Fujifilm X70 versus Fujifilm X-Pro2
The Fujifilm X70 and the Fujifilm X-Pro2 are two digital cameras that were officially introduced in January 2016. The X70 is a fixed lens compact, while the X-Pro2 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The X70 has a resolution of 16 megapixel, whereas the X-Pro2 provides 24 MP.
An illustration of the physical size and weight of the Fujifilm X70 and the Fujifilm X-Pro2 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X70 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is considerably larger (62 percent) than the Fujifilm X70. It is noteworthy in this context that the X-Pro2 is splash and dust-proof, while the X70 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X70 has a lens build in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X70 (⇒ rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-Pro2 (⇒ lft)||141 mm||83 mm||46 mm||495 g||350||YES||2016||1,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||144 mm||111 mm||75 mm||765 g||1200||YES||2017||1,999||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||106 mm||61 mm||42 mm||319 g||265||no||2016||699||latest||check|
|Canon G5 X (⇒ lft | rgt)||112 mm||76 mm||44 mm||353 g||210||no||2015||799||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-T2 (⇒ lft | rgt)||133 mm||92 mm||49 mm||507 g||340||YES||2016||1,599||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||117 mm||67 mm||40 mm||350 g||410||no||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||117 mm||67 mm||39 mm||330 g||350||no||2013||699||latest||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||140 mm||82 mm||43 mm||450 g||300||no||2012||1,699||discont.||check|
|Ricoh GR II (⇒ lft | rgt)||117 mm||63 mm||35 mm||251 g||320||no||2015||699||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X70 was launched at a lower price than the X-Pro2, despite having a lens build in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the X-Pro2 offers a higher resolution of 24 megapixel, compared with 16 MP of the X70. This megapixel advantage translates into a 23 percent gain in linear resolution. On the other hand, these sensor specs imply that the X-Pro2 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 4.80μm for the X70). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X70 (⇒ rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro2 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon 6D Mark II (⇒ lft | rgt)||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon G7 X Mark II (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Canon G5 X (⇒ lft | rgt)||1-inch||20.0||5472||3648||1080/60p||-||-||-||-|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-M1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-Pro1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Ricoh GR II (⇒ lft | rgt)||APS-C||16.1||4928||3264||1080/30p||23.6||13.7||1078||80|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X70 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X70, the Fujifilm X-Pro2, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Fujifilm X70 (⇒ rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-Pro2 (⇒ lft)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Canon 6D Mark II (⇒ lft | rgt)||optical||YES||3.0||1040||swivel||YES||4000||6.5||no||no|
|Canon G7 X Mark II (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||2000||8.0||7||YES|
|Canon G5 X (⇒ lft | rgt)||2360||no||3.0||1040||swivel||YES||2000||5.9||7||YES|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-M1 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X-Pro1 (⇒ lft | rgt)||1440||no||3.0||1230||fixed||no||4000||6.0||no||no|
|Ricoh GR II (⇒ lft | rgt)||no||no||3.0||1230||fixed||no||4000||4.0||3||no|
Both the X70 and the X-Pro2 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the X70 does not have a direct predecessor.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X70 and the Fujifilm X70? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X70:
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Ready to shoot: Has a lens build-in, whereas the X-Pro2 requires a separate lens.
- More compact: Is smaller (113x64mm vs 141x83mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a build-in lens (unlike the X-Pro2).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a build-in lens.
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
If the count of individual advantages (bullet points above) is taken as a guide, the X70 comes out slightly ahead of the X-Pro2 (7 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X70 or the X-Pro2 handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites. You can find the full text of the reviews, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X70 (⇒ rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-Pro2 (⇒ lft)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Canon 6D Mark II (⇒ lft | rgt)||Rec||80/100||4.5/5||4/5||4/5||2017||1,999||latest||check|
|Canon G7 X Mark II (⇒ lft | rgt)||HiRec||81/100 Silver||4.5/5||4/5||4.5/5||2016||699||latest||check|
|Canon G5 X (⇒ lft | rgt)||HiRec||78/100 Silver||4.5/5||4/5||4.5/5||2015||799||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X-M1 (⇒ lft | rgt)||Rec||77/100 Gold||4.5/5||-||4.5/5||2013||699||latest||check|
|Fujifilm X-Pro1 (⇒ lft | rgt)||HiRec||79/100 Silver||4.5/5||4/5||4.5/5||2012||1,699||discont.||check|
|Ricoh GR II (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2015||699||discont.||check|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please send me an email, and I will try to locate and add the respective data to the application.
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