Fujifilm X10 vs Panasonic G10
The Fujifilm X10 and the Panasonic Lumix DMC-G10 are two digital cameras that were revealed to the public, respectively, in September 2011 and March 2010. The X10 is a fixed lens compact, while the G10 is a mirrorless interchangeable lens camera. The cameras are based on a 2/3 (X10) and a Four Thirds (G10) sensor. Both cameras offer a resolution of 12 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X10 and the Panasonic Lumix DMC-G10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X10 and the Panasonic G10. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X10 can be obtained in two different colors (black, silver), while the G10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G10 is notably larger (27 percent) than the Fujifilm X10. In this context, it is worth noting that neither the X10 nor the G10 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the X10 has a lens built in, whereas the G10 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the G10 and their specifications in the Micro Four Thirds Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|2.||Panasonic G10||124 mm||84 mm||74 mm||388 g||380||n||Mar 2010||499|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499|
|5.||Canon G12||112 mm||76 mm||48 mm||401 g||370||n||Sep 2010||499|
|6.||Fujifilm X30||119 mm||72 mm||60 mm||423 g||470||n||Aug 2014||599|
|7.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|8.||Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|9.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|10.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|11.||Panasonic G3||115 mm||84 mm||47 mm||336 g||270||n||May 2011||599|
|12.||Panasonic G2||124 mm||84 mm||74 mm||428 g||360||n||Mar 2010||599|
|13.||Panasonic GF2||113 mm||68 mm||33 mm||310 g||300||n||Nov 2010||549|
|14.||Panasonic GH2||124 mm||90 mm||76 mm||442 g||330||n||Sep 2010||899|
|15.||Panasonic LX5||110 mm||65 mm||43 mm||271 g||400||n||Jul 2010||499|
|16.||Panasonic G1||124 mm||84 mm||45 mm||360 g||410||n||Sep 2008||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X10 features a 2/3 sensor and the Panasonic G10 a Four Thirds sensor. The sensor area in the G10 is 288 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 3.9 and 2.0. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Even though the G10 has a larger sensor, both cameras offer the same resolution of 12 megapixels. This implies that the G10 has a lower pixel density and larger individual pixels (with a pixel pitch of 4.33μm versus 2.20μm for the X10), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the X10 is a somewhat more recent model (by 1 year and 5 months) than the G10, and its sensor might have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that the X10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Fujifilm X10 has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-G10 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52|
|8.||Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|9.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|11.||Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|12.||Panasonic G2||Four Thirds||12.0||4000||3000||720/30p||21.2||10.3||493||53|
|13.||Panasonic GF2||Four Thirds||12.0||4000||3000||1080/60i||21.2||10.3||506||54|
|14.||Panasonic GH2||Four Thirds||15.9||4608||3456||1080/60i||21.2||11.3||655||60|
|16.||Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X10 provides a higher video resolution than the G10. It can shoot video footage at 1080/30p, while the Panasonic is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G10 has an electronic viewfinder (202k dots), while the X10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Fujifilm X10 and Panasonic G10 along with similar information for a selection of comparators.
|1.||Fujifilm X10||optical||n||2.8 / 460||fixed||n||1/4000s||10.0||Y||Y|
|2.||Panasonic G10||202||n||3.0 / 460||fixed||n||1/4000s||2.6||Y||n|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2||Y||Y|
|4.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1||Y||Y|
|5.||Canon G12||optical||n||2.8 / 461||swivel||n||1/4000s||1.1||Y||Y|
|6.||Fujifilm X30||2360||n||3.0 / 920||tilting||n||1/4000s||12.0||Y||Y|
|7.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0||Y||Y|
|8.||Leica D-LUX 6||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|9.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|10.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0||Y||Y|
|11.||Panasonic G3||1440||n||3.0 / 460||swivel||Y||1/4000s||4.0||Y||n|
|12.||Panasonic G2||1440||n||3.0 / 460||swivel||Y||1/4000s||2.6||Y||n|
|13.||Panasonic GF2||optional||n||3.0 / 460||fixed||Y||1/4000s||2.6||Y||n|
|14.||Panasonic GH2||1534||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
|15.||Panasonic LX5||optional||n||3.0 / 460||fixed||n||1/4000s||2.5||Y||Y|
|16.||Panasonic G1||1440||n||3.0 / 460||swivel||n||1/4000s||3.0||Y||n|
Concerning the storage of imaging data, both the X10 and the G10 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X10 and Panasonic Lumix DMC-G10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X10||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic G10||Y||mono / -||-||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Canon G12||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|6.||Fujifilm X30||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|7.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|8.||Leica D-LUX 6||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|9.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|10.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Panasonic G3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Panasonic G2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Panasonic GF2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Panasonic GH2||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Panasonic LX5||Y||mono / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic G1||Y||- / -||-||-||mini||2.0||-||-||-|
Both the X10 and the G10 have been discontinued, but can regularly be found used on eBay. The G10 was replaced by the Panasonic G3, while the X10 was followed by the Fujifilm X20. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Is the Fujifilm X10 better than the Panasonic G10 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More dynamic range: Captures a larger spectrum of light and dark details (1.2 EV of extra DR).
