shoot video footage at 1080/60p, while the Sony is limited to 1080/60i.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A68 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XP120 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm XP120 and Sony A68 in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP120 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
2. | Sony A68 | 1440 | Y | 2.7 / 460 | tilting | n | 1/4000s | 8.0/s | Y | Y | |
3. | Fujifilm XP140 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
4. | Fujifilm XP130 | none | n | 3.0 / 920 | fixed | n | 1/2000s | 10.0/s | Y | Y | |
5. | Nikon W300 | none | n | 3.0 / 921 | fixed | n | 1/4000s | 7.0/s | Y | Y | |
6. | Olympus TG-5 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 20.0/s | Y | Y | |
7. | Olympus TG-4 | none | n | 3.0 / 460 | fixed | n | 1/2000s | 5.0/s | Y | Y | |
8. | Pentax WG-90 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
9. | Pentax K-S1 | optical | n | 3.0 / 921 | fixed | n | 1/6000s | 5.4/s | Y | Y | |
10. | Ricoh WG-60 | none | n | 2.7 / 230 | fixed | n | 1/4000s | 8.0/s | Y | n | |
11. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
12. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
13. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
14. | Sony A77 II | 2359 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
15. | Sony A6000 | 1440 | n | 3.0 / 922 | tilting | n | 1/4000s | 11.0/s | Y | n | |
16. | Sony A58 | 1440 | n | 2.7 / 460 | tilting | n | 1/4000s | 5.0/s | Y | Y | |
17. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the A68, but is missing on the XP120 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Fujifilm XP120 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The XP120 writes its imaging data to SDXC cards, while the A68 uses SDXC or Memory Stick PRO Duo cards. The A68 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the XP120 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix XP120 and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP120 | - | mono / mono | - | - | micro | 2.0 | Y | - | - | |
2. | Sony A68 | Y | stereo / mono | Y | - | micro | 2.0 | - | - | - | |
3. | Fujifilm XP140 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Fujifilm XP130 | - | mono / mono | - | - | micro | 2.0 | Y | - | Y | |
5. | Nikon W300 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
6. | Olympus TG-5 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Olympus TG-4 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Pentax WG-90 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
9. | Pentax K-S1 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
10. | Ricoh WG-60 | - | mono / mono | - | - | micro | 2.0 | - | - | - | |
11. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
12. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
13. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
14. | Sony A77 II | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
15. | Sony A6000 | Y | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
16. | Sony A58 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
17. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the XP120 offers wifi support, while the A68 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the XP120 and the A68 have been discontinued, but can regularly be found used on ebay. The XP120 was replaced by the Fujifilm XP130, while the A68 does not have a direct successor. Further information on the features and operation of the XP120 and A68 can be found, respectively, in the Fujifilm XP120 Manual (free pdf) or the online Sony A68 Manual.
Review summary
So how do things add up? Is the Fujifilm XP120 better than the Sony A68 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm FinePix XP120:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/60i).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with a built-in lens, while the A68 requires a separate lens.
- More compact: Is smaller (110x71mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A68).
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Is somewhat more recent (announced 1 year and 2 months after the A68).
