Fujifilm X20 vs Olympus E-M1
The Fujifilm X20 and the Olympus OM-D E-M1 are two digital cameras that were officially introduced, respectively, in January 2013 and September 2013. The X20 is a fixed lens compact, while the E-M1 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X20) and a Four Thirds (E-M1) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X20 and the Olympus OM-D E-M1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X20 and the Olympus E-M1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1 is considerably larger (49 percent) than the Fujifilm X20. It is noteworthy in this context that the E-M1 is splash and dust-proof, while the X20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the E-M1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the E-M1 and their specifications in the Micro Four Thirds Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|2.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|3.||Canon G7 X||103 mm||60 mm||40 mm||304 g||210||n||Sep 2014||699|
|4.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|5.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|7.||Fujifilm XQ1||100 mm||59 mm||33 mm||206 g||240||n||Oct 2013||499|
|8.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|9.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|10.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|11.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|12.||Olympus PEN-F||125 mm||72 mm||37 mm||427 g||330||n||Jan 2016||1,199|
|13.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|14.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|15.||Olympus Stylus 1||116 mm||87 mm||57 mm||402 g||410||n||Oct 2013||699|
|16.||Olympus E-M5||122 mm||89 mm||43 mm||425 g||360||Y||Feb 2012||1,299|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X20 was launched at a lower price than the E-M1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Olympus E-M1 a Four Thirds sensor. The sensor area in the E-M1 is 288 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 15.9MP, the E-M1 offers a higher resolution than the X20 (12MP), but the E-M1 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 2.20μm for the X20) due to its larger sensor. Moreover, the E-M1 is a somewhat more recent model (by 8 months) than the X20, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Olympus E-M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the E-M1 for good quality output (200 dots per inch) amounts to 23 x 17.3 inches or 58.5 x 43.9 cm, for very good quality (250 dpi) 18.4 x 13.8 inches or 46.8 x 35.1 cm, and for excellent quality (300 dpi) 15.4 x 11.5 inches or 39 x 29.3 cm. The corresponding values for the Fujifilm X20 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Olympus OM-D E-M1 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|3.||Canon G7 X||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71|
|9.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||19.8||10.8||-303||43|
|11.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|12.||Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|13.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|14.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|15.||Olympus Stylus 1||1/1.7||11.8||3968||2976||1080/30p||20.7||11.6||179||51|
|16.||Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X20 provides a higher frame rate than the E-M1. It can shoot video footage at 1080/60p, while the Olympus is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-M1 has an electronic viewfinder (2360k dots), while the X20 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Fujifilm X20, the Olympus E-M1, and comparable cameras.
|1.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|2.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Canon G7 X||none||n||3.0 / 1040||tilting||Y||1/2000s||6.5/s||Y||Y|
|4.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|5.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0/s||Y||Y|
|7.||Fujifilm XQ1||none||n||3.0 / 920||fixed||n||1/4000s||12.0/s||Y||Y|
|8.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0/s||Y||Y|
|9.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|10.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|11.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0/s||n||Y|
|12.||Olympus PEN-F||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|14.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0/s||Y||Y|
|15.||Olympus Stylus 1||1440||n||3.0 / 1040||tilting||Y||1/2000s||7.0/s||Y||Y|
|16.||Olympus E-M5||1440||n||3.0 / 610||tilting||Y||1/4000s||9.0/s||n||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The X20 has one, while the E-M1 does not. While the built-in flash of the X20 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X20 and the E-M1 write their files to SDXC cards. The E-M1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X20 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Olympus OM-D E-M1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|2.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon G7 X||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|4.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Fujifilm XQ1||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|11.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|12.||Olympus PEN-F||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|13.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|14.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|15.||Olympus Stylus 1||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Olympus E-M5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the E-M1 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X20 does not provide wifi capability.
Studio photographers will appreciate that the Olympus E-M1 (unlike the X20) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X20 and the E-M1 have been discontinued, but can regularly be found used on eBay. The X20 was replaced by the Fujifilm X30, while the E-M1 was followed by the Olympus E-M1 II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Is the Fujifilm X20 better than the Olympus E-M1 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X20:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (12 vs 10 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the E-M1 requires a separate lens.
- More compact: Is smaller (117x70mm vs 130x94mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the E-M1).
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in January 2013).
Arguments in favor of the Olympus OM-D E-M1:
- More detail: Has more megapixels (15.9 vs 12MP), which boosts linear resolution by 15%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (350 versus 270) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Was introduced somewhat (8 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the E-M1 is the clear winner of the contest (21 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X20 and the Olympus E-M1 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X20 and the E-M1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|2.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|3.||Canon G7 X||4/5||+ +||..||77/100||4.5/5||4.5/5||Sep 2014||699|
|4.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|5.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|7.||Fujifilm XQ1||..||..||..||..||4.5/5||4.5/5||Oct 2013||499|
|8.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|9.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|10.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|11.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|12.||Olympus PEN-F||..||..||4/5||82/100||4.5/5||5/5||Jan 2016||1,199|
|13.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|14.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|15.||Olympus Stylus 1||..||+ +||..||..||4.5/5||4.5/5||Oct 2013||699|
|16.||Olympus E-M5||4/5||+ +||..||80/100||4.5/5||5/5||Feb 2012||1,299|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark III vs Fujifilm X20
- Canon 50D vs Fujifilm X20
- Canon G7 X Mark III vs Fujifilm X20
- Canon R6 vs Olympus E-M1
- Fujifilm X-T3 vs Fujifilm X20
- Fujifilm X100T vs Olympus E-M1
- Fujifilm X20 vs Nikon D1
- Fujifilm X20 vs Sony RX1R
- Olympus E-M1 vs Olympus E-M5 III
- Olympus E-M1 vs Olympus PEN-F
- Olympus E-M1 vs Sony A1
- Olympus E-M1 vs Sony NEX-C3
Specifications: Fujifilm X20 vs Olympus E-M1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X20||Olympus E-M1|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Micro Four Thirds lenses|
|Launch Date||January 2013||September 2013|
|Launch Price||USD 599||USD 1,399|
|Sensor Specs||Fujifilm X20||Olympus E-M1|
|Sensor Format||Two Thirds Sensor||Four Thirds Sensor|
|Sensor Size||8.8 x 6.6 mm||17.3 x 13.0 mm|
|Sensor Area||58.08 mm2||224.9 mm2|
|Sensor Diagonal||11 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||15.9 Megapixels|
|Image Resolution||4000 x 3000 pixels||4608 x 3456 pixels|
|Pixel Pitch||2.20 μm||3.76 μm|
|Pixel Density||20.66 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||no Enhancement||100 - 25,600 ISO|
|Image Processor||EXR Processor II||TruePIC VII|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.0|
|DXO Dynamic Range (EV)||..||12.7|
|DXO Low Light (ISO)||..||757|
|Screen Specs||Fujifilm X20||Olympus E-M1|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X20||Olympus E-M1|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||12 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens-based stabilization||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X20||Olympus E-M1|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Fujifilm X20||Olympus E-M1|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||270 shots per charge||350 shots per charge|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
130 x 94 x 63 mm
(5.1 x 3.7 x 2.5 in)
|Camera Weight||353 g (12.5 oz)||497 g (17.5 oz)|
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