Fujifilm X10 vs Sony RX100 VII
The Fujifilm X10 and the Sony Cyber-shot DSC-RX100 VII are two digital cameras that were announced, respectively, in September 2011 and July 2019. Both the X10 and the RX100 VII are fixed lens compact cameras that are based on a 2/3 (X10) and an one-inch (RX100 VII) sensor. The Fujifilm has a resolution of 12 megapixels, whereas the Sony provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X10||Sony RX100 VII|
|Fixed lens compact camera||Fixed lens compact camera|
|28-112mm f/2.0-2.8||24-200mm f/2.8-4.5|
|12 MP, Two Thirds Sensor||20 MP, 1" Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-3,200 (100 - 12,800)||ISO 125-12,800 (80 - 25,600)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|2.8 LCD, 460k dots||3.0 LCD, 921k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||90 shutter flaps per second|
|270 shots per battery charge||260 shots per battery charge|
|117 x 70 x 57 mm, 350 g||102 x 58 x 43 mm, 302 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X10 and the Sony Cyber-shot DSC-RX100 VII? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X10 and the Sony RX100 VII. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X10 can be obtained in two different colors (black, silver), while the RX100 VII is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VII is notably smaller (28 percent) than the Fujifilm X10. Moreover, the RX100 VII is markedly lighter (14 percent) than the X10. In this context, it is worth noting that neither the X10 nor the RX100 VII are weather-sealed.
Concerning battery life, the X10 gets 270 shots out of its NP-50 battery, while the RX100 VII can take 260 images on a single charge of its NP-BX1 power pack. The power pack in the RX100 VII can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X10||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599|
|Sony RX100 VII||4.0 in||2.3 in||1.7 in||10.7 oz||260||n||Jul 2019||1,199|
|Canon G16||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549|
|Canon G15||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499|
|Canon G12||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499|
|Fujifilm X30||4.7 in||2.8 in||2.4 in||14.9 oz||470||n||Aug 2014||599|
|Fujifilm X20||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599|
|Leica C-LUX||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049|
|Leica D-LUX 6||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699|
|Panasonic LX7||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499|
|Panasonic G10||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499|
|Panasonic GF2||4.4 in||2.7 in||1.3 in||10.9 oz||300||n||Nov 2010||549|
|Panasonic LX5||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499|
|Sony ZV-1||4.1 in||2.4 in||1.7 in||10.4 oz||260||n||May 2020||799|
|Sony RX100 VI||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199|
|Sony RX100 V||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999|
|Sony RX100 IV||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X10 was launched at a markedly lower price (by 50 percent) than the RX100 VII, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X10 features a 2/3 sensor and the Sony RX100 VII an one-inch sensor. The sensor area in the RX100 VII is 100 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 2.7. The sensor in the X10 has a native 4:3 aspect ratio, while the one in the RX100 VII offers a 3:2 aspect.
With 20MP, the RX100 VII offers a higher resolution than the X10 (12MP), but the RX100 VII nevertheless has larger individual pixels (pixel pitch of 2.41μm versus 2.20μm for the X10) due to its larger sensor. Moreover, the RX100 VII is a much more recent model (by 7 years and 10 months) than the X10, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony RX100 VII implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the RX100 VII for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inches or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inches or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inches or 46.3 x 30.9 cm. The corresponding values for the Fujifilm X10 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The RX100 VII has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X10 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VII are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the RX100 VII offers substantially better image quality than the X10 (overall score 13 points higher). The advantage is based on 1.3 bits higher color depth, 1.1 EV in additional dynamic range, and 0.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||..||..||..||..|
|Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the RX100 VII provides a better video resolution than the X10. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the RX100 VII has an electronic viewfinder (2359k dots), while the X10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Fujifilm X10, the Sony RX100 VII, and comparable cameras.
|Sony RX100 VII||2359||n||3.0||921||tilting||Y||1/2000s||90.0||Y||Y|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Sony RX100 VI||2359||n||3.0||1229||tilting||Y||1/2000s||24.0||Y||Y|
|Sony RX100 V||2359||n||3.0||1229||tilting||n||1/2000s||24.0||Y||Y|
|Sony RX100 IV||2359||n||3.0||1228||tilting||n||1/2000s||16.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The RX100 VII has a touchscreen, while the X10 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The RX100 VII has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X10 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VII is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony RX100 VII has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Both the X10 and the RX100 VII have zoom lenses built in. The X10 has a 28-112mm f/2.0-2.8 optic and the RX100 VII offers a 24-200mm f/2.8-4.5 (focal lengths in full frame equivalent terms). Hence, the Sony provides a wider angle of view at the short end, as well as more tele-photo reach at the long end than the Fujifilm. The X10 offers the faster maximum aperture.
