Fujifilm X-T5 vs Sony A7 IV
The Fujifilm X-T5 and the Sony Alpha A7 IV are two enthusiast cameras that were revealed to the public, respectively, in November 2022 and October 2021. Both the X-T5 and the A7 IV are mirrorless interchangeable lens cameras that are based on an APS-C (X-T5) and a full frame (A7 IV) sensor. The Fujifilm has a resolution of 39.8 megapixels, whereas the Sony provides 32.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T5 and the Sony Alpha A7 IV? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-T5 and the Sony A7 IV is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
The X-T5 can be obtained in two different colors (black, silver), while the A7 IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 IV is notably larger (6 percent) than the Fujifilm X-T5. Moreover, the A7 IV is markedly heavier (18 percent) than the X-T5. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T5) and the Sony FE Lens Catalog (A7 IV). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-T5||130 mm||91 mm||64 mm||557 g||580||Y||Nov 2022||1,699||amazon.com|
|2.||Sony A7 IV||131 mm||96 mm||80 mm||659 g||580||Y||Oct 2021||2,499||amazon.com|
|3.||Canon R7||132 mm||90 mm||92 mm||612 g||660||Y||May 2022||1,499||amazon.com|
|4.||Fujifilm X-H2S||136 mm||93 mm||85 mm||660 g||580||Y||May 2022||2,499||amazon.com|
|5.||Fujifilm X-H2||136 mm||93 mm||85 mm||660 g||680||Y||Sep 2022||1,999||amazon.com|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|9.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|10.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|11.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|12.||Sony A9 II||129 mm||96 mm||76 mm||678 g||690||Y||Oct 2019||4,499||amazon.com|
|13.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|14.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|15.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|16.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T5 was launched at a markedly lower price (by 32 percent) than the A7 IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T5 features an APS-C sensor and the Sony A7 IV a full frame sensor. The sensor area in the A7 IV is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Fujifilm X-T5 offers a higher resolution of 39.8 megapixels, compared with 32.7 MP of the Sony A7 IV. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.04μm versus 5.12μm for the A7 IV). However, it should be noted that the X-T5 is a somewhat more recent model (by 1 year) than the A7 IV, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-T5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T5 for good quality output (200 dots per inch) amounts to 38.6 x 25.8 inches or 98.1 x 65.4 cm, for very good quality (250 dpi) 30.9 x 20.6 inches or 78.5 x 52.3 cm, and for excellent quality (300 dpi) 25.8 x 17.2 inches or 65.4 x 43.6 cm. The corresponding values for the Sony A7 IV are 35 x 23.4 inches or 89 x 59.3 cm for good quality, 28 x 18.7 inches or 71.2 x 47.5 cm for very good quality, and 23.4 x 15.6 inches or 59.3 x 39.6 cm for excellent quality prints.
Unlike the A7 IV, the X-T5 has the capacity to capture high quality composite images (160MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-T5 has a native sensitivity range from ISO 125 to ISO 12800, which can be extended to ISO 64-51200. The corresponding ISO settings for the Sony Alpha A7 IV are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-T5 uses Fujifilm's X-Trans layout of photosites, while the A7 IV employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Sony A7 IV||Full Frame||32.7||7008||4672||4K/60p||25.4||14.7||3379||97|
|12.||Sony A9 II||Full Frame||24.0||6000||4000||4K/30p||25.0||14.0||3434||93|
|13.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|14.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|15.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|16.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-T5 provides a higher video resolution than the A7 IV. It can shoot video footage at 6.2k/30p, while the Sony is limited to 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-T5 offers a slightly higher resolution than the one in the A7 IV (3690k vs 3686k dots). The adjacent table lists some of the other core features of the Fujifilm X-T5 and Sony A7 IV along with similar information for a selection of comparators.
|1.||Fujifilm X-T5||3690||n||3.0 / 1840||full-flex||Y||1/8000s||15.0/s||n||Y|
|2.||Sony A7 IV||3686||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|3.||Canon R7||2360||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|4.||Fujifilm X-H2S||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|5.||Fujifilm X-H2||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|7.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|8.||Fujifilm X-T3||3690||n||3.0 / 1040||full-flex||Y||1/8000s||11.0/s||n||n|
|9.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|10.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|11.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|12.||Sony A9 II||3686||n||3.0 / 1440||tilting||Y||1/8000s||20.0/s||n||Y|
|13.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|14.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|15.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T5 writes its imaging data to SDXC cards, while the A7 IV uses CFexpress (type A) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T5 and Sony Alpha A7 IV and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T5||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|2.||Sony A7 IV||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|3.||Canon R7||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|4.||Fujifilm X-H2S||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|5.||Fujifilm X-H2||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|8.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|9.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|10.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|12.||Sony A9 II||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|13.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|14.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|15.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7 IV has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T5 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-T5 (unlike the A7 IV) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T5 and the A7 IV are recent models that are part of the current product line-up. The A7 IV replaced the earlier Sony A7 III, while the X-T5 followed on from the Fujifilm X-T4. Further information on the features and operation of the X-T5 and A7 IV can be found, respectively, in the Fujifilm X-T5 Manual (free pdf) or the online Sony A7 IV Manual.
