Fujifilm X-S10 vs Nikon Z5
The Fujifilm X-S10 and the Nikon Z5 are two digital cameras that were revealed to the public, respectively, in October 2020 and July 2020. Both the X-S10 and the Z5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-S10) and a full frame (Z5) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-S10 and the Nikon Z5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-S10 and the Nikon Z5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 is notably larger (26 percent) than the Fujifilm X-S10. Moreover, the Z5 is substantially heavier (45 percent) than the X-S10. It is noteworthy in this context that the Z5 is splash and dust-proof, while the X-S10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-S10 gets 325 shots out of its Fujifilm NP-W126S battery, while the Z5 can take 470 images on a single charge of its Nikon EN-EL15c power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-S10 | 126 mm | 85 mm | 65 mm | 465 g | 325 | n | Oct 2020 | 999 | amazon.com | |
2. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-S20 | 128 mm | 85 mm | 65 mm | 491 g | 750 | n | May 2023 | 1,299 | amazon.com | |
4. | Fujifilm X-E4 | 121 mm | 73 mm | 33 mm | 364 g | 380 | n | Jan 2021 | 849 | amazon.com | |
5. | Fujifilm X-T30 II | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Sep 2021 | 899 | amazon.com | |
6. | Fujifilm X-T30 | 118 mm | 83 mm | 47 mm | 383 g | 380 | n | Feb 2019 | 899 | ebay.com | |
7. | Fujifilm X-A7 | 119 mm | 68 mm | 41 mm | 320 g | 440 | n | Sep 2019 | 499 | ebay.com | |
8. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
9. | Fujifilm X-E3 | 121 mm | 74 mm | 43 mm | 337 g | 350 | n | Sep 2017 | 899 | ebay.com | |
10. | Fujifilm X-T20 | 118 mm | 83 mm | 41 mm | 383 g | 350 | n | Jan 2017 | 899 | ebay.com | |
11. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | 1,999 | amazon.com | |
12. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
13. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
14. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ebay.com | |
15. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
16. | Ricoh GR III | 109 mm | 62 mm | 33 mm | 257 g | 200 | n | Feb 2019 | 899 | amazon.com | |
17. | Sony A6400 | 120 mm | 67 mm | 50 mm | 403 g | 410 | Y | Jan 2019 | 899 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-S10 was launched at a markedly lower price (by 29 percent) than the Z5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-S10 features an APS-C sensor and the Nikon Z5 a full frame sensor. The sensor area in the Z5 is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the Fujifilm X-S10 offers a higher resolution of 26 megapixels, compared with 24.2 MP of the Nikon Z5. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 5.95μm for the Z5). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X-S10 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Fujifilm X-S10 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Nikon Z5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
In terms of underlying technology, the X-S10 is build around a BSI-CMOS sensor, while the Z5 uses a CMOS imager. The X-S10 uses Fujifilm's X-Trans layout of photosites, while the Z5 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-S10 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2057 | 85 | |
2. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
3. | Fujifilm X-S20 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.3 | 14.0 | 2315 | 86 | |
4. | Fujifilm X-E4 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.7 | 2085 | 85 | |
5. | Fujifilm X-T30 II | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.8 | 2144 | 85 | |
6. | Fujifilm X-T30 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.5 | 1895 | 83 | |
7. | Fujifilm X-A7 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.1 | 13.6 | 1955 | 84 | |
8. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
9. | Fujifilm X-E3 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.3 | 1764 | 82 | |
10. | Fujifilm X-T20 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.9 | 13.2 | 1704 | 81 | |
11. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
12. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
13. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
14. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
15. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
16. | Ricoh GR III | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.1 | 13.5 | 1897 | 83 | |
17. | Sony A6400 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.6 | 1431 | 83 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z5 offers a substantially higher resolution than the one in the X-S10 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-S10, the Nikon Z5, and comparable cameras.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-S10 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
2. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
3. | Fujifilm X-S20 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/4000s | 8.0/s | Y | Y | |
4. | Fujifilm X-E4 | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | n | n | |
5. | Fujifilm X-T30 II | 2360 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
6. | Fujifilm X-T30 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
7. | Fujifilm X-A7 | none | n | 3.5 / 2760 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
8. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
9. | Fujifilm X-E3 | 2360 | n | 3.0 / 1040 | fixed | Y | 1/4000s | 8.0/s | n | n | |
10. | Fujifilm X-T20 | 2360 | n | 3.0 / 1040 | tilting | Y | 1/4000s | 8.0/s | Y | n | |
11. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
12. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
13. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
14. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
15. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
16. | Ricoh GR III | optional | n | 3.0 / 1037 | fixed | Y | 1/4000s | 4.0/s | n | Y | |
17. | Sony A6400 | 2359 | n | 3.0 / 922 | tilting | Y | 1/4000s | 11.0/s | Y | n | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The X-S10 has one, while the Z5 does not. While the built-in flash of the X-S10 is not very powerful, it can at times be useful as a fill-in light.
