Fujifilm X-T2 vs Panasonic G5
The Fujifilm X-T2 and the Panasonic Lumix DMC-G5 are two digital cameras that were revealed to the public, respectively, in July 2016 and July 2012. Both the X-T2 and the G5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T2) and a Four Thirds (G5) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-T2||Panasonic G5|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Micro Four Thirds lenses|
|24 MP, APS-C Sensor||15.9 MP, Four Thirds Sensor|
|4K/30p Video||1080/60p Video|
|ISO 200-12800 (100-51200)||ISO 160-12800|
|Electronic viewfinder (2360k dots)||Electronic viewfinder (1440k dots)|
|3.0" LCD, 1040k dots||3.0" LCD, 920k dots|
|Tilting screen (no touchscreen)||Swivel touchscreen|
|14 shutter flaps per second||6 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|340 shots per battery charge||320 shots per battery charge|
|133 x 92 x 49 mm, 507 g||120 x 83 x 71 mm, 396 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T2 and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T2 and the Panasonic G5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
Both cameras are available in two different colors (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is notably smaller (19 percent) than the Fujifilm X-T2. Moreover, the G5 is markedly lighter (22 percent) than the X-T2. It is worth mentioning in this context that the X-T2 is splash and dust resistant, while the G5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T2) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-T2 gets 340 shots out of its NP-W126S battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. The power pack in the X-T2 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-T2»||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||Fujifilm X-T2|
|Panasonic G5«||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||Panasonic G5|
|Fujifilm X100V« »||5.0 in||3.0 in||2.1 in||16.9 oz||420||Y||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X-T4« »||5.3 in||3.7 in||2.5 in||21.4 oz||500||Y||Feb 2020||1,699||Fujifilm X-T4|
|Fujifilm X-Pro3« »||5.6 in||3.3 in||1.8 in||17.5 oz||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899||Fujifilm X-E3|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899||Fujifilm X-T20|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||Fujifilm X-A3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||Fujifilm X-T1|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||Panasonic G7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||Panasonic G6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||Panasonic GX1|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||Panasonic G10|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G5 was launched at a markedly lower price (by 63 percent) than the X-T2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T2 features an APS-C sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T2 has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metalâ€“Oxideâ€“Semiconductor) sensors.
With 24MP, the X-T2 offers a higher resolution than the G5 (15.9MP), but the X-T2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.76μm for the G5) due to its larger sensor. Moreover, the X-T2 is a much more recent model (by 3 years and 11 months) than the G5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic G5 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The X-T2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-T2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-T2||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T2|
|Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||..||..||..||..||Panasonic G5|
|Fujifilm X100V||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X100V|
|Fujifilm X-T4||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T4|
|Fujifilm X-Pro3||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X-Pro3|
|Fujifilm X-T3||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T3|
|Fujifilm X-E3||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-E3|
|Fujifilm X-T20||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T20|
|Fujifilm X-A3||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-A3|
|Fujifilm X-Pro2||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-Pro2|
|Fujifilm X-T1||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T1|
|Panasonic G7||Four Thirds||15.8||4592||3448||4K/30p||..||..||..||..||Panasonic G7|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Sony A6500||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-T2 provides a higher video resolution than the G5. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-T2 offers a substantially higher resolution than the one in the G5 (2360k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-T2, the Panasonic G5, and comparable cameras.
|Fujifilm X-T2||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Panasonic G5||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Fujifilm X100V||3690||n||3.0||1620||tilting||Y||1/4000s||11.0||Y||n||Fujifilm X100V|
|Fujifilm X-T4||3690||n||3.0||1620||swivel||Y||1/8000s||15.0||n||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Fujifilm X-T3||3690||n||3.0||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-E3||2360||n||3.0||1040||fixed||Y||1/4000s||8.0||n||n||Fujifilm X-E3|
|Fujifilm X-T20||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||n||Fujifilm X-T20|
|Fujifilm X-A3||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-Pro2||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T1||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Panasonic G7||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic G3||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1||optional||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Sony A6500||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G5 has a touchscreen, while the X-T2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-T2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-T2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T2 and the G5 write their files to SDXC cards. The X-T2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G5 only has one slot. The X-T2 supports UHS-II cards (on both slots), while the G5 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T2 and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-T2||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Panasonic G5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Fujifilm X100V||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X100V|
|Fujifilm X-T4||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T4|
|Fujifilm X-Pro3||Y||stereo||mono||Y||-||none||3.1||Y||-||Y||Fujifilm X-Pro3|
|Fujifilm X-T3||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-E3||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-E3|
|Fujifilm X-T20||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T20|
|Fujifilm X-A3||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-Pro2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T1||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Panasonic G7||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic G3||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10||Y||mono||none||-||-||mini||2.0||-||-||-||Panasonic G10|
|Sony A6500||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the X-T2 has a microphone port, which is missing on the G5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Fujifilm X-T2 (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T2 and the G5 have been discontinued, but can regularly be found used on eBay. The G5 was replaced by the Panasonic G6, while the X-T2 was followed by the Fujifilm X-T3 . Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-T2 and the Panasonic G5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Fujifilm X-T2:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (2360k vs 1440k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.70x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 3 years and 11 months of technical progress since the G5 launch.
Arguments in favor of the Panasonic Lumix DMC-G5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (120x83mm vs 133x92mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 111g or 22 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in July 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the X-T2 is the clear winner of the match-up (23 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T2 and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-T2 or the G5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Fujifilm X-T2
- Canon 500D vs Fujifilm X-T2
- Fujifilm X-T2 vs Olympus E-PL2
- Fujifilm X-T2 vs Olympus E-PM2
- Fujifilm X-T2 vs Panasonic G95
- Fujifilm X-T2 vs Pentax K-70
- Fujifilm X-T2 vs Sony H300
- Fujifilm X-T2 vs Sony RX1R II
- Fujifilm X-T2 vs YI M1
- Leica CL vs Panasonic G5
- Panasonic G5 vs Ricoh GR
- Panasonic G5 vs Sony A7S
Specifications: Fujifilm X-T2 vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T2||Panasonic G5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||July 2016||July 2012|
|Launch Price||USD 1599||USD 599|
|Sensor Specs||Fujifilm X-T2||Panasonic G5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.92 μm||3.76 μm|
|Pixel Density||6.52 MP/cm2||7.08 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||200-12800 ISO||160-12800 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||X-Processor Pro2||Venus VII FHD|
|Screen Specs||Fujifilm X-T2||Panasonic G5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||920k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-T2||Panasonic G5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||14 shutter flaps/s||6 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-T2||Panasonic G5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-T2||Panasonic G5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||340 shots per charge||320 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
133 x 92 x 49 mm
(5.2 x 3.6 x 1.9 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||507 g (17.9 oz)||396 g (14.0 oz)|
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