Fujifilm XF10 vs Panasonic GX80
The Fujifilm XF10 and the Panasonic Lumix DMC-GX80 (labelled Panasonic GX85 in some countries) are two digital cameras that were announced, respectively, in July 2018 and April 2016. The XF10 is a fixed lens compact, while the GX80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (XF10) and a Four Thirds (GX80) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Fujifilm XF10||Panasonic GX80|
|Fixed lens compact camera||Mirrorless system camera|
|28mm f/2.8-16||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|4K/15p Video||4K/30p Video|
|ISO 200-12800 (100-51200)||ISO 200-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2765k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Fixed touchscreen||Tilting touchscreen|
|6 shutter flaps per second||8 shutter flaps per second|
|No shake reduction||In-body stabilization|
|330 shots per battery charge||290 shots per battery charge|
|113 x 64 x 41 mm, 279 g||122 x 71 x 44 mm, 426 g|
Body comparison: Fujifilm XF10 vs Panasonic GX80
The side-by-side display below illustrates the physical size and weight of the Fujifilm XF10 and the Panasonic GX80. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the XF10 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX80 is notably larger (20 percent) than the Fujifilm XF10. In this context, it is worth noting that neither the XF10 nor the GX80 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the XF10 has a lens built in, whereas the GX80 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX80 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm XF10»||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Panasonic GX80«||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499||Canon M100|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X70« »||4.4 in||2.5 in||1.7 in||12.0 oz||330||n||Jan 2016||799||-||Fujifilm X70|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-||Olympus E-M10|
|Panasonic GX9« »||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||Panasonic ZS70|
|Panasonic G80« »||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||Panasonic G80|
|Panasonic GX7« »||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999||-||Panasonic GX7|
|Sony RX100 VI« »||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The XF10 was launched at a lower price than the GX80, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Fujifilm XF10 vs Panasonic GX80
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm XF10 features an APS-C sensor and the Panasonic GX80 a Four Thirds sensor. The sensor area in the GX80 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the XF10 has a native 3:2 aspect ratio, while the one in the GX80 offers a 4:3 aspect.
With 24MP, the XF10 offers a higher resolution than the GX80 (15.8MP), but the XF10 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the GX80) due to its larger sensor. Moreover, the XF10 is a somewhat more recent model (by 2 years and 3 months) than the GX80, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the GX80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The XF10 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Fujifilm XF10 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm XF10»||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Panasonic GX80«||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-E3|
|Fujifilm X70« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X70|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72||Olympus E-M10|
|Panasonic GX9« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Panasonic TS7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Panasonic ZS70« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic ZS70|
|Panasonic G80« »||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Panasonic GX7« »||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70||Panasonic GX7|
|Sony RX100 VI« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX80 provides a faster frame rate than the XF10. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 4K/15p.
Feature comparison: Fujifilm XF10 vs Panasonic GX80
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the GX80 has an electronic viewfinder (2765k dots), which can be very helpful when shooting in bright sunlight. In contrast, the XF10 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm XF10, the Panasonic GX80, and comparable cameras.
|Fujifilm XF10»||-||n||3.0||1040||fixed||Y||4000||6.0||Y||n||Fujifilm XF10|
|Panasonic GX80«||2765||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Panasonic GX80|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||2000||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n||Canon M100|
|Canon SX730« »||-||n||3.0||922||tilting||n||3200||5.9||Y||Y||Canon SX730|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||4000||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n||Fujifilm X-E3|
|Fujifilm X70« »||-||n||3.0||1040||tilting||Y||4000||8.0||Y||n||Fujifilm X70|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y||Olympus E-M10 II|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y||Olympus E-M10|
|Panasonic GX9« »||2760||n||3.0||1240||tilting||Y||4000||9.0||Y||Y||Panasonic GX9|
|Panasonic TS7« »||1170||n||3.0||1040||fixed||n||1300||10.0||Y||Y||Panasonic TS7|
|Panasonic ZS70« »||1166||n||3.0||1040||tilting||Y||2000||10.0||Y||Y||Panasonic ZS70|
|Panasonic G80« »||2360||n||3.0||1040||swivel||Y||4000||9.0||Y||Y||Panasonic G80|
|Panasonic GX7« »||2760||n||3.0||1040||tilting||Y||8000||5.0||Y||Y||Panasonic GX7|
|Sony RX100 VI« »||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, both cameras feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
Concerning the storage of imaging data, both the XF10 and the GX80 write their files to SDXC cards.
