Fujifilm X30 versus Fujifilm X-A3
The Fujifilm X30 and the Fujifilm X-A3 are two digital cameras that were officially introduced, respectively, in August 2014 and August 2016. The X30 is a fixed lens compact, while the X-A3 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X30) and an APS-C sensor. The X30 has a resolution of 12 megapixel, whereas the X-A3 provides 24 MP.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X30 and the Fujifilm X-A3. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the X30 – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-A3 is somewhat smaller (9 percent) than the Fujifilm X30. In this context, it is worth noting that neither the X30 nor the X-A3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X30 has a lens build in, whereas the X-A3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can find an overview of optics for the X-A3 and their specifications in the Fujinon X Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X30 (⇒ rgt)||119 mm||72 mm||60 mm||423 g||470||no||2014||599||latest||check|
|Fujifilm X-A3 (⇒ lft)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Canon XC10 (⇒ lft | rgt)||125 mm||102 mm||122 mm||1040 g||..||no||2015||2,499||latest||check|
|Canon SX60 (⇒ lft | rgt)||128 mm||93 mm||114 mm||650 g||340||no||2014||549||latest||check|
|Canon G16 (⇒ lft | rgt)||109 mm||76 mm||40 mm||356 g||360||no||2013||549||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||117 mm||67 mm||40 mm||350 g||410||no||2015||399||discont.||check|
|Fujifilm X100T (⇒ lft | rgt)||127 mm||74 mm||52 mm||440 g||330||no||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||127 mm||74 mm||54 mm||445 g||330||no||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||117 mm||70 mm||57 mm||353 g||270||no||2013||599||discont.||check|
|Fujifilm X10 (⇒ lft | rgt)||117 mm||70 mm||57 mm||350 g||270||no||2011||599||discont.||check|
|Fujifilm X100 (⇒ lft | rgt)||126 mm||75 mm||54 mm||445 g||300||no||2010||1,199||discont.||check|
|Leica D-LUX Typ 109 (⇒ lft | rgt)||118 mm||66 mm||55 mm||405 g||300||no||2014||1,195||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||115 mm||66 mm||55 mm||393 g||300||no||2014||899||latest||check|
|YI M1 (⇒ lft | rgt)||114 mm||64 mm||34 mm||281 g||450||no||2016||349||latest||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tent to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X30 features a 2/3 sensor and the Fujifilm X-A3 an APS-C sensor. The sensor area in the X-A3 is 536 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X30 has a native 4:3 aspect ratio, while the one in the X-A3 offers a 3:2 aspect.
With 24MP, the X-A3 offers a higher resolution than the X30 (12MP), but the X-A3 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 2.20μm for the X30) due to its larger sensor. Moreover, the X-A3 is a much more recent model (by 2 years) than the X30, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X30 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X30 (⇒ rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon XC10 (⇒ lft | rgt)||1-inch||12.0||4000||3000||4K/30p||-||-||-||-|
|Canon SX60 (⇒ lft | rgt)||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39|
|Canon G16 (⇒ lft | rgt)||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X100T (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X100S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X20 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/60p||-||-||-||-|
|Fujifilm X10 (⇒ lft | rgt)||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50|
|Fujifilm X100 (⇒ lft | rgt)||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73|
|Leica D-LUX Typ 109 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||-||-||-||-|
|Panasonic LX100 (⇒ lft | rgt)||Four Thirds||12.7||4112||3088||4K/30p||22.3||12.5||553||67|
|YI M1 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X30 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-A3 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X30, the Fujifilm X-A3, and comparable cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Fujifilm X30 (⇒ rgt)||2360||no||3.0||920||tilting||no||4000||12.0||7||..|
|Fujifilm X-A3 (⇒ lft)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Canon XC10 (⇒ lft | rgt)||no||no||3.0||1030||tilting||YES||2000||3.8||no||YES|
|Canon SX60 (⇒ lft | rgt)||922||no||3.0||922||swivel||no||2000||6.4||5.5||YES|
|Canon G16 (⇒ lft | rgt)||optical||no||3.0||922||fixed||no||4000||2.2||7||YES|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X-T20 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-A2 (⇒ lft | rgt)||no||no||3.0||920||tilting||no||4000||5.6||7||no|
|Fujifilm X100T (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||6.0||9||no|
|Fujifilm X100S (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||9||no|
|Fujifilm X20 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||12.0||7||YES|
|Fujifilm X10 (⇒ lft | rgt)||optical||no||2.8||460||fixed||no||4000||10.0||9||YES|
|Fujifilm X100 (⇒ lft | rgt)||1440||no||2.8||460||fixed||no||4000||5.0||9||no|
|Leica D-LUX Typ 109 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||no||YES|
|Panasonic LX100 (⇒ lft | rgt)||2764||no||3.0||921||fixed||no||4000||11.0||7||YES|
|YI M1 (⇒ lft | rgt)||no||no||3.0||1040||fixed||YES||4000||5.0||no||no|
Both the X30 and the X-A3 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The X30 replaced the earlier Fujifilm X20, while the X-A3 followed on from the Fujifilm X-A2.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X30 and the Fujifilm X30? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X30:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Easier framing: Has an electronic viewfinder for image framing and settings control.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens build-in, whereas the X-A3 requires a separate lens.
- Longer lasting: Can take more shots (470 versus 410) on a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in August 2014).
Reasons to prefer the Fujifilm X-A3:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- More modern: Was introduced somewhat (2 years) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the X-A3 comes out slightly ahead of the X30 (7 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X30 and the X-A3 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The detailed reviews can be accessed, respectively, on the websites of cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X30 (⇒ rgt)||-||76/100||4.5/5||4/5||4.5/5||2014||599||latest||check|
|Fujifilm X-A3 (⇒ lft)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Canon XC10 (⇒ lft | rgt)||-||80/100||-||-||-||2015||2,499||latest||check|
|Canon SX60 (⇒ lft | rgt)||HiRec||75/100||4/5||-||4.5/5||2014||549||latest||check|
|Canon G16 (⇒ lft | rgt)||Rec||-||4.5/5||4.5/5||4.5/5||2013||549||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T20 (⇒ lft | rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-A2 (⇒ lft | rgt)||-||-||4.5/5||4/5||4.5/5||2015||399||discont.||check|
|Fujifilm X100T (⇒ lft | rgt)||Rec||81/100 Silver||4.5/5||4.5/5||5/5||2014||1,299||discont.||check|
|Fujifilm X100S (⇒ lft | rgt)||HiRec||81/100 Gold||4.5/5||4/5||5/5||2013||1,299||discont.||check|
|Fujifilm X20 (⇒ lft | rgt)||HiRec||77/100 Silver||4.5/5||-||5/5||2013||599||discont.||check|
|Fujifilm X10 (⇒ lft | rgt)||-||76/100 Silver||4/5||3.5/5||4.5/5||2011||599||discont.||check|
|Fujifilm X100 (⇒ lft | rgt)||-||75/100 Silver||4/5||4/5||5/5||2010||1,199||discont.||check|
|Leica D-LUX Typ 109 (⇒ lft | rgt)||-||-||4.5/5||-||4.5/5||2014||1,195||latest||check|
|Panasonic LX100 (⇒ lft | rgt)||HiRec||85/100 Gold||5/5||4/5||5/5||2014||899||latest||check|
|YI M1 (⇒ lft | rgt)||-||69/100||-||2.5/5||-||2016||349||latest||check|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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