Fujifilm X20 vs Sony A7C
The Fujifilm X20 and the Sony Alpha A7C are two digital cameras that were revealed to the public, respectively, in January 2013 and September 2020. The X20 is a fixed lens compact, while the A7C is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X20) and a full frame (A7C) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X20 and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X20 and the Sony A7C is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is notably larger (7 percent) than the Fujifilm X20. It is noteworthy in this context that the A7C is splash and dust-proof, while the X20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the A7C is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A7C and their specifications in the Sony FE Lens Catalog.
Concerning battery life, the X20 gets 270 shots out of its Fujifilm NP-50 battery, while the A7C can take 740 images on a single charge of its Sony NP-FZ100 power pack. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X20 | 117 mm | 70 mm | 57 mm | 353 g | 270 | n | Jan 2013 | 599 | ebay.com | |
2. | Sony A7C | 124 mm | 71 mm | 60 mm | 509 g | 740 | Y | Sep 2020 | 1,799 | amazon.com | |
3. | Canon G7 X | 103 mm | 60 mm | 40 mm | 304 g | 210 | n | Sep 2014 | 699 | ebay.com | |
4. | Canon G16 | 109 mm | 76 mm | 40 mm | 356 g | 360 | n | Aug 2013 | 549 | ebay.com | |
5. | Canon G15 | 107 mm | 76 mm | 40 mm | 352 g | 350 | n | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X30 | 119 mm | 72 mm | 60 mm | 423 g | 470 | n | Aug 2014 | 599 | ebay.com | |
7. | Fujifilm XQ1 | 100 mm | 59 mm | 33 mm | 206 g | 240 | n | Oct 2013 | 499 | ebay.com | |
8. | Fujifilm X10 | 117 mm | 70 mm | 57 mm | 350 g | 270 | n | Sep 2011 | 599 | ebay.com | |
9. | Leica D-LUX 6 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Sep 2012 | 699 | ebay.com | |
10. | Nikon P7800 | 119 mm | 78 mm | 50 mm | 399 g | 350 | n | Sep 2013 | 549 | ebay.com | |
11. | Olympus Stylus 1 | 116 mm | 87 mm | 57 mm | 402 g | 410 | n | Oct 2013 | 699 | ebay.com | |
12. | Panasonic LX7 | 111 mm | 68 mm | 46 mm | 298 g | 330 | n | Jul 2012 | 499 | ebay.com | |
13. | Sony A7C II | 124 mm | 71 mm | 63 mm | 514 g | 540 | Y | Aug 2023 | 2,199 | amazon.com | |
14. | Sony A7 III | 127 mm | 96 mm | 74 mm | 650 g | 610 | Y | Feb 2018 | 1,999 | amazon.com | |
15. | Sony A7 II | 127 mm | 96 mm | 60 mm | 599 g | 350 | Y | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7 | 127 mm | 94 mm | 48 mm | 474 g | 340 | Y | Oct 2013 | 1,699 | ebay.com | |
17. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X20 was launched at a lower price than the A7C, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Sony A7C a full frame sensor. The sensor area in the A7C is 1360 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.0. The sensor in the X20 has a native 4:3 aspect ratio, while the one in the A7C offers a 3:2 aspect.
With 24MP, the A7C offers a higher resolution than the X20 (12MP), but the A7C nevertheless has larger individual pixels (pixel pitch of 5.94μm versus 2.20μm for the X20) due to its larger sensor. Moreover, the A7C is a much more recent model (by 7 years and 8 months) than the X20, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X20 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
In terms of underlying technology, the X20 is build around a CMOS sensor, while the A7C uses a BSI-CMOS imager. The X20 uses Fujifilm's X-Trans layout of photosites, while the A7C employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X20 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.1 | 10.9 | -462 | 46 | |
2. | Sony A7C | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3407 | 95 | |
3. | Canon G7 X | 1-inch | 20.0 | 5472 | 3648 | 1080/60p | 23.0 | 12.7 | 556 | 71 | |
4. | Canon G16 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/60p | 21.0 | 11.7 | 230 | 54 | |
5. | Canon G15 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/24p | 19.9 | 11.5 | 165 | 46 | |
6. | Fujifilm X30 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.4 | 11.2 | -312 | 49 | |
7. | Fujifilm XQ1 | 2/3 | 12.0 | 4000 | 3000 | 1080/60p | 20.3 | 11.0 | -390 | 47 | |
8. | Fujifilm X10 | 2/3 | 12.0 | 4000 | 3000 | 1080/30p | 20.5 | 11.3 | 245 | 50 | |
9. | Leica D-LUX 6 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 19.8 | 10.8 | -303 | 43 | |
10. | Nikon P7800 | 1/1.7 | 12.0 | 4000 | 3000 | 1080/30p | 21.2 | 11.7 | 200 | 54 | |
11. | Olympus Stylus 1 | 1/1.7 | 11.8 | 3968 | 2976 | 1080/30p | 20.7 | 11.6 | 179 | 51 | |
12. | Panasonic LX7 | 1/1.7 | 10.0 | 3648 | 2736 | 1080/60p | 20.7 | 11.7 | 147 | 50 | |
