Fujifilm X-T20 versus Panasonic GX8
The Fujifilm X-T20 and the Panasonic Lumix DMC-GX8 are two digital cameras that were announced, respectively, in January 2017 and July 2015. Both the X-T20 and the GX8 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T20) and a Four Thirds sensor. The Fujifilm has a resolution of 24 megapixel, whereas the Panasonic provides 20.2 MP.
An illustration of the physical size and weight of the Fujifilm X-T20 and the Panasonic GX8 is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth dimensions are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-T20 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX8 is notably larger (6 percent) than the Fujifilm X-T20. Moreover, the GX8 is markedly heavier (27 percent) than the X-T20. It is noteworthy in this context that the GX8 is splash and dust-proof, while the X-T20 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-T20) and the Micro Four Thirds Lens Catalog (GX8). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible comparisons there.
|Camera Body Specifications
|Fujifilm X-T20 (⇒ rgt)||118 mm||83 mm||41 mm||383 g||350||no||2017||899||latest||check|
|Panasonic GX8 (⇒ lft)||133 mm||78 mm||63 mm||487 g||330||YES||2015||1,199||discont.||check|
|Canon M5 (⇒ lft | rgt)||116 mm||89 mm||61 mm||427 g||295||no||2016||979||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||117 mm||68 mm||40 mm||361 g||450||no||2018||399||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||121 mm||74 mm||43 mm||337 g||350||no||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||113 mm||64 mm||44 mm||340 g||330||no||2016||799||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||117 mm||67 mm||40 mm||339 g||410||no||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||117 mm||67 mm||40 mm||331 g||410||no||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||118 mm||83 mm||41 mm||381 g||350||no||2015||799||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||129 mm||75 mm||37 mm||350 g||350||no||2013||999||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||129 mm||75 mm||38 mm||350 g||350||no||2012||999||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||134 mm||91 mm||67 mm||574 g||440||YES||2016||1,999||latest||check|
|Olympus E-M5 II (⇒ lft | rgt)||124 mm||85 mm||45 mm||469 g||310||YES||2015||1,099||latest||check|
|Panasonic GX9 (⇒ lft | rgt)||124 mm||72 mm||47 mm||407 g||260||no||2018||849||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||139 mm||98 mm||87 mm||725 g||410||YES||2017||1,999||latest||check|
|Panasonic GX7 (⇒ lft | rgt)||123 mm||71 mm||55 mm||402 g||350||no||2013||999||discont.||check|
The listed prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T20 was launched at a somewhat lower price (by 25 percent) than the GX8, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-T20 features an APS-C sensor and the Panasonic GX8 a Four Thirds sensor. The sensor area in the GX8 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T20 has a native 3:2 aspect ratio, while the one in the GX8 offers a 4:3 aspect.
With 24MP, the X-T20 offers a higher resolution than the GX8 (20.2MP), but the X-T20 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.34μm for the GX8) due to its larger sensor. Moreover, the X-T20 is a somewhat more recent model (by 1 year and 6 months) than the GX8, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-T20 (⇒ rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Panasonic GX8 (⇒ lft)||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Canon M5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Fujifilm X-A5 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/15p||..||..||..||..|
|Fujifilm X-E3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X70 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A3 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T10 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E1 (⇒ lft | rgt)||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Olympus E-M1 II (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Olympus E-M5 II (⇒ lft | rgt)||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Panasonic GX9 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Panasonic GH5 (⇒ lft | rgt)||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Panasonic GX7 (⇒ lft | rgt)||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (4K/30p).