Advantages of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 15.9MP), which boosts linear resolution by 25%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (540 versus 210) out of a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in November 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the A68 comes out slightly ahead of the XP120 (16 : 15 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm XP120 and the Sony A68 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the XP120 or the A68 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm XP120 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2017 | 229 | ebay.com | |
2. | Sony A68 | 3/5 | .. | .. | .. | 4/5 | 4/5 | Nov 2015 | 699 | ebay.com | |
3. | Fujifilm XP140 | .. | + | .. | .. | 3.5/5 | 4/5 | Feb 2019 | 229 | ebay.com | |
4. | Fujifilm XP130 | .. | o | .. | .. | 3.5/5 | 4/5 | Jan 2018 | 229 | ebay.com | |
5. | Nikon W300 | .. | + | .. | .. | 4/5 | 4/5 | May 2017 | 389 | ebay.com | |
6. | Olympus TG-5 | .. | + + | 4.5/5 | .. | 4/5 | 4/5 | May 2017 | 449 | ebay.com | |
7. | Olympus TG-4 | .. | + | .. | 79/100 | 4/5 | 4/5 | Apr 2015 | 379 | ebay.com | |
8. | Pentax WG-90 | .. | .. | .. | .. | .. | .. | Nov 2023 | 279 | amazon.com | |
9. | Pentax K-S1 | 4/5 | .. | .. | .. | 4.5/5 | 4/5 | Aug 2014 | 749 | ebay.com | |
10. | Ricoh WG-60 | .. | .. | .. | .. | .. | .. | Oct 2018 | 279 | ebay.com | |
11. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
12. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
13. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | 399 | ebay.com | |
14. | Sony A77 II | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | May 2014 | 1,199 | ebay.com | |
15. | Sony A6000 | 5/5 | + | 4.5/5 | 80/100 | 4.5/5 | 5/5 | Feb 2014 | 599 | ebay.com | |
16. | Sony A58 | 3/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Feb 2013 | 599 | ebay.com | |
17. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 800D vs Fujifilm XP120
- Canon T100 vs Sony A68
- Contax N Digital vs Sony A68
- Fujifilm X-T10 vs Sony A68
- Fujifilm X-T100 vs Sony A68
- Fujifilm XP120 vs Leica C-LUX
- Fujifilm XP120 vs Nikon D2H
- Fujifilm XP120 vs Sony A7C
- Fujifilm XP120 vs Sony RX0 II
- Fujifilm XP120 vs Sony RX100 II
- Nikon D2X vs Sony A68
- Nikon D800E vs Sony A68
Specifications: Fujifilm XP120 vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm XP120 | Sony A68 |
---|---|---|
Camera Type | Fixed lens compact camera | Digital single lens reflex |
Camera Lens | 28-140mm f/3.9-4.9 | Sony A mount lenses |
Launch Date | January 2017 | November 2015 |
Launch Price | USD 229 | USD 699 |
Sensor Specs | Fujifilm XP120 | Sony A68 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | 1/2.3" Sensor | APS-C Sensor |
Sensor Size | 6.17 x 4.55 mm | 23.5 x 15.6 mm |
Sensor Area | 28.0735 mm2 | 366.6 mm2 |
Sensor Diagonal | 7.7 mm | 28.2 mm |
Crop Factor | 5.6x | 1.5x |
Sensor Resolution | 15.9 Megapixels | 24 Megapixels |
Image Resolution | 4608 x 3456 pixels | 6000 x 4000 pixels |
Pixel Pitch | 1.33 μm | 3.91 μm |
Pixel Density | 56.73 MP/cm2 | 6.55 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 1080/60i Video |
ISO Setting | 100 - 3,200 ISO | 100 - 25,600 ISO |
DXO Sensor Quality (score) | .. | 79 |
DXO Color Depth (bits) | .. | 24.1 |
DXO Dynamic Range (EV) | .. | 13.5 |
DXO Low Light (ISO) | .. | 701 |
Screen Specs | Fujifilm XP120 | Sony A68 |
Viewfinder Type | no viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | |
Viewfinder Magnification | 0.57x | |
Viewfinder Resolution | 1440k dots | |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 2.7inch |
LCD Resolution | 920k dots | 460k dots |
LCD Attachment | Fixed screen | Tilting screen |
Shooting Specs | Fujifilm XP120 | Sony A68 |
Focus System | Contrast-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/2000s | 1/4000s |
Continuous Shooting | 10 shutter flaps/s | 8 shutter flaps/s |
Time-Lapse Photography | Intervalometer built-in | no Intervalometer |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-I |
Connectivity Specs | Fujifilm XP120 | Sony A68 |
External Flash | no Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Wifi Support | Wifi built-in | no Wifi |
Body Specs | Fujifilm XP120 | Sony A68 |
Environmental Sealing | Waterproof body (20m) | not weather sealed |
Battery Type | Fujifilm NP-45S | Sony NP-FM500H |
Battery Life (CIPA) | 210 shots per charge | 540 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
110 x 71 x 28 mm (4.3 x 2.8 x 1.1 in) |
143 x 104 x 81 mm (5.6 x 4.1 x 3.2 in) |
Camera Weight | 203 g (7.2 oz) | 610 g (21.5 oz) |
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