13. | Sony A7C II | Full Frame | 32.7 | 7008 | 4672 | 4K/60p | 25.4 | 14.7 | 3237 | 96 | |
14. | Sony A7 III | Full Frame | 24.0 | 6000 | 4000 | 4K/30p | 25.0 | 14.7 | 3730 | 96 | |
15. | Sony A7 II | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.9 | 13.6 | 2449 | 90 | |
16. | Sony A7 | Full Frame | 24.0 | 6000 | 4000 | 1080/60p | 24.8 | 14.2 | 2248 | 90 | |
17. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A7C provides a better video resolution than the X20. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7C has an electronic viewfinder (2360k dots), while the X20 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X20 and Sony A7C in connection with corresponding information for a sample of similar cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X20 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
2. | Sony A7C | 2360 | n | 3.0 / 922 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
3. | Canon G7 X | none | n | 3.0 / 1040 | tilting | Y | 1/2000s | 6.5/s | Y | Y | |
4. | Canon G16 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.2/s | Y | Y | |
5. | Canon G15 | optical | n | 3.0 / 922 | fixed | n | 1/4000s | 2.1/s | Y | Y | |
6. | Fujifilm X30 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 12.0/s | Y | Y | |
7. | Fujifilm XQ1 | none | n | 3.0 / 920 | fixed | n | 1/4000s | 12.0/s | Y | Y | |
8. | Fujifilm X10 | optical | n | 2.8 / 460 | fixed | n | 1/4000s | 10.0/s | Y | Y | |
9. | Leica D-LUX 6 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
10. | Nikon P7800 | 921 | n | 3.0 / 921 | swivel | n | 1/4000s | 8.0/s | Y | Y | |
11. | Olympus Stylus 1 | 1440 | n | 3.0 / 1040 | tilting | Y | 1/2000s | 7.0/s | Y | Y | |
12. | Panasonic LX7 | optional | n | 3.0 / 920 | fixed | n | 1/4000s | 11.0/s | Y | Y | |
13. | Sony A7C II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/4000s | 10.0/s | n | Y | |
14. | Sony A7 III | 2359 | n | 3.0 / 922 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
15. | Sony A7 II | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | Y | |
16. | Sony A7 | 2400 | n | 3.0 / 1230 | tilting | n | 1/8000s | 5.0/s | n | n | |
17. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The X20 has one, while the A7C does not. While the built-in flash of the X20 is not very powerful, it can at times be useful as a fill-in light.
The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X20 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7C has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X20 writes its imaging data to SDXC cards, while the A7C uses SDXC or Memory Stick PRO Duo cards. The A7C supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the X20 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X20 | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
2. | Sony A7C | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
3. | Canon G7 X | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - | |
4. | Canon G16 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
5. | Canon G15 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
6. | Fujifilm X30 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
7. | Fujifilm XQ1 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X10 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
9. | Leica D-LUX 6 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Nikon P7800 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Olympus Stylus 1 | Y | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
12. | Panasonic LX7 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Sony A7C II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Sony A7 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
15. | Sony A7 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Sony A7 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
17. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the A7C offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X20 does not provide wifi capability.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the X20 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X20 was succeeded by the Fujifilm X30. Further information on the features and operation of the X20 and A7C can be found, respectively, in the Fujifilm X20 Manual (free pdf) or the online Sony A7C Manual.
Review summary
So how do things add up? Is the Fujifilm X20 better than the Sony A7C or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the A7C requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A7C).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2013).
