Fujifilm X20 vs Nikon D300S
The Fujifilm X20 and the Nikon D300S are two digital cameras that were revealed to the public, respectively, in January 2013 and July 2009. The X20 is a fixed lens compact, while the D300S is a DSLR. The cameras are based on a 2/3 (X20) and an APS-C (D300S) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X20||Nikon D300S|
|Fixed lens compact camera||Digital single lens reflex|
|28-112mm f/2.0-2.8||Nikon F mount lenses|
|12 MP, Two Thirds Sensor||12.2 MP, APS-C Sensor|
|1080/60p Video||720/24p Video|
|ISO 100-12800||ISO 200-3200 (100-6400)|
|Optical viewfinder||Optical viewfinder|
|2.8" LCD, 460k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|12 shutter flaps per second||7 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|270 shots per battery charge||950 shots per battery charge|
|117 x 70 x 57 mm, 353 g||147 x 115 x 81 mm, 938 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X20 and the Nikon D300S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X20 and the Nikon D300S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X20 can be obtained in two different colors (black, silver), while the D300S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D300S is considerably larger (106 percent) than the Fujifilm X20. It is noteworthy in this context that the D300S is splash and dust-proof, while the X20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X20 has a lens built in, whereas the D300S is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the D300S and their specifications in the Nikon Lens Catalog.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X20»||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Nikon D300S«||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||-||Nikon D300S|
|Canon G7 X« »||4.1 in||2.4 in||1.6 in||10.7 oz||210||n||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Fujifilm X30« »||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599||Fujifilm X30|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm XQ1« »||3.9 in||2.3 in||1.3 in||7.3 oz||240||n||Oct 2013||499||-||Fujifilm XQ1|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||-||Nikon D700|
|Nikon D300« »||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||-||Nikon D300|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X20 was launched at a lower price than the D300S, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X20 features a 2/3 sensor and the Nikon D300S an APS-C sensor. The sensor area in the D300S is 543 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 1.5. The sensor in the X20 has a native 4:3 aspect ratio, while the one in the D300S offers a 3:2 aspect.
With 12.2MP, the D300S offers a higher resolution than the X20 (12MP), but the D300S nevertheless has larger individual pixels (pixel pitch of 5.53μm versus 2.20μm for the X20) due to its larger sensor. However, the X20 is a much more recent model (by 3 years and 5 months) than the D300S, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The X20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X20 has a native sensitivity range from ISO 100 to ISO 12800. The corresponding ISO settings for the Nikon D300S are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X20»||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Nikon D300S«||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Canon G7 X« »||1-inch||20.0||5472||3648||1080/60p||23.0||12.7||556||71||Canon G7 X|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Fujifilm X30« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X30|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Fujifilm XQ1« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm XQ1|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 6« »||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D700« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2303||80||Nikon D700|
|Nikon D300« »||APS-C||12.2||4288||2848||-||22.1||12.0||679||67||Nikon D300|
|Nikon D200« »||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X20 provides a higher video resolution than the D300S. It can shoot video footage at 1080/60p, while the Nikon is limited to 720/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The X20 and the D300S are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Fujifilm X20 and Nikon D300S along with similar information for a selection of comparators.
|Fujifilm X20»||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Nikon D300S«||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Canon G7 X« »||-||n||3.0||1040||tilting||Y||1/2000s||6.5||Y||Y||Canon G7 X|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Fujifilm X30« »||2360||n||3.0||920||tilting||n||1/4000s||12.0||Y||Y||Fujifilm X30|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm XQ1« »||-||n||3.0||920||fixed||n||1/4000s||12.0||Y||Y||Fujifilm XQ1|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 6« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D700« »||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D300« »||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Nikon D200« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
One feature that is present on the D300S, but is missing on the X20 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D300S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X20 writes its imaging data to SDXC cards, while the D300S uses Compact Flash or SDXC cards. The D300S features dual card slots, which can be very useful in case a memory card fails. In contrast, the X20 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X20 and Nikon D300S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X20»||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Nikon D300S«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Canon G7 X« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Canon G7 X|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Fujifilm X30« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X30|
|Fujifilm X-M1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm XQ1« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm XQ1|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 6« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D700« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D300« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D300|
|Nikon D200« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
It is notable that the D300S has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The X20 does not feature such a mic input.
