Fujifilm X-T1 vs Nikon Z5
The Fujifilm X-T1 and the Nikon Z5 are two digital cameras that were officially introduced, respectively, in January 2014 and July 2020. Both the X-T1 and the Z5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-T1) and a full frame (Z5) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-T1 and the Nikon Z5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-T1 and the Nikon Z5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-T1 can be obtained in two different colors (black, silver), while the Z5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 is notably larger (17 percent) than the Fujifilm X-T1. Moreover, the Z5 is substantially heavier (53 percent) than the X-T1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-T1 gets 350 shots out of its NP-W126 battery, while the Z5 can take 470 images on a single charge of its EN-EL15c power pack. The power pack in the Z5 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|2.||Nikon Z5||134 mm||101 mm||67 mm||675 g||470||Y||Jul 2020||1,399|
|3.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699|
|4.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|5.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|6.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|7.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|8.||Fujifilm X100T||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299|
|9.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|10.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|11.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999|
|12.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999|
|13.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999|
|14.||Olympus E-M1||130 mm||94 mm||63 mm||497 g||350||Y||Sep 2013||1,399|
|15.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699|
|16.||Panasonic GH4||133 mm||93 mm||84 mm||560 g||500||Y||Feb 2014||1,499|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-T1 was somewhat cheaper (by 7 percent) than the Z5 at launch, but both cameras fall into the same price category. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-T1 features an APS-C sensor and the Nikon Z5 a full frame sensor. The sensor area in the Z5 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24.2MP, the Z5 offers a higher resolution than the X-T1 (16MP), but the Z5 nevertheless has larger individual pixels (pixel pitch of 5.95μm versus 4.80μm for the X-T1) due to its larger sensor. Moreover, the Z5 is a much more recent model (by 6 years and 5 months) than the X-T1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-T1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z5 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Fujifilm X-T1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-T1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon Z5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|2.||Nikon Z5||Full Frame||24.2||6016||4016||4K/30p||25.3||14.3||2929||95|
|11.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|12.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25.0||14.4||3303||94|
|13.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|14.||Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|15.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|16.||Panasonic GH4||Four Thirds||15.9||4608||3456||4K/30p||23.2||12.8||791||74|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Z5 provides a better video resolution than the X-T1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z5 offers a substantially higher resolution than the one in the X-T1 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-T1, the Nikon Z5, and comparable cameras.
|1.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|2.||Nikon Z5||3690||n||3.2 / 1040||tilting||Y||1/8000s||4.5/s||n||Y|
|3.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|4.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|5.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|6.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|7.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|8.||Fujifilm X100T||2360||n||3.0 / 1040||fixed||n||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|10.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|11.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|12.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0/s||n||Y|
|13.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|14.||Olympus E-M1||2360||n||3.0 / 1037||tilting||Y||1/8000s||10.0/s||n||Y|
|15.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|16.||Panasonic GH4||2359||n||3.0 / 1036||swivel||Y||1/8000s||12.0/s||Y||n|
|17.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Z5 has a touchscreen, while the X-T1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-T1 and the Nikon Z5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-T1 and the Z5 write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-T1 only has one slot. Moreover, both cameras support UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-T1 and Nikon Z5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|2.||Nikon Z5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|6.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X100T||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|10.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|12.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Olympus E-M1||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|16.||Panasonic GH4||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-T1 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-T1 (unlike the Z5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Z5 is a recent model that features in the current product line-up of Nikon. In contrast, the X-T1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-T1 was succeeded by the Fujifilm X-T2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-T1 or the Nikon Z5 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-T1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Faster burst: Shoots at higher frequency (8 vs 4.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x90mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 235g or 35 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2014).
Arguments in favor of the Nikon Z5:
- More detail: Has more megapixels (24.2 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.77x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (470 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 6 years and 5 months of technical progress since the X-T1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the Z5 is the clear winner of the contest (20 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-T1 and the Nikon Z5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-T1 and the Z5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|2.||Nikon Z5||4/5||..||4/5||89/100||4.5/5||4/5||Jul 2020||1,399|
|3.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699|
|4.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|5.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|6.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|7.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|8.||Fujifilm X100T||5/5||+||..||81/100||4.5/5||5/5||Sep 2014||1,299|
|9.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|10.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|11.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999|
|12.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999|
|13.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999|
|14.||Olympus E-M1||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2013||1,399|
|15.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699|
|16.||Panasonic GH4||5/5||+ +||..||85/100||5/5||5/5||Feb 2014||1,499|
|17.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Nikon Z5
- Canon T7i vs Nikon Z5
- Fujifilm X-H1 vs Fujifilm X-T1
- Fujifilm X-T1 vs Leica X Typ 113
- Fujifilm X-T1 vs Olympus E-M1
- Fujifilm X-T1 vs Panasonic FZ1000
- Fujifilm X-T1 vs Panasonic FZ2500
- Fujifilm X-T1 vs Panasonic GH5
- Fujifilm X30 vs Nikon Z5
- Nikon D5200 vs Nikon Z5
- Nikon Z5 vs Panasonic TZ100
- Nikon Z5 vs Sony RX10 IV
Specifications: Fujifilm X-T1 vs Nikon Z5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-T1||Nikon Z5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Nikon Z mount lenses|
|Launch Date||January 2014||July 2020|
|Launch Price||USD 1,299||USD 1,399|
|Sensor Specs||Fujifilm X-T1||Nikon Z5|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.9 x 23.9 mm|
|Sensor Area||368.16 mm2||858.01 mm2|
|Sensor Diagonal||28.3 mm||43.1 mm|
|Sensor Resolution||16 Megapixels||24.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||6016 x 4016 pixels|
|Pixel Pitch||4.80 μm||5.95 μm|
|Pixel Density||4.34 MP/cm2||2.82 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 102,400 ISO|
|Image Processor||EXR Processor II||EXPEED 6|
|Screen Specs||Fujifilm X-T1||Nikon Z5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-T1||Nikon Z5|
|Focus System||On-Sensor Phase-detect||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||8 shutter flaps/s||4.5 shutter flaps/s|
|Electronic Shutter||YES||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-II||Dual UHS-II|
|Connectivity Specs||Fujifilm X-T1||Nikon Z5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-T1||Nikon Z5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||470 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 90 x 47 mm
(5.1 x 3.5 x 1.9 in)
134 x 101 x 67 mm
(5.3 x 4.0 x 2.6 in)
|Camera Weight||440 g (15.5 oz)||675 g (23.8 oz)|
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