So what is the bottom line? Which of the two cameras – the Fujifilm X-T5 or the Sony A7 IV – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-T5:
- More detail: Offers more megapixels (39.8 vs 32.7MP) with a 10% higher linear resolution.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (6.2k/30p vs 4K/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.78x).
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1037k dots).
- Faster burst: Shoots at higher frequency (15 vs 10 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 102g or 15 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year after the A7 IV).
Advantages of the Sony Alpha A7 IV:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More solid recording: Has a full-sized HDMI port for a sturdy connection to an external recorder.
- More heavily discounted: Has been on the market for longer (launched in October 2021).
If the number of relative strengths (bullet points above) is taken as a guide, the X-T5 is the clear winner of the match-up (11 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T5 and the Sony A7 IV place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-T5 and the A7 IV in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T5||5/5||+ +||..||..||4.5/5||..||Nov 2022||1,699||amazon.com|
|2.||Sony A7 IV||5/5||+ +||4.5/5||89/100||4.5/5||4.5/5||Oct 2021||2,499||amazon.com|
|3.||Canon R7||4.5/5||+||5/5||..||4.5/5||4.5/5||May 2022||1,499||amazon.com|
|4.||Fujifilm X-H2S||5/5||+||5/5||90/100||5/5||5/5||May 2022||2,499||amazon.com|
|5.||Fujifilm X-H2||5/5||+ +||5/5||5/5||5/5||5/5||Sep 2022||1,999||amazon.com|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|9.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|10.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|11.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|12.||Sony A9 II||..||..||5/5||90/100||5/5||5/5||Oct 2019||4,499||amazon.com|
|13.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|14.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|15.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|16.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X vs Sony A7 IV
- Canon 5D Mark IV vs Sony A7 IV
- Canon 700D vs Sony A7 IV
- Canon 7D vs Fujifilm X-T5
- Canon R3 vs Fujifilm X-T5
- Canon SX60 vs Sony A7 IV
- Fujifilm X-E2 vs Fujifilm X-T5
- Fujifilm X-T5 vs Leica M-E Typ 240
- Fujifilm X-T5 vs Nikon B600
- Fujifilm X-T5 vs Olympus E-PL9
- Nikon D5500 vs Sony A7 IV
- Panasonic TZ100 vs Sony A7 IV
Specifications: Fujifilm X-T5 vs Sony A7 IV
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T5||Sony A7 IV|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Sony E mount lenses|
|Launch Date||November 2022||October 2021|
|Launch Price||USD 1,699||USD 2,499|
|Sensor Specs||Fujifilm X-T5||Sony A7 IV|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.5 x 15.7 mm||35.9 x 23.9 mm|
|Sensor Area||368.95 mm2||858.01 mm2|
|Sensor Diagonal||28.3 mm||43.1 mm|
|Sensor Resolution||39.8 Megapixels||32.7 Megapixels|
|Image Resolution||7728 x 5152 pixels||7008 x 4672 pixels|
|Pixel Pitch||3.04 μm||5.12 μm|
|Pixel Density||10.79 MP/cm2||3.82 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||6.2k/30p Video||4K/60p Video|
|ISO Setting||125 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||64 - 51,200 ISO||50 - 204,800 ISO|
|Image Processor||X-Processor 5||BIONZ XR|
|DXO Sensor Quality (score)||..||97|
|DXO Color Depth (bits)||..||25.4|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||3379|
|Screen Specs||Fujifilm X-T5||Sony A7 IV|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||3686k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1840k dots||1037k dots|
|LCD Attachment||Fully flexible screen||Swivel screen|
|Shooting Specs||Fujifilm X-T5||Sony A7 IV|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||15 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/180000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexA or SDXC cards|
|Single or Dual Card Slots||Dual card slots||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Fujifilm X-T5||Sony A7 IV|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.2||USB 3.2|
|HDMI Port||micro HDMI||full HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Fujifilm X-T5||Sony A7 IV|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||580 shots per charge||580 shots per charge|
|In-Camera Charging||USB charging||USB charging|
130 x 91 x 64 mm
(5.1 x 3.6 x 2.5 in)
131 x 96 x 80 mm
(5.2 x 3.8 x 3.1 in)
|Camera Weight||557 g (19.6 oz)||659 g (23.2 oz)|
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