Fujifilm X-T1 vs Olympus E-400
The Fujifilm X-T1 and the Olympus E-400 are two digital cameras that were revealed to the public, respectively, in January 2014 and September 2006. The X-T1 is a mirrorless interchangeable lens camera, while the E-400 is a DSLR. The cameras are based on an APS-C (X-T1) and a Four Thirds (E-400) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-T1||Olympus E-400|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Four Thirds lenses|
|16 MP, APS-C Sensor||10 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 200-6400 (100-51200)||ISO 100-1600|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||2.5" LCD, 215k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|350 shots per battery charge||500 shots per battery charge|
|129 x 90 x 47 mm, 440 g||130 x 91 x 53 mm, 435 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T1 and the Olympus E-400? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T1 and the Olympus E-400. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-T1 can be obtained in two different colors (black, silver), while the E-400 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-400 is somewhat larger (2 percent) than the Fujifilm X-T1. However, the E-400 is slightly lighter (1 percent) than the X-T1. It is worth mentioning in this context that the X-T1 is splash and dust resistant, while the E-400 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-T1) and the Four Thirds Lens Catalog (E-400). Mirrorless cameras, such as the Fujifilm X-T1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-T1»||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Olympus E-400«||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699||-||Olympus E-400|
|Fujifilm X-Pro2« »||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-A2« »||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X100T« »||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X100S« »||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-Pro1« »||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-M1« »||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-420« »||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-410« »||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799||-||Olympus E-510|
|Olympus E-500« »||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599||-||Olympus E-500|
|Panasonic GH4« »||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic L10« »||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||-||Panasonic L10|
|Sony A7« »||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699||-||Sony A7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-400 was launched at a markedly lower price (by 46 percent) than the X-T1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-T1 features an APS-C sensor and the Olympus E-400 a Four Thirds sensor. The sensor area in the E-400 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-T1 has a native 3:2 aspect ratio, while the one in the E-400 offers a 4:3 aspect.
With 16MP, the X-T1 offers a higher resolution than the E-400 (10MP), but the X-T1 nevertheless has marginally larger individual pixels (pixel pitch of 4.80μm versus 4.74μm for the E-400) due to its larger sensor. Moreover, the X-T1 is a much more recent model (by 7 years and 4 months) than the E-400, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-T1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-T1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-T1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Olympus E-400 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The X-T1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-T1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-400 are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-T1»||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Olympus E-400«||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X100T« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100T|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X100S|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Olympus E-510« »||Four Thirds||10.0||3648||2736||-||21.2||10.0||442||52||Olympus E-510|
|Olympus E-500« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Panasonic GH4« »||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74||Panasonic GH4|
|Panasonic L10« »||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
Many modern cameras cannot only take still pictures, but also record videos. The X-T1 indeed provides movie recording capabilities, while the E-400 does not. The highest resolution format that the X-T1 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-T1 has an electronic viewfinder (2360k dots), while the E-400 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-T1 offers a wider field of view (100%) than the one in the E-400 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the X-T1 has a higher magnification (0.77x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Fujifilm X-T1, the Olympus E-400, and comparable cameras.
|Fujifilm X-T1»||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Olympus E-400«||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X100T« »||2360||n||3.0||1040||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100T|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Olympus E-510« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||Y||Olympus E-510|
|Olympus E-500« »||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Panasonic GH4« »||2359||n||3.0||1036||swivel||Y||1/8000s||12.0||Y||n||Panasonic GH4|
|Panasonic L10« »||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Sony A7« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
One difference between the cameras concerns the presence of an on-board flash. The E-400 has one, while the X-T1 does not. While the built-in flash of the E-400 is not very powerful, it can at times be useful as a fill-in light.
The Fujifilm X-T1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-T1 writes its imaging data to SDXC cards, while the E-400 uses Compact Flash or xD Picture cards. The E-400 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T1 and Olympus E-400 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-T1»||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Olympus E-400«||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X100T« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100T|
|Fujifilm X100S« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Olympus E-M1« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Olympus E-510« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-510|
|Olympus E-500« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Panasonic GH4« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Panasonic GH4|
|Panasonic L10« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
It is notable that the X-T1 offers wifi support, while the E-400 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-T1 (unlike the E-400) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-T1 and the E-400 have been discontinued, but can regularly be found used on eBay. The E-400 was replaced by the Olympus E-410, while the X-T1 was followed by the Fujifilm X-T2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Is the Fujifilm X-T1 better than the Olympus E-400 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-T1:
- More detail: Offers more megapixels (16 vs 10MP) with a 29% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.77x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 7 years and 4 months of technical progress since the E-400 launch.
Arguments in favor of the Olympus E-400:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (500 versus 350) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2006).
If the count of relative strengths (bullet points above) is taken as a measure, the X-T1 is the clear winner of the match-up (21 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T1 and the Olympus E-400 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-T1 and the E-400 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-T1»||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Olympus E-400«||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X100T« »||+||81/100||4.5/5||4.5/5||5/5||Sep 2014||1,299||-||Fujifilm X100T|
|Fujifilm X100S« »||+ +||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-||Fujifilm X100S|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-M1« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-||Olympus E-M1|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Olympus E-510« »||89/100||+ +||3.5/5||o||4.5/5||Mar 2007||799||-||Olympus E-510|
|Olympus E-500« »||76/100||+ +||-||-||-||Sep 2005||599||-||Olympus E-500|
|Panasonic GH4« »||+ +||85/100||5/5||5/5||5/5||Feb 2014||1,499||-||Panasonic GH4|
|Panasonic L10« »||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Sony A7« »||+ +||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Fujifilm X-T1 vs Nikon 1 J4
- Fujifilm X-T1 vs Nikon 1 V1
- Fujifilm X-T1 vs Nikon D300S
- Fujifilm X-T1 vs Olympus E-PL1
- Fujifilm X-T1 vs Panasonic TZ200
- Fujifilm X-T1 vs Sony RX10
- Olympus E-400 vs Panasonic FT7
- Olympus E-400 vs Pentax 645D
- Olympus E-400 vs Pentax KP
- Olympus E-400 vs Sony A7R III
- Olympus E-400 vs Sony NEX-5N
- Olympus E-400 vs Sony RX100 V
Specifications: Fujifilm X-T1 vs Olympus E-400
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T1||Olympus E-400|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2014||September 2006|
|Launch Price||USD 1299||USD 699|
|Sensor Specs||Fujifilm X-T1||Olympus E-400|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||10 Megapixels|
|Image Resolution||4896 x 3264 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.80 μm||4.74 μm|
|Pixel Density||4.34 MP/cm2||4.44 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||200-6400 ISO||100-1600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||EXR Processor II||TruePic|
|Screen Specs||Fujifilm X-T1||Olympus E-400|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Fujifilm X-T1||Olympus E-400|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-T1||Olympus E-400|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-T1||Olympus E-400|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||350 shots per charge||500 shots per charge|
129 x 90 x 47 mm
(5.1 x 3.5 x 1.9 in)
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
|Camera Weight||440 g (15.5 oz)||435 g (15.3 oz)|
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