Studio photographers will appreciate that the Nikon D300S (unlike the X20) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X20 and the D300S have been discontinued, but can regularly be found used on eBay. The D300S was replaced by the Nikon D500, while the X20 was followed by the Fujifilm X30. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what is the bottom line? Is the Fujifilm X20 better than the Nikon D300S or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X20:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (1080/60p vs 720/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Faster burst: Shoots at higher frequency (12 vs 7 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with a built-in lens, while the D300S requires a separate lens.
- More compact: Is smaller (117x70mm vs 147x115mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the D300S).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 5 months of technical progress since the D300S launch.
Advantages of the Nikon D300S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Makes it possible to change lenses and thus to use specialty optics.
- Longer lasting: Gets more shots (950 versus 270) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in July 2009).
If the count of relative strengths (bullet points above) is taken as a measure, the D300S is the clear winner of the contest (17 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X20 and the Nikon D300S place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X20 or the D300S perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X20»||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Nikon D300S«||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799||-||Nikon D300S|
|Canon G7 X« »||+ +||77/100||4.5/5||3.5/5||4.5/5||Sep 2014||699||-||Canon G7 X|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Fujifilm X30« »||-||76/100||4.5/5||4/5||4.5/5||Aug 2014||599||Fujifilm X30|
|Fujifilm X-M1« »||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Fujifilm XQ1« »||-||-||4.5/5||-||4.5/5||Oct 2013||499||-||Fujifilm XQ1|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 6« »||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Nikon D700« »||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999||-||Nikon D700|
|Nikon D300« »||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799||-||Nikon D300|
|Nikon D200« »||+ +||+ +||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 70D vs Fujifilm X20
- Canon M6 Mark II vs Nikon D300S
- Canon Rebel vs Nikon D300S
- Canon SX50 vs Fujifilm X20
- Fujifilm X-E2S vs Fujifilm X20
- Fujifilm X-T100 vs Nikon D300S
- Fujifilm X20 vs Fujifilm X30
- Fujifilm X20 vs Nikon 1 V1
- Fujifilm X20 vs Nikon P7800
- Nikon D2H vs Nikon D300S
- Nikon D300S vs Nikon D5100
- Nikon D300S vs Panasonic G90
Specifications: Fujifilm X20 vs Nikon D300S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X20||Nikon D300S|
|Camera Type||Fixed lens compact camera||Digital single lens reflex|
|Camera Lens||28-112mm f/2.0-2.8||Nikon F mount lenses|
|Launch Date||January 2013||July 2009|
|Launch Price||USD 599||USD 1799|
|Sensor Specs||Fujifilm X20||Nikon D300S|
|Sensor Format||Two Thirds Sensor||APS-C Sensor|
|Sensor Size||8.8 x 6.6 mm||23.6 x 15.8 mm|
|Sensor Area||58.08 mm2||372.88 mm2|
|Sensor Diagonal||11 mm||28.4 mm|
|Sensor Resolution||12 Megapixels||12.2 Megapixels|
|Image Resolution||4000 x 3000 pixels||4288 x 2848 pixels|
|Pixel Pitch||2.20 μm||5.53 μm|
|Pixel Density||20.66 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||720/24p Video|
|ISO Setting||100-12800 ISO||200-3200 ISO|
|ISO Boost||no Enhancement||100-6400 ISO|
|Image Processor||EXR Processor II||EXPEED|
|DXO Sensor Quality (score)||..||70|
|DXO Color Depth (bits)||..||22.5|
|DXO Dynamic Range (EV)||..||12.2|
|DXO Low Light (ISO)||..||787|
|Screen Specs||Fujifilm X20||Nikon D300S|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||85%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8 inch||3.0 inch|
|LCD Resolution||460k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X20||Nikon D300S|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||12 shutter flaps/s||7 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||no|
|Connectivity Specs||Fujifilm X20||Nikon D300S|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X20||Nikon D300S|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||270 shots per charge||950 shots per charge|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
147 x 115 x 81 mm
(5.8 x 4.5 x 3.2 in)
|Camera Weight||353 g (12.5 oz)||938 g (33.1 oz)|
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