Fujifilm X20 vs Sony A6300
The Fujifilm X20 and the Sony Alpha A6300 are two digital cameras that were officially introduced, respectively, in January 2013 and February 2016. The X20 is a fixed lens compact, while the A6300 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X20) and an APS-C (A6300) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X20 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X20 and the Sony A6300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is somewhat smaller (2 percent) than the Fujifilm X20. It is noteworthy in this context that the A6300 is splash and dust-proof, while the X20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the A6300 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the A6300 and their specifications in the Sony E-Mount Lens Catalog.
Concerning battery life, the X20 gets 270 shots out of its NP-50 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|2.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|3.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|7.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|8.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|9.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|10.||Nikon D5500||124 mm||97 mm||70 mm||470 g||820||n||Jan 2015||899|
|11.||Nikon D7200||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199|
|12.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|13.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|14.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|17.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X20 was launched at a lower price than the A6300, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Sony A6300 an APS-C sensor. The sensor area in the A6300 is 533 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X20 has a native 4:3 aspect ratio, while the one in the A6300 offers a 3:2 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A6300 offers a higher resolution than the X20 (12MP), but the A6300 nevertheless has larger individual pixels (pixel pitch of 3.91μm versus 2.20μm for the X20) due to its larger sensor. Moreover, the A6300 is a much more recent model (by 3 years) than the X20, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X20 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|3.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|13.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6300 provides a better video resolution than the X20. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), while the X20 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Fujifilm X20 and Sony A6300 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|2.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|3.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|5.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|7.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0||Y||Y|
|8.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|9.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|10.||Nikon D5500||optical||n||3.2 / 1037||swivel||Y||1/4000s||5.0||Y||n|
|11.||Nikon D7200||optical||Y||3.2 / 1229||fixed||n||1/8000s||6.0||Y||n|
|12.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0||Y||Y|
|13.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0||Y||Y|
|14.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
|16.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0||Y||n|
|17.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5||Y||n|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The X20 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. The A6300 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X20 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|2.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon D5500||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Nikon D7200||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|12.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the A6300 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X20 does not provide wifi capability.
Both the X20 and the A6300 have been discontinued, but can regularly be found used on eBay. The X20 was replaced by the Fujifilm X30, while the A6300 was followed by the Sony A6500. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Which of the two cameras – the Fujifilm X20 or the Sony A6300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Ready to shoot: Has a lens built-in, whereas the A6300 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the A6300).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been available for much longer (launched in January 2013).
Advantages of the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 12MP), which boosts linear resolution by 44%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (400 versus 270) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 3 years of technical progress since the X20 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 is the clear winner of the contest (21 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X20 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X20 and the A6300 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|2.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|3.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|7.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|8.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|9.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|10.||Nikon D5500||5/5||+||..||79/100||4.5/5||4.5/5||Jan 2015||899|
|11.||Nikon D7200||4/5||+ +||..||84/100||4.5/5||4.5/5||Mar 2015||1,199|
|12.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|13.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|14.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|17.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 70D vs Fujifilm X20
- Canon D60 vs Fujifilm X20
- Canon SL2 vs Fujifilm X20
- Fujifilm X10 vs Sony A6300
- Fujifilm X20 vs Nikon Coolpix A
- Fujifilm X20 vs Nikon D5000
- Fujifilm X20 vs Nikon D5500
- Leica C-LUX vs Sony A6300
- Nikon A1000 vs Sony A6300
- Olympus E-300 vs Sony A6300
- Panasonic FZ150 vs Sony A6300
- Panasonic GX85 vs Sony A6300
Specifications: Fujifilm X20 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X20||Sony A6300|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Sony E mount lenses|
|Launch Date||January 2013||February 2016|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Fujifilm X20||Sony A6300|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.5 x 15.6 mm|
|Sensor Area||58.08 mm2||366.6 mm2|
|Sensor Diagonal||11 mm||28.2 mm|
|Sensor Resolution||12 Megapixels||24 Megapixels|
|Image Resolution||4000 x 3000 pixels||6000 x 4000 pixels|
|Pixel Pitch||2.20 μm||3.91 μm|
|Pixel Density||20.66 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 12,800 ISO||100 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 51,200 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Fujifilm X20||Sony A6300|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X20||Sony A6300|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||12 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X20||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X20||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||270 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||353 g (12.5 oz)||404 g (14.3 oz)|
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