The X-S10 has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z5 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-S10 and the Nikon Z5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-S10 and the Z5 write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-S10 only has one slot. The Z5 supports UHS-II cards (on both slots), while the X-S10 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-S10 and Nikon Z5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-S10 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
2. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Fujifilm X-S20 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
4. | Fujifilm X-E4 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
5. | Fujifilm X-T30 II | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
6. | Fujifilm X-T30 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
7. | Fujifilm X-A7 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
8. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
9. | Fujifilm X-E3 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Fujifilm X-T20 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
12. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
13. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
14. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
15. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
16. | Ricoh GR III | Y | stereo / mono | - | - | - | 3.0 | Y | - | Y | |
17. | Sony A6400 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | Y |
It is notable that the Z5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-S10 lacks such a headphone port.
Both the X-S10 and the Z5 are recent models that are part of the current product line-up. Neither of the two has a direct predecessor, so perhaps they will constitute the origins of new camera lines for Fujifilm and Nikon. Further information on the features and operation of the X-S10 and Z5 can be found, respectively, in the Fujifilm X-S10 Manual (free pdf) or the online Nikon Z5 Manual.
Review summary
So how do things add up? Is the Fujifilm X-S10 better than the Nikon Z5 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-S10:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (8 vs 4.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (126x85mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 210g or 31 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
Reasons to prefer the Nikon Z5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.62x).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (470 versus 325) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the number of relative strengths (bullet points above) is taken as a guide, the Z5 is the clear winner of the contest (14 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-S10 and the Nikon Z5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-S10 and the Z5 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-S10 | 5/5 | .. | 4.5/5 | 86/100 | 4.5/5 | 4.5/5 | Oct 2020 | 999 | amazon.com | |
2. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-S20 | 5/5 | + + | 5/5 | 86/100 | .. | 4.5/5 | May 2023 | 1,299 | amazon.com | |
4. | Fujifilm X-E4 | 4/5 | .. | 4/5 | .. | 4.5/5 | 4/5 | Jan 2021 | 849 | amazon.com | |
5. | Fujifilm X-T30 II | 5/5 | .. | 4/5 | .. | 4.5/5 | 4.5/5 | Sep 2021 | 899 | amazon.com | |
6. | Fujifilm X-T30 | 5/5 | + + | 5/5 | 84/100 | 4.5/5 | 4.5/5 | Feb 2019 | 899 | ebay.com | |
7. | Fujifilm X-A7 | 3/5 | .. | 3.5/5 | 81/100 | 4/5 | 3.5/5 | Sep 2019 | 499 | ebay.com | |
8. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
9. | Fujifilm X-E3 | 4.5/5 | + | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Sep 2017 | 899 | ebay.com | |
10. | Fujifilm X-T20 | 5/5 | + + | 5/5 | 82/100 | 5/5 | 4.5/5 | Jan 2017 | 899 | ebay.com | |
11. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | 1,999 | amazon.com | |
12. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
13. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
14. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ebay.com | |
15. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
16. | Ricoh GR III | 4/5 | .. | 3.5/5 | 81/100 | 4/5 | .. | Feb 2019 | 899 | amazon.com | |
17. | Sony A6400 | 4/5 | + | 4/5 | 85/100 | 4.5/5 | 4/5 | Jan 2019 | 899 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Fujifilm X-S10 vs Nikon D3100
- Fujifilm X-S10 vs Nikon Z fc
- Fujifilm X-S10 vs Panasonic G95
- Leica M11 vs Nikon Z5
- