Fujifilm X20 vs Panasonic GX7
The Fujifilm X20 and the Panasonic Lumix DMC-GX7 are two digital cameras that were revealed to the public, respectively, in January 2013 and August 2013. The X20 is a fixed lens compact, while the GX7 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X20) and a Four Thirds (GX7) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X20 and the Panasonic Lumix DMC-GX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X20 and the Panasonic GX7. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX7 is notably larger (7 percent) than the Fujifilm X20. In this context, it is worth noting that neither the X20 nor the GX7 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the GX7 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the GX7 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||ebay.com|
|2.||Panasonic GX7||123 mm||71 mm||55 mm||402 g||350||n||Aug 2013||999||ebay.com|
|3.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699||ebay.com|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|5.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||ebay.com|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599||ebay.com|
|7.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499||ebay.com|
|8.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599||ebay.com|
|9.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699||ebay.com|
|10.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||ebay.com|
|11.||Olympus E-M10||119 mm||82 mm||46 mm||396 g||320||n||Jan 2014||699||ebay.com|
|12.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999||ebay.com|
|13.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699||ebay.com|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599||ebay.com|
|15.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499||ebay.com|
|16.||Panasonic GX1||116 mm||68 mm||39 mm||318 g||320||n||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X20 was launched at a lower price than the GX7, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Panasonic GX7 a Four Thirds sensor. The sensor area in the GX7 is 288 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
With 15.8MP, the GX7 offers a higher resolution than the X20 (12MP), but the GX7 nevertheless has larger individual pixels (pixel pitch of 3.77μm versus 2.20μm for the X20) due to its larger sensor. Moreover, the GX7 is a somewhat more recent model (by 6 months) than the X20, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic GX7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX7 for good quality output (200 dots per inch) amounts to 23 x 17.2 inches or 58.3 x 43.8 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.7 x 35 cm, and for excellent quality (300 dpi) 15.3 x 11.5 inches or 38.9 x 29.2 cm. The corresponding values for the Fujifilm X20 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The X20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Panasonic Lumix DMC-GX7 are ISO 125 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X20 uses Fujifilm's X-Trans layout of photosites, while the GX7 employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
|3.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|11.||Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|12.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|13.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|16.||Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55|
|17.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the GX7 has an electronic viewfinder (2760k dots), while the X20 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Fujifilm X20 and Panasonic GX7 along with similar information for a selection of comparators.
|1.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|2.||Panasonic GX7||2760||n||3.0 / 1040||tilting||Y||1/8000s||5.0/s||Y||Y|
|3.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|5.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0/s||Y||Y|
|7.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0/s||Y||Y|
|8.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|9.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|10.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|11.||Olympus E-M10||1440||n||3.0 / 1037||tilting||Y||1/4000s||8.0/s||Y||Y|
|12.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|13.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|15.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|16.||Panasonic GX1||optional||n||3.0 / 460||fixed||Y||1/4000s||4.2/s||Y||n|
|17.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX7 has a touchscreen, while the X20 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X20 and the GX7 write their files to SDXC cards. The GX7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X20 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Panasonic Lumix DMC-GX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|2.||Panasonic GX7||Y||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Olympus E-M10||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic GX1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the GX7 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X20 does not provide wifi capability.
Both the X20 and the GX7 have been discontinued, but can regularly be found used on ebay. The X20 was replaced by the Fujifilm X30, while the GX7 was followed by the Panasonic GX85. Further information on the features and operation of the X20 and GX7 can be found, respectively, in the Fujifilm X20 Manual (free pdf) or the online Panasonic GX7 Manual.
So what conclusions can be drawn? Is the Fujifilm X20 better than the Panasonic GX7 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the GX7 requires a separate lens.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the GX7).
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2013).
Advantages of the Panasonic Lumix DMC-GX7:
- More detail: Has more megapixels (15.8 vs 12MP), which boosts linear resolution by 15%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 270) out of a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (6 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the GX7 is the clear winner of the contest (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X20 and the Panasonic GX7 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X20 or the GX7. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599||ebay.com|
|2.||Panasonic GX7||4/5||+||..||79/100||5/5||5/5||Aug 2013||999||ebay.com|
|3.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699||ebay.com|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|5.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499||ebay.com|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599||ebay.com|
|7.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499||ebay.com|
|8.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599||ebay.com|
|9.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699||ebay.com|
|10.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549||ebay.com|
|11.||Olympus E-M10||4/5||..||..||80/100||5/5||5/5||Jan 2014||699||ebay.com|
|12.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999||ebay.com|
|13.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699||ebay.com|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599||ebay.com|
|15.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499||ebay.com|
|16.||Panasonic GX1||3/5||+||..||77/100||4.5/5||4.5/5||Nov 2011||699||ebay.com|
|17.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1000D vs Panasonic GX7
- Canon 760D vs Panasonic GX7
- Canon RP vs Panasonic GX7
- Canon SX1 vs Fujifilm X20
- Canon T5 vs Fujifilm X20
- Canon T6 vs Panasonic GX7
- Canon XC10 vs Fujifilm X20
- Fujifilm X20 vs Nikon D300S
- Fujifilm X20 vs Ricoh GR
- Fujifilm X20 vs Sony A7C
- Nikon D5500 vs Panasonic GX7
- Panasonic GX7 vs Sony A900
Specifications: Fujifilm X20 vs Panasonic GX7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X20||Panasonic GX7|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Micro Four Thirds lenses|
|Launch Date||January 2013||August 2013|
|Launch Price||USD 599||USD 999|
|Sensor Specs||Fujifilm X20||Panasonic GX7|
|Sensor Format||Two Thirds Sensor||Four Thirds Sensor|
|Sensor Size||8.8 x 6.6 mm||17.3 x 13.0 mm|
|Sensor Area||58.08 mm2||224.9 mm2|
|Sensor Diagonal||11 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.8 Megapixels|
|Image Resolution||4000 x 3000 pixels||4592 x 3448 pixels|
|Pixel Pitch||2.20 μm||3.77 μm|
|Pixel Density||20.66 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||100 - 12,800 ISO||125 - 25,600 ISO|
|Image Processor||EXR Processor II||Venus|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.6|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||718|
|Screen Specs||Fujifilm X20||Panasonic GX7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X20||Panasonic GX7|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X20||Panasonic GX7|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X20||Panasonic GX7|
|Battery Life (CIPA)||270 shots per charge||350 shots per charge|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
123 x 71 x 55 mm
(4.8 x 2.8 x 2.2 in)
|Camera Weight||353 g (12.5 oz)||402 g (14.2 oz)|
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