Fujifilm X100 vs Panasonic LX7

The Fujifilm FinePix X100 and the Panasonic Lumix DMC-LX7 are two digital cameras that were officially introduced, respectively, in September 2010 and July 2012. Both the X100 and the LX7 are fixed lens compact cameras that are based on an APS-C (X100) and a 1/1.7-inch (LX7) sensor. The Fujifilm has a resolution of 12.2 megapixels, whereas the Panasonic provides 10 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X100		Panasonic LX7
Fixed lens compact camera		Fixed lens compact camera
35mm f/2.0		24-90mm f/1.4-2.3
12.2 MP – APS-C sensor		10 MP – 1/1.7" sensor
720/30p Video		1080/60p Video
ISO 200-6,400 (100 - 12,800)		ISO 80-6,400 (80 - 12,800)
Electronic viewfinder (1440k dots)		Viewfinder optional
2.8" LCD – 460k dots		3.0" LCD – 920k dots
Fixed screen (not touch-sensitive)		Fixed screen (not touch-sensitive)
5 shutter flaps per second		11 shutter flaps per second
300 shots per battery charge		330 shots per battery charge
126 x 75 x 54 mm, 445 g		111 x 68 x 46 mm, 298 g

Check X100 offers at
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Check LX7 offers at
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Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm FinePix X100 and the Panasonic Lumix DMC-LX7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X100 and the Panasonic LX7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.

The LX7 can be obtained in two different colors (black, white), while the X100 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX7 is notably smaller (20 percent) than the Fujifilm X100. Moreover, the LX7 is markedly lighter (33 percent) than the X100. In this context, it is worth noting that neither the X100 nor the LX7 are weather-sealed.

Concerning battery life, the X100 gets 300 shots out of its Fujifilm NP-95 battery, while the LX7 can take 330 images on a single charge of its Panasonic DMW-BCJ13 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X100	126 mm	75 mm	54 mm	445 g	300	n	Sep 2010	1,199	ebay.com
2.		Panasonic LX7	111 mm	68 mm	46 mm	298 g	330	n	Jul 2012	499	ebay.com
3.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
4.		Canon G16	109 mm	76 mm	40 mm	356 g	360	n	Aug 2013	549	ebay.com
5.		Fujifilm X10	117 mm	70 mm	57 mm	350 g	270	n	Sep 2011	599	ebay.com
6.		Fujifilm X30	119 mm	72 mm	60 mm	423 g	470	n	Aug 2014	599	ebay.com
7.		Fujifilm X100S	127 mm	74 mm	54 mm	445 g	330	n	Jan 2013	1,299	ebay.com
8.		Fujifilm X100T	127 mm	74 mm	52 mm	440 g	330	n	Sep 2014	1,299	ebay.com
9.		Fujifilm X100F	127 mm	75 mm	52 mm	469 g	390	n	Jan 2017	1,299	ebay.com
10.		Leica D-LUX Typ 109	118 mm	66 mm	55 mm	405 g	300	n	Sep 2014	1,195	ebay.com
11.		Nikon D3000	126 mm	97 mm	64 mm	536 g	500	n	Jul 2009	599	ebay.com
12.		Nikon D3100	124 mm	96 mm	75 mm	505 g	550	n	Aug 2010	599	ebay.com
13.		Panasonic GF3	108 mm	67 mm	32 mm	264 g	300	n	Jun 2011	549	ebay.com
14.		Panasonic GF5	108 mm	67 mm	37 mm	267 g	360	n	Apr 2012	499	ebay.com
15.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
16.		Panasonic LX100	115 mm	66 mm	55 mm	393 g	300	n	Sep 2014	899	ebay.com
17.		Sony NEX-7	120 mm	67 mm	43 mm	400 g	430	n	Aug 2011	1,349	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LX7 was launched at a markedly lower price (by 58 percent) than the X100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Fujifilm X100 features an APS-C sensor and the Panasonic LX7 a 1/1.7-inch sensor. The sensor area in the LX7 is 89 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.65. The sensor in the X100 has a native 3:2 aspect ratio, while the one in the LX7 offers a 4:3 aspect. The LX7 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.

With 12.2MP, the X100 offers a higher resolution than the LX7 (10MP), but the X100 nevertheless has larger individual pixels (pixel pitch of 5.53μm versus 2.05μm for the LX7) due to its larger sensor. However, the LX7 is a somewhat more recent model (by 1 year and 9 months) than the X100, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.

The resolution advantage of the Fujifilm X100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X100 for good quality output (200 dots per inch) amounts to 21.4 x 14.2 inches or 54.5 x 36.2 cm, for very good quality (250 dpi) 17.2 x 11.4 inches or 43.6 x 28.9 cm, and for excellent quality (300 dpi) 14.3 x 9.5 inches or 36.3 x 24.1 cm. The corresponding values for the Panasonic LX7 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.

