Fujifilm X-T2 vs Sony A7S
The Fujifilm X-T2 and the Sony Alpha A7S are two digital cameras that were announced, respectively, in July 2016 and April 2014. Both the X-T2 and the A7S are mirrorless interchangeable lens cameras that are based on an APS-C (X-T2) and a full frame (A7S) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-T2||Sony A7S|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Sony E mount lenses|
|24 MP, APS-C Sensor||12 MP, Full Frame Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-12800 (100-51200)||ISO 100-102400 (50-409600)|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (2400k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 921k dots|
|Tilting screen (no touchscreen)||Tilting screen (not touch-sensitive)|
|14 shutter flaps per second||5 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|340 shots per battery charge||380 shots per battery charge|
|133 x 92 x 49 mm, 507 g||127 x 94 x 48 mm, 489 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T2 and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-T2 and the Sony A7S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-T2 can be obtained in two different colors (black, silver), while the A7S is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is somewhat smaller (2 percent) than the Fujifilm X-T2. Moreover, the A7S is slightly lighter (4 percent) than the X-T2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T2) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-T2 gets 340 shots out of its NP-W126S battery, while the A7S can take 380 images on a single charge of its NP-FW50 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-T2»||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||Fujifilm X-T2|
|Sony A7S«||5.0 in||3.7 in||1.9 in||17.2 oz||380||Y||Apr 2014||2,499||Sony A7S|
|Fujifilm X100V« »||5.0 in||3.0 in||2.1 in||16.9 oz||420||Y||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X-T4« »||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699||Fujifilm X-T4|
|Fujifilm X-Pro3« »||5.6 in||3.3 in||1.8 in||17.5 oz||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||Fujifilm X-A3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||Fujifilm X-T1|
|Nikon Df« »||5.7 in||4.3 in||2.6 in||26.8 oz||1400||Y||Nov 2013||2,749||Nikon Df|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||Sony A7R|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-T2 was launched at a markedly lower price (by 36 percent) than the A7S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T2 features an APS-C sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the Fujifilm X-T2 offers a higher resolution of 24 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 8.45μm for the A7S). However, it should be noted that the X-T2 is much more recent (by 2 years and 3 months) than the A7S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Sony A7S are 21.2 x 14.2 inch or 53.8 x 36 cm for good quality, 17 x 11.3 inch or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inch or 35.9 x 24 cm for excellent quality prints.
The X-T2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-T2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-T2||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T2|
|Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87||Sony A7S|
|Fujifilm X100V||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X100V|
|Fujifilm X-T4||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T4|
|Fujifilm X-Pro3||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X-Pro3|
|Fujifilm X-T3||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T3|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X-A3||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-A3|
|Fujifilm X-Pro2||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-Pro2|
|Fujifilm X-T1||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T1|
|Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89||Nikon Df|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
|Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T2 provides a higher video resolution than the A7S. It can shoot video footage at 4K/30p, while the Sony is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the A7S offers a slightly higher resolution than the one in the X-T2 (2400k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-T2 and Sony A7S in connection with corresponding information for a sample of similar cameras.
|Fujifilm X-T2||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Sony A7S||2400||n||3.0||921||tilting||n||1/8000s||5.0||n||n||Sony A7S|
|Fujifilm X100V||3690||n||3.0||1620||tilting||Y||1/4000s||11.0||Y||n||Fujifilm X100V|
|Fujifilm X-T4||3690||n||3.0||1620||swivel||Y||1/8000s||15.0||n||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Fujifilm X-T3||3690||n||3.0||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-Pro2||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T1||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Nikon Df||optical||Y||3.2||921||fixed||n||1/4000s||5.5||n||n||Nikon Df|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
|Sony A7S II||2400||n||3.0||1229||tilting||n||1/8000s||5.0||n||Y||Sony A7S II|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A7R||2400||n||3.0||1230||tilting||n||1/8000s||4.0||n||n||Sony A7R|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T2 writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. The X-T2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7S only has one slot. The X-T2 supports UHS-II cards (on both slots), while the A7S can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T2 and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-T2||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Sony A7S||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S|
|Fujifilm X100V||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X100V|
|Fujifilm X-T4||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||Y||stereo||mono||Y||-||none||3.1||Y||-||Y||Fujifilm X-Pro3|
|Fujifilm X-T3||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-Pro2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Nikon Df||Y||none||none||-||-||mini||2.0||-||-||-||Nikon Df|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
|Sony A7S II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T2 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-T2 (unlike the A7S) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T2 and the A7S have been discontinued, but can regularly be found used on eBay. The A7S was replaced by the Sony A7S II, while the X-T2 was followed by the Fujifilm X-T3 . Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So how do things add up? Is there a clear favorite between the Fujifilm X-T2 and the Sony A7S? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-T2:
- More detail: Offers more megapixels (24 vs 12MP) with a 41% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 921k dots).
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More modern: Reflects 2 years and 3 months of technical progress since the A7S launch.
Advantages of the Sony Alpha A7S:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Longer lasting: Gets more shots (380 versus 340) out of a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the X-T2 is the clear winner of the match-up (14 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T2 and the Sony A7S place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-T2 or the A7S. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon M10 vs Fujifilm X-T2
- Canon M6 vs Sony A7S II
- Epson R-D1 vs Sony A7S II
- Fujifilm X-T2 vs Nikon D1
- Fujifilm X100S vs Sony A7S
- Kodak AZ901 vs Sony A7S
- Leica V-LUX Typ 114 vs Sony A7S II
- Olympus E-PM2 vs Sony A7S II
- Panasonic GH1 vs Sony A7S II
- Panasonic LX7 vs Sony A7S
- Sony A7 vs Sony A7S II
- Sony A7S vs Sony NEX-6
Specifications: Fujifilm X-T2 vs Sony A7S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T2||Sony A7S|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Sony E mount lenses|
|Launch Date||July 2016||April 2014|
|Launch Price||USD 1599||USD 2499|
|Sensor Specs||Fujifilm X-T2||Sony A7S|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||368.16 mm2||855.62 mm2|
|Sensor Diagonal||28.3 mm||43 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4240 x 2832 pixels|
|Pixel Pitch||3.92 μm||8.45 μm|
|Pixel Density||6.52 MP/cm2||1.40 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-12800 ISO||100-102400 ISO|
|ISO Boost||100-51200 ISO||50-409600 ISO|
|Image Processor||X-Processor Pro2||BIONZ X|
|DXO Sensor Quality (score)||..||87|
|DXO Color Depth (bits)||..||23.9|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||3702|
|Screen Specs||Fujifilm X-T2||Sony A7S|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||921k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-T2||Sony A7S|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/8000/s|
|Continuous Shooting||14 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||YES|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-T2||Sony A7S|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X-T2||Sony A7S|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||340 shots per charge||380 shots per charge|
|In-Camera Charging||USB charging||USB charging|
133 x 92 x 49 mm
(5.2 x 3.6 x 1.9 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||507 g (17.9 oz)||489 g (17.2 oz)|
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