The X10 writes its imaging data to SDXC cards, while the RX100 VII uses SDXC or Memory Stick PRO Duo cards. The RX100 VII supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the X10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X10 and Sony Cyber-shot DSC-RX100 VII and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Sony RX100 VII||-||stereo||mono||Y||-||micro||2.0||Y||Y||Y|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Sony RX100 VI||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|Sony RX100 V||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|Sony RX100 IV||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
It is notable that the X10 has a hotshoe, while the RX100 VII does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The RX100 VII is a recent model that features in the current product line-up of Sony. In contrast, the X10 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X10 was succeeded by the Fujifilm X20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Is the Fujifilm X10 better than the Sony RX100 VII or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- Better light gathering: Has a lens with a wider maximum aperture (f/2.0 vs f/2.8).
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in September 2011).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VII:
- More detail: Has more megapixels (20 vs 12MP), which boosts linear resolution by 32%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (13 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 460k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (90 vs 10 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Wider view: Has a wider-angle lens that facilitates landscape or interior shots.
- More tele-reach: Has a longer tele-lens for perspective compression and subject magnification.
- More compact: Is smaller (102x58mm vs 117x70mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 48g or 14 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 7 years and 10 months of technical progress since the X10 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the RX100 VII is the clear winner of the contest (27 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X10 and the Sony RX100 VII place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X10 or the RX100 VII perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Sony RX100 VII||..||..||4/5||..||5/5||Jul 2019||1,199|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Canon G15||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499|
|Canon G12||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499|
|Fujifilm X30||..||76/100||4.5/5||4/5||4.5/5||Aug 2014||599|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Leica C-LUX||..||..||4.5/5||..||4/5||Jun 2018||1,049|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Panasonic LX7||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499|
|Panasonic G10||..||70/100||4/5||..||4/5||Mar 2010||499|
|Panasonic GF2||82/100||70/100||4.5/5||4.5/5||4.5/5||Nov 2010||549|
|Panasonic LX5||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499|
|Sony ZV-1||..||..||..||..||4.5/5||May 2020||799|
|Sony RX100 VI||+ +||83/100||4/5||..||4.5/5||Jun 2018||1,199|
|Sony RX100 V||+ +||83/100||4/5||5/5||4.5/5||Oct 2016||999|
|Sony RX100 IV||+ +||85/100||4/5||4.5/5||4.5/5||Jun 2015||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 80D vs Fujifilm X10
- Fujifilm X10 vs Ricoh GR
- Fujifilm X10 vs Sony A850
- Fujifilm X10 vs Sony A9
- Fujifilm X70 vs Sony RX100 VII
- Leica S Typ 007 vs Sony RX100 VII
- Nikon B700 vs Sony RX100 VII
- Nikon D5 vs Sony RX100 VII
- Nikon D7200 vs Sony RX100 VII
- Olympus E-M10 IV vs Sony RX100 VII
- Olympus E-P1 vs Sony RX100 VII
- Pentax 645Z vs Sony RX100 VII
Specifications: Fujifilm X10 vs Sony RX100 VII
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X10||Sony RX100 VII|
|Camera Type||Fixed lens compact camera||Fixed lens compact camera|
|Camera Lens||28-112mm f/2.0-2.8||24-200mm f/2.8-4.5|
|Launch Date||September 2011||July 2019|
|Launch Price||USD 599||USD 1,199|
|Sensor Specs||Fujifilm X10||Sony RX100 VII|
|Sensor Format||Two Thirds Sensor||1" Sensor|
|Sensor Size||8.8 x 6.6 mm||13.2 x 8.8 mm|
|Sensor Area||58.08 mm2||116.16 mm2|
|Sensor Diagonal||11 mm||15.9 mm|
|Sensor Resolution||12 Megapixels||20 Megapixels|
|Image Resolution||4000 x 3000 pixels||5472 x 3648 pixels|
|Pixel Pitch||2.20 μm||2.41 μm|
|Pixel Density||20.66 MP/cm2||17.18 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 3,200 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 12,800 ISO||80 - 25,600 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||50||63|
|DXO Color Depth (bits)||20.5||21.8|
|DXO Dynamic Range (EV)||11.3||12.4|
|DXO Low Light (ISO)||245||418|
|Screen Specs||Fujifilm X10||Sony RX100 VII|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X10||Sony RX100 VII|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/2000s|
|Continuous Shooting||10 shutter flaps/s||90 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Fujifilm X10||Sony RX100 VII|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X10||Sony RX100 VII|
|Battery Life (CIPA)||270 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||350 g (12.3 oz)||302 g (10.7 oz)|
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