Reasons to prefer the Sony Alpha A7C:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (740 versus 270) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Reflects 7 years and 8 months of technical progress since the X20 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7C is the clear winner of the contest (27 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X20 and the Sony A7C place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X20 or the A7C. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X20 | 4/5 | + + | .. | 77/100 | 4.5/5 | 5/5 | Jan 2013 | 599 | ebay.com | |
2. | Sony A7C | 3.5/5 | .. | 3.5/5 | 86/100 | 4/5 | 4/5 | Sep 2020 | 1,799 | amazon.com | |
3. | Canon G7 X | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Sep 2014 | 699 | ebay.com | |
4. | Canon G16 | 4/5 | + | .. | .. | 4.5/5 | 4.5/5 | Aug 2013 | 549 | ebay.com | |
5. | Canon G15 | 4/5 | + | .. | 76/100 | 4.5/5 | 4.5/5 | Sep 2012 | 499 | ebay.com | |
6. | Fujifilm X30 | 4/5 | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Aug 2014 | 599 | ebay.com | |
7. | Fujifilm XQ1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 499 | ebay.com | |
8. | Fujifilm X10 | .. | .. | .. | 76/100 | 4/5 | 4.5/5 | Sep 2011 | 599 | ebay.com | |
9. | Leica D-LUX 6 | .. | .. | .. | .. | 4/5 | 4/5 | Sep 2012 | 699 | ebay.com | |
10. | Nikon P7800 | 3/5 | .. | .. | .. | 4/5 | 4.5/5 | Sep 2013 | 549 | ebay.com | |
11. | Olympus Stylus 1 | .. | + + | .. | .. | 4.5/5 | 4.5/5 | Oct 2013 | 699 | ebay.com | |
12. | Panasonic LX7 | 3/5 | + + | .. | 75/100 | 4/5 | 4.5/5 | Jul 2012 | 499 | ebay.com | |
13. | Sony A7C II | 4/5 | .. | 4/5 | 87/100 | 4.5/5 | 4.5/5 | Aug 2023 | 2,199 | amazon.com | |
14. | Sony A7 III | .. | + + | 4.5/5 | 89/100 | 5/5 | 5/5 | Feb 2018 | 1,999 | amazon.com | |
15. | Sony A7 II | 5/5 | + | 4/5 | 82/100 | 4.5/5 | 5/5 | Nov 2014 | 1,999 | ebay.com | |
16. | Sony A7 | 5/5 | + + | .. | 80/100 | 5/5 | 5/5 | Oct 2013 | 1,699 | ebay.com | |
17. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Fujifilm X20
- Canon 1D vs Sony A7C
- Canon M100 vs Sony A7C
- Canon T8i vs Sony A7C
- Fujifilm X-T100 vs Sony A7C
- Fujifilm X20 vs Nikon D3200
- Fujifilm X20 vs Nikon D5200
- Fujifilm X20 vs Panasonic G80
- Fujifilm X20 vs Panasonic GX9
- Fujifilm X20 vs Sony A7R III
- Leica M Typ 240 vs Sony A7C
- Nikon D7500 vs Sony A7C
Specifications: Fujifilm X20 vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X20 | Sony A7C |
---|---|---|
Camera Type | Fixed lens compact camera | Mirrorless system camera |
Camera Lens | 28-112mm f/2.0-2.8 | Sony E mount lenses |
Launch Date | January 2013 | September 2020 |
Launch Price | USD 599 | USD 1,799 |
Sensor Specs | Fujifilm X20 | Sony A7C |
Sensor Technology | CMOS | BSI-CMOS |
Sensor Format | Two Thirds Sensor | Full Frame Sensor |
Sensor Size | 8.8 x 6.6 mm | 35.6 x 23.8 mm |
Sensor Area | 58.08 mm2 | 847.28 mm2 |
Sensor Diagonal | 11 mm | 42.8 mm |
Crop Factor | 3.9x | 1.0x |
Sensor Resolution | 12 Megapixels | 24 Megapixels |
Image Resolution | 4000 x 3000 pixels | 6000 x 4000 pixels |
Pixel Pitch | 2.20 μm | 5.94 μm |
Pixel Density | 20.66 MP/cm2 | 2.83 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/60p Video | 4K/30p Video |
ISO Setting | 100 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | no Enhancement | 50 - 204,800 ISO |
Image Processor | EXR Processor II | BIONZ X |
DXO Sensor Quality (score) | .. | 95 |
DXO Color Depth (bits) | .. | 25.0 |
DXO Dynamic Range (EV) | .. | 14.7 |
DXO Low Light (ISO) | .. | 3407 |
Screen Specs | Fujifilm X20 | Sony A7C |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 85% | 100% |
Viewfinder Magnification | 0.59x | |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 2.8inch | 3.0inch |
LCD Resolution | 460k dots | 922k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X20 | Sony A7C |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 12 shutter flaps/s | 10 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens-based stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | MS or SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | no | UHS-II |
Connectivity Specs | Fujifilm X20 | Sony A7C |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Near-Field Communication | no NFC | NFC built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Fujifilm X20 | Sony A7C |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Fujifilm NP-50 | Sony NP-FZ100 |
Battery Life (CIPA) | 270 shots per charge | 740 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
117 x 70 x 57 mm (4.6 x 2.8 x 2.2 in) |
124 x 71 x 60 mm (4.9 x 2.8 x 2.4 in) |
Camera Weight | 353 g (12.5 oz) | 509 g (18.0 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.