The Fujifilm FinePix X100 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-LX7 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the X100 provides substantially higher image quality than the LX7, with an overall score that is 23 points higher. This advantage is based on 2.2 bits higher color depth, 0.7 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X100	APS-C	12.2	4288	2848	720/30p	22.9	12.4	1001	73
2.		Panasonic LX7	1/1.7	10.0	3648	2736	1080/60p	20.7	11.7	147	50
3.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
4.		Canon G16	1/1.7	12.0	4000	3000	1080/60p	21.0	11.7	230	54
5.		Fujifilm X10	2/3	12.0	4000	3000	1080/30p	20.5	11.3	245	50
6.		Fujifilm X30	2/3	12.0	4000	3000	1080/60p	20.4	11.2	-312	49
7.		Fujifilm X100S	APS-C	16.0	4896	3264	1080/60p	23.3	12.5	1329	75
8.		Fujifilm X100T	APS-C	16.0	4896	3264	1080/60p	23.6	12.8	1483	78
9.		Fujifilm X100F	APS-C	24.0	6000	4000	1080/60p	23.9	13.2	1704	81
10.		Leica D-LUX Typ 109	Four Thirds	12.7	4112	3088	4K/30p	22.4	12.1	607	67
11.		Nikon D3000	APS-C	10.0	3872	2592	none	22.3	11.1	563	62
12.		Nikon D3100	APS-C	14.2	4608	3072	1080/24p	22.5	11.3	919	67
13.		Panasonic GF3	Four Thirds	12.0	4000	3000	1080/60i	20.6	10.1	459	50
14.		Panasonic GF5	Four Thirds	12.0	4000	3000	1080/60i	20.5	10.0	573	50
15.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41
16.		Panasonic LX100	Four Thirds	12.7	4112	3088	4K/30p	22.3	12.5	553	67
17.		Sony NEX-7	APS-C	24.0	6000	4000	1080/60i	24.1	13.4	1016	81
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the LX7 provides a better video resolution than the X100. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 720/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the X100 has an electronic viewfinder (1440k dots), which can be very helpful when shooting in bright sunlight. In contrast, the LX7 relies on live view and the rear LCD for framing. That said, the LX7 can be equipped with an optional viewfinder – the DMW-LVF2. The adjacent table lists some of the other core features of the Fujifilm X100 and Panasonic LX7 along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X100	1440	n	2.8 / 460	fixed	n	1/4000s	5.0/s	Y	n
2.		Panasonic LX7	optional	n	3.0 / 920	fixed	n	1/4000s	11.0/s	Y	Y
3.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
4.		Canon G16	optical	n	3.0 / 922	fixed	n	1/4000s	2.2/s	Y	Y
5.		Fujifilm X10	optical	n	2.8 / 460	fixed	n	1/4000s	10.0/s	Y	Y
6.		Fujifilm X30	2360	n	3.0 / 920	tilting	n	1/4000s	12.0/s	Y	Y
7.		Fujifilm X100S	2360	n	2.8 / 460	fixed	n	1/4000s	6.0/s	Y	n
8.		Fujifilm X100T	2360	n	3.0 / 1040	fixed	n	1/4000s	6.0/s	Y	n
9.		Fujifilm X100F	2360	n	3.0 / 1040	fixed	n	1/4000s	8.0/s	Y	n
10.		Leica D-LUX Typ 109	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
11.		Nikon D3000	optical	n	3.0 / 230	fixed	n	1/4000s	3.0/s	Y	n
12.		Nikon D3100	optical	n	3.0 / 230	fixed	n	1/4000s	3.0/s	Y	n
13.		Panasonic GF3	none	n	3.0 / 460	fixed	Y	1/4000s	3.2/s	Y	n
14.		Panasonic GF5	none	n	3.0 / 920	fixed	Y	1/4000s	4.0/s	Y	n
15.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
16.		Panasonic LX100	2764	n	3.0 / 921	fixed	n	1/4000s	11.0/s	n	Y
17.		Sony NEX-7	2359	n	3.0 / 921	tilting	n	1/4000s	10.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

The Panasonic LX7 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The LX7 is equipped with a zoom lens, while the X100 comes with a built-in prime. The LX7 has a 24-90mm f/1.4-2.3 optic and the X100 offers a 35mm f/2.0 (focal lengths in full frame equivalent terms). Hence, the Panasonic provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The LX7 offers the faster maximum aperture.

Concerning the storage of imaging data, both the X100 and the LX7 write their files to SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm FinePix X100 and Panasonic Lumix DMC-LX7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X100	Y	stereo / -	-	-	mini	2.0	-	-	-
2.		Panasonic LX7	Y	stereo / mono	-	-	mini	2.0	-	-	-
3.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
4.		Canon G16	Y	stereo / mono	-	-	mini	2.0	Y	-	-
5.		Fujifilm X10	Y	stereo / mono	-	-	mini	2.0	-	-	-
6.		Fujifilm X30	Y	stereo / mono	-	-	micro	2.0	Y	-	-
7.		Fujifilm X100S	Y	stereo / mono	-	-	micro	2.0	-	-	-
8.		Fujifilm X100T	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
9.		Fujifilm X100F	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Leica D-LUX Typ 109	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
11.		Nikon D3000	Y	- / -	-	-	-	2.0	-	-	-
12.		Nikon D3100	Y	mono / mono	-	-	mini	2.0	-	-	-
13.		Panasonic GF3	-	stereo / mono	-	-	mini	2.0	-	-	-
14.		Panasonic GF5	-	stereo / mono	-	-	mini	2.0	-	-	-
15.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-
16.		Panasonic LX100	Y	stereo / mono	-	-	micro	2.0	Y	Y	-
17.		Sony NEX-7	Y	stereo / mono	Y	-	mini	2.0	-	-	-

Both the X100 and the LX7 have been discontinued, but can regularly be found used on ebay. The X100 was replaced by the Fujifilm X100S, while the LX7 was followed by the Panasonic LX10. Further information on the features and operation of the X100 and LX7 can be found, respectively, in the Fujifilm X100 Manual (free pdf) or the online Panasonic LX7 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X100 and the Panasonic LX7? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.

Advantages of the Fujifilm FinePix X100:

• More detail: Offers more megapixels (12.2 vs 10MP) with a 13% higher linear resolution.
• Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.2 bits more color depth).
• More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
• Better low-light sensitivity: Requires less light for good images (2.8 stops ISO advantage).
• Easier framing: Has an electronic viewfinder for image composition and settings control.
• More heavily discounted: Has been on the market for longer (launched in September 2010).

Arguments in favor of the Panasonic Lumix DMC-LX7:

• Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
• Better video: Provides higher definition movie capture (1080/60p vs 720/30p).
• Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
• Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better light gathering: Has a lens with a wider maximum aperture (f/1.4 vs f/2.0).
• Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
• More compact: Is smaller (111x68mm vs 126x75mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight (by 147g or 33 percent) and is thus easier to take along.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• More affordable: Was introduced into a lower priced category (58 percent cheaper at launch).
• More modern: Was introduced somewhat (1 year and 9 months) more recently.

If the count of individual advantages (bullet points above) is taken as a guide, the LX7 is the clear winner of the contest (13 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X100 and the Panasonic LX7 place the cameras among the top in their class? Find out in the latest Best Prime Lens Compact Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X100 or the LX7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X100	3/5	..	..	75/100	4/5	5/5	Sep 2010	1,199	ebay.com
2.		Panasonic LX7	3/5	+ +	..	75/100	4/5	4.5/5	Jul 2012	499	ebay.com
3.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
4.		Canon G16	4/5	+	..	..	4.5/5	4.5/5	Aug 2013	549	ebay.com
5.		Fujifilm X10	..	..	..	76/100	4/5	4.5/5	Sep 2011	599	ebay.com
6.		Fujifilm X30	4/5	..	..	76/100	4.5/5	4.5/5	Aug 2014	599	ebay.com
7.		Fujifilm X100S	5/5	+ +	..	81/100	4.5/5	5/5	Jan 2013	1,299	ebay.com
8.		Fujifilm X100T	5/5	+	..	81/100	4.5/5	5/5	Sep 2014	1,299	ebay.com
9.		Fujifilm X100F	5/5	+	3.9/5	83/100	4.5/5	4.5/5	Jan 2017	1,299	ebay.com
10.		Leica D-LUX Typ 109	..	..	..	..	4.5/5	4.5/5	Sep 2014	1,195	ebay.com
11.		Nikon D3000	..	+	..	72/100	4/5	4.5/5	Jul 2009	599	ebay.com
12.		Nikon D3100	5/5	+ +	..	72/100	4.5/5	4.5/5	Aug 2010	599	ebay.com
13.		Panasonic GF3	3/5	82/100	..	71/100	4.5/5	4/5	Jun 2011	549	ebay.com
14.		Panasonic GF5	3/5	..	..	..	4.5/5	4.5/5	Apr 2012	499	ebay.com
15.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
16.		Panasonic LX100	5/5	+ +	..	85/100	5/5	5/5	Sep 2014	899	ebay.com
17.		Sony NEX-7	5/5	+ +	..	81/100	4.5/5	5/5	Aug 2011	1,349	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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