Fujifilm X-T20 vs Olympus E-510
The Fujifilm X-T20 and the Olympus E-510 are two digital cameras that were officially introduced, respectively, in January 2017 and March 2007. The X-T20 is a mirrorless interchangeable lens camera, while the E-510 is a DSLR. The cameras are based on an APS-C (X-T20) and a Four Thirds (E-510) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T20 and the Olympus E-510? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-T20 and the Olympus E-510 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-T20 can be obtained in two different colors (black, silver), while the E-510 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-510 is notably larger (28 percent) than the Fujifilm X-T20. Moreover, the E-510 is substantially heavier (40 percent) than the X-T20. In this context, it is worth noting that neither the X-T20 nor the E-510 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T20) and the Four Thirds Lens Catalog (E-510). Mirrorless cameras, such as the Fujifilm X-T20, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
Concerning battery life, the X-T20 gets 350 shots out of its NP-W126S battery, while the E-510 can take 750 images on a single charge of its BLM-1 power pack. The power pack in the X-T20 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|2.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|3.||Canon M6||112 mm||68 mm||45 mm||390 g||295||n||Feb 2017||779|
|4.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|5.||Fujifilm X-E4||121 mm||73 mm||33 mm||364 g||380||n||Jan 2021||849|
|6.||Fujifilm X-T30 II||118 mm||83 mm||47 mm||383 g||380||n||Sep 2021||899|
|7.||Fujifilm X-T30||118 mm||83 mm||47 mm||383 g||380||n||Feb 2019||899|
|8.||Fujifilm X-A5||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399|
|9.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|10.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|11.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|12.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|13.||Olympus E-600||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449|
|14.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|15.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|16.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|17.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-510 was launched at a somewhat lower price (by 11 percent) than the X-T20, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-T20 features an APS-C sensor and the Olympus E-510 a Four Thirds sensor. The sensor area in the E-510 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T20 has a native 3:2 aspect ratio, while the one in the E-510 offers a 4:3 aspect.
With 24MP, the X-T20 offers a higher resolution than the E-510 (10MP), but the X-T20 has smaller individual pixels (pixel pitch of 3.92μm versus 4.74μm for the E-510). However, the X-T20 is a much more recent model (by 9 years and 10 months) than the E-510, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T20 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T20 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T20 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Olympus E-510 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The X-T20 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-T20 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-510 are ISO 100 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|6.||Fujifilm X-T30 II||APS-C||26.0||6240||4160||4K/30p||..||..||..||..|
|13.||Olympus E-600||Four Thirds||12.2||4032||3024||none||21.5||10.3||541||55|
|14.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|15.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|16.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|17.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-T20 indeed provides movie recording capabilities, while the E-510 does not. The highest resolution format that the X-T20 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-T20 has an electronic viewfinder (2360k dots), while the E-510 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-T20 offers a wider field of view (100%) than the one in the E-510 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the X-T20 has a higher magnification (0.62x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-T20 and Olympus E-510 along with similar information for a selection of comparators.
|1.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|2.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||Y|
|3.||Canon M6||optional||n||3.0 / 1040||tilting||Y||1/4000s||9.0||Y||n|
|4.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|5.||Fujifilm X-E4||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0||n||n|
|6.||Fujifilm X-T30 II||2360||n||3.0 / 1620||tilting||Y||1/4000s||8.0||Y||n|
|7.||Fujifilm X-T30||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|8.||Fujifilm X-A5||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|9.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|10.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|11.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|12.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0||Y||n|
|13.||Olympus E-600||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|14.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0||Y||Y|
|15.||Olympus E-30||optical||Y||2.7 / 230||swivel||n||1/8000s||5.0||Y||Y|
|16.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5||Y||Y|
|17.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0||Y||n|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-T20 has a touchscreen, while the E-510 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T20 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T20 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T20 writes its imaging data to SDXC cards, while the E-510 uses Compact Flash or xD Picture cards. The E-510 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T20 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T20 and Olympus E-510 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon M6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Fujifilm X-E4||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|6.||Fujifilm X-T30 II||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|7.||Fujifilm X-T30||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|8.||Fujifilm X-A5||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|10.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|11.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|12.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Olympus E-600||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-30||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
It is notable that the X-T20 offers wifi support, while the E-510 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the X-T20 and the E-510 have been discontinued, but can regularly be found used on eBay. The E-510 was replaced by the Olympus E-520, while the X-T20 was followed by the Fujifilm X-T100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So how do things add up? Is there a clear favorite between the Fujifilm X-T20 and the Olympus E-510? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-T20:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.62x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (118x83mm vs 136x92mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 155g or 29 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More modern: Reflects 9 years and 10 months of technical progress since the E-510 launch.
Arguments in favor of the Olympus E-510:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was released into a lower priced segment (11 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2007).
If the count of relative strengths (bullet points above) is taken as a measure, the X-T20 is the clear winner of the match-up (24 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T20 and the Olympus E-510 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-T20 and the E-510 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|2.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|3.||Canon M6||..||..||..||80/100||4/5||4/5||Feb 2017||779|
|4.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|5.||Fujifilm X-E4||4/5||..||4/5||..||4.5/5||4/5||Jan 2021||849|
|6.||Fujifilm X-T30 II||..||..||..||..||..||..||Sep 2021||899|
|7.||Fujifilm X-T30||5/5||+ +||5/5||84/100||4.5/5||4.5/5||Feb 2019||899|
|8.||Fujifilm X-A5||..||+||4.1/5||..||4/5||3.5/5||Jan 2018||399|
|9.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|10.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|11.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|12.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|13.||Olympus E-600||..||..||..||..||..||4.5/5||Aug 2009||449|
|14.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|15.||Olympus E-30||..||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|16.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|17.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 200D vs Fujifilm X-T20
- Canon 7D II vs Olympus E-510
- Canon M3 vs Fujifilm X-T20
- Fujifilm X-T1 vs Olympus E-510
- Fujifilm X-T20 vs Nikon D300
- Fujifilm X-T20 vs Nikon D500
- Fujifilm X-T20 vs Panasonic ZS70
- Fujifilm X-T20 vs Sony RX1R II
- Fujifilm XF10 vs Olympus E-510
- Nikon B700 vs Olympus E-510
- Olympus E-510 vs Olympus PEN-F
- Olympus E-510 vs Sony A7R III
Specifications: Fujifilm X-T20 vs Olympus E-510
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T20||Olympus E-510|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2017||March 2007|
|Launch Price||USD 899||USD 799|
|Sensor Specs||Fujifilm X-T20||Olympus E-510|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.92 μm||4.74 μm|
|Pixel Density||6.52 MP/cm2||4.44 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X-Processor Pro2||TruePic III|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||21.2|
|DXO Dynamic Range (EV)||..||10.0|
|DXO Low Light (ISO)||..||442|
|Screen Specs||Fujifilm X-T20||Olympus E-510|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-T20||Olympus E-510|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-T20||Olympus E-510|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-T20||Olympus E-510|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
118 x 83 x 41 mm
(4.6 x 3.3 x 1.6 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||383 g (13.5 oz)||538 g (19.0 oz)|
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