Apart from body and sensor, cameras can and do differ across a range of features. The X-T20 and the GX8 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The adjacent table lists some of the other core features of the Fujifilm X-T20 and Panasonic GX8 along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Fujifilm X-T20 (⇒ rgt)||2360||no||3.0||1040||tilting||YES||4000||8.0||5||no|
|Panasonic GX8 (⇒ lft)||2360||no||3.0||1040||swivel||YES||8000||10.0||no||YES|
|Canon M5 (⇒ lft | rgt)||2360||no||3.2||1620||tilting||YES||4000||9.0||5||no|
|Fujifilm X-A5 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||5.7||no|
|Fujifilm X-E3 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||YES||4000||8.0||no||no|
|Fujifilm X70 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||8.0||7.9||..|
|Fujifilm X-A3 (⇒ lft | rgt)||no||no||3.0||1040||tilting||YES||4000||6.0||7||no|
|Fujifilm X-E2S (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-A10 (⇒ lft | rgt)||no||no||3.0||1040||tilting||no||4000||6.0||5||no|
|Fujifilm X-T10 (⇒ lft | rgt)||2360||no||3.0||920||tilting||no||4000||8.0||5||no|
|Fujifilm X-E2 (⇒ lft | rgt)||2360||no||3.0||1040||fixed||no||4000||7.0||7||no|
|Fujifilm X-E1 (⇒ lft | rgt)||2360||no||2.8||460||fixed||no||4000||6.0||YES||no|
|Olympus E-M1 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||18.0||no||YES|
|Olympus E-M5 II (⇒ lft | rgt)||2360||no||3.0||1037||swivel||YES||8000||10.0||no||YES|
|Panasonic GX9 (⇒ lft | rgt)||2760||no||3.0||1240||tilting||YES||4000||9.0||6||YES|
|Panasonic GH5 (⇒ lft | rgt)||3680||no||3.2||1620||swivel||YES||8000||12.0||no||YES|
|Panasonic GX7 (⇒ lft | rgt)||2760||no||3.0||1040||tilting||YES||8000||5.0||7||YES|
The X-T20 is a current model that online retailers, such as amazon, will have in stock. In contrast, the GX8 has been discontinued (but it can be found pre-owned on ebay). As a replacement in the same line of cameras, the GX8 was succeeded by the Panasonic GX9.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-T20 and the Fujifilm X-T20? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-T20:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Less heavy: Is lighter (by 104g or 21 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 6 months after the GX8).
Advantages of the Panasonic Lumix DMC-GX8:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has swivel screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in July 2015).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (7 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-T20 and the GX8 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable. This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites. The full reviews are available, respectively, at cameralabs.com, dpreview.com, ephotozine.com, imaging-resource.com, and photographyblog.com.
|Fujifilm X-T20 (⇒ rgt)||HiRec||82/100 Silver||5/5||..||4.5/5||2017||899||latest||check|
|Panasonic GX8 (⇒ lft)||Rec||82/100 Silver||4.5/5||5/5||4.5/5||2015||1,199||discont.||check|
|Canon M5 (⇒ lft | rgt)||Rec||82/100 Silver||4/5||4.5/5||4/5||2016||979||latest||check|
|Fujifilm X-A5 (⇒ lft | rgt)||..||..||..||..||3.5/5||2018||399||latest||check|
|Fujifilm X-E3 (⇒ lft | rgt)||Rec||84/100 Gold||4.5/5||..||4.5/5||2017||899||latest||check|
|Fujifilm X70 (⇒ lft | rgt)||-||76/100||4.5/5||4/5||4.5/5||2016||799||latest||check|
|Fujifilm X-A3 (⇒ lft | rgt)||-||74/100||4.5/5||-||4/5||2016||399||latest||check|
|Fujifilm X-E2S (⇒ lft | rgt)||-||77/100||4.5/5||-||4.5/5||2016||699||discont.||check|
|Fujifilm X-A10 (⇒ lft | rgt)||-||-||4/5||-||4/5||2016||399||latest||check|
|Fujifilm X-T10 (⇒ lft | rgt)||HiRec||80/100 Silver||5/5||4/5||5/5||2015||799||discont.||check|
|Fujifilm X-E2 (⇒ lft | rgt)||-||80/100 Gold||4.5/5||-||5/5||2013||999||discont.||check|
|Fujifilm X-E1 (⇒ lft | rgt)||HiRec||79/100 Gold||4.5/5||4.5/5||4.5/5||2012||999||discont.||check|
|Olympus E-M1 II (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||4.5/5||2016||1,999||latest||check|
|Olympus E-M5 II (⇒ lft | rgt)||HiRec||81/100 Silver||5/5||4.5/5||5/5||2015||1,099||latest||check|
|Panasonic GX9 (⇒ lft | rgt)||..||..||4.5/5||..||4.5/5||2018||849||latest||check|
|Panasonic GH5 (⇒ lft | rgt)||HiRec||85/100 Gold||4.5/5||5/5||5/5||2017||1,999||latest||check|
|Panasonic GX7 (⇒ lft | rgt)||Rec||79/100 Silver||5/5||4.5/5||5/5||2013||999||discont.||check|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If you cannot find the camera you are interested in, please contact me, and I will try to add information on that model to the database.
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