Connectivity comparison: Fujifilm XF10 vs Panasonic GX80
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm XF10 and Panasonic Lumix DMC-GX80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm XF10»||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Panasonic GX80«||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-E3« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X70« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X70|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Olympus E-M10« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10|
|Panasonic GX9« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Panasonic TS7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Panasonic ZS70« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic ZS70|
|Panasonic G80« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Panasonic GX7« »||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Panasonic GX7|
|Sony RX100 VI« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
It is notable that the XF10 has a microphone port, which is missing on the GX80. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Both the XF10 and the GX80 are recent models that feature in their makers' current product line-up. The GX80 replaced the earlier Panasonic GX7, while the XF10 followed on from the Fujifilm X70.
Review summary: Fujifilm XF10 vs Panasonic GX80
So what is the bottom line? Is the Fujifilm XF10 better than the Panasonic GX80 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm XF10:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: Larger sensor generates images with better, more accurate colors.
- More dynamic range: Capable of capturing a wider spectrum of light and dark details.
- Better low-light sensitivity: Can be used in poorly lit environments and still produce good images.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Ready to shoot: Has a lens built-in, whereas the GX80 requires a separate lens.
- More compact: Is smaller (113x64mm vs 122x71mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX80).
- Longer lasting: Can take more shots (330 versus 290) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 2 years and 3 months of technical progress since the GX80 launch.
Reasons to prefer the Panasonic Lumix DMC-GX80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/30p versus 4K/15p).
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 6 flaps/sec) to capture the decisive moment.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More heavily discounted: Has been around for much longer (launched in April 2016).
If the number of relative strengths (bullet points above) is taken as a guide, the XF10 is the clear winner of the match-up (15 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the XF10 or the GX80 handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Fujifilm XF10 vs Panasonic GX80
This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Fujifilm XF10»||-||-||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Panasonic GX80«||HiRec||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon SX730« »||Rec||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Fujifilm X-T100« »||Rec||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||Rec||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X70« »||-||76/100||4.5/5||4/5||4.5/5||Jan 2016||799||-||Fujifilm X70|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-||Olympus E-M10 II|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-||Olympus E-M10|
|Panasonic GX9« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Panasonic TS7« »||Rec||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Panasonic ZS70« »||HiRec||-||4/5||-||4/5||Apr 2017||449||Panasonic ZS70|
|Panasonic G80« »||HiRec||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||Panasonic G80|
|Panasonic GX7« »||Rec||79/100||5/5||4.5/5||5/5||Aug 2013||999||-||Panasonic GX7|
|Sony RX100 VI« »||HiRec||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D vs Nikon Df
- Canon 1Ds Mark III vs Canon 1D X Mark II
- Canon M5 vs Canon G7 X Mark II
- Canon T5i vs Fujifilm X30
- Canon T5i vs Panasonic GM5
- Fujifilm X-A5 vs Panasonic GX9
- Fujifilm X-E2S vs Nikon D5600
- Nikon D300S vs Nikon D90
- Nikon D300S vs Sony A7 III
- Olympus E-420 vs Panasonic L10
- Panasonic GX1 vs Panasonic GX800
- Ricoh GR II vs Fujifilm X-Pro2
Specifications: Fujifilm XF10 vs Panasonic GX80
|Camera Model||Fujifilm XF10||Panasonic GX80|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28mm f/2.8-16||Micro Four Thirds lenses|
|Launch Date||July 2018||April 2016|
|Launch Price||USD 499||USD 799|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.5 x 15.7 mm||17.3 x 15.7 mm|
|MP Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Size||3.92 μm||3.77 μm|
|Movie Capability||4K/15p Video||4K/30p Video|
|ISO Setting||200-12800 ISO||200-25600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2765k dots|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Maximum Shutter Speed||1/4000s||1/4000s|
|Continuous Shooting||6 shutter flaps/s||8 shutter flaps/s|
|Silent Shooting||Electronic Shutter||Electronic Shutter|
|Image Stabilization||No shake reduction||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Battery Type||NP-95 power pack||DMW-BLG10 power pack|
|Battery Life||330 shots per charge||290 shots per charge|
113 x 64 x 41 mm
(4.4 x 2.5 x 1.6 in)
122 x 71 x 44 mm
(4.8 x 2.8 x 1.7 in)
|Camera Weight||279 g (9.8 oz)||426 g (15.0 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.