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster burst: Shoots at higher frequency (10 vs 2.6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has a lens built-in, whereas the G10 requires a separate lens.
- More compact: Is smaller (117x70mm vs 124x84mm) and thus needs less room in the bag.
- Less heavy: Is lighter even though it comes with a built-in lens (unlike the G10).
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More modern: Is somewhat more recent (announced 1 year and 5 months after the G10).
Advantages of the Panasonic Lumix DMC-G10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better low-light sensitivity: Can shoot in dim conditions (0.7 stops ISO advantage).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.8") for image review and settings control.
- More flexible: Takes interchangeable lenses and can thus be used with specialty optics.
- Longer lasting: Gets more shots (380 versus 270) out of a single battery charge.
- More heavily discounted: Has been on the market for longer (launched in March 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the X10 emerges as the winner of the contest (10 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X10 and the Panasonic G10 place the cameras among the top in their class? Find out in the latest Best Travel-Zoom Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X10 or the G10. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X10||..||..||..||76/100||4/5||4.5/5||Sep 2011||599|
|2.||Panasonic G10||3/5||..||..||70/100||4/5||4/5||Mar 2010||499|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499|
|5.||Canon G12||4/5||+||..||73/100||4.5/5||4.5/5||Sep 2010||499|
|6.||Fujifilm X30||4/5||..||..||76/100||4.5/5||4.5/5||Aug 2014||599|
|7.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|8.||Leica D-LUX 6||..||..||..||..||4/5||4/5||Sep 2012||699|
|9.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|10.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|11.||Panasonic G3||3/5||+ +||..||75/100||4.5/5||5/5||May 2011||599|
|12.||Panasonic G2||..||..||..||72/100||4/5||4.5/5||Mar 2010||599|
|13.||Panasonic GF2||3/5||82/100||..||70/100||4.5/5||4.5/5||Nov 2010||549|
|14.||Panasonic GH2||5/5||+ +||..||79/100||4.5/5||5/5||Sep 2010||899|
|15.||Panasonic LX5||4/5||+||..||73/100||4.5/5||4.5/5||Jul 2010||499|
|16.||Panasonic G1||..||+ +||..||70/100||4/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds Mark III vs Fujifilm X10
- Canon D60 vs Panasonic G10
- Canon G15 vs Panasonic G10
- Canon T6 vs Panasonic G10
- Fujifilm X-T200 vs Panasonic G10
- Fujifilm X10 vs Leica M10-P
- Fujifilm X10 vs Nikon D3S
- Fujifilm X10 vs Panasonic G110
- Fujifilm X10 vs Panasonic GX800
- Fujifilm X10 vs Pentax 645D
- Nikon B600 vs Panasonic G10
- Nikon D3S vs Panasonic G10
Specifications: Fujifilm X10 vs Panasonic G10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X10||Panasonic G10|
|Camera Type||Fixed lens compact camera||Mirrorless system camera|
|Camera Lens||28-112mm f/2.0-2.8||Micro Four Thirds lenses|
|Launch Date||September 2011||March 2010|
|Launch Price||USD 599||USD 499|
|Sensor Specs||Fujifilm X10||Panasonic G10|
|Sensor Format||Two Thirds Sensor||Four Thirds Sensor|
|Sensor Size||8.8 x 6.6 mm||17.3 x 13.0 mm|
|Sensor Area||58.08 mm2||224.9 mm2|
|Sensor Diagonal||11 mm||21.6 mm|
|Sensor Resolution||12 Megapixels||12 Megapixels|
|Image Resolution||4000 x 3000 pixels||4000 x 3000 pixels|
|Pixel Pitch||2.20 μm||4.33 μm|
|Pixel Density||20.66 MP/cm2||5.34 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100 - 3,200 ISO||100 - 6,400 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||EXR Processor II||Venus HD II|
|DXO Sensor Quality (score)||50||52|
|DXO Color Depth (bits)||20.5||21.2|
|DXO Dynamic Range (EV)||11.3||10.1|
|DXO Low Light (ISO)||245||411|
|Screen Specs||Fujifilm X10||Panasonic G10|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||85%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.8inch||3.0inch|
|LCD Resolution||460k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X10||Panasonic G10|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||2.6 shutter flaps/s|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Fujifilm X10||Panasonic G10|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X10||Panasonic G10|
|Battery Life (CIPA)||270 shots per charge||380 shots per charge|
117 x 70 x 57 mm
(4.6 x 2.8 x 2.2 in)
124 x 84 x 74 mm
(4.9 x 3.3 x 2.9 in)
|Camera Weight||350 g (12.3 oz)||388 g (13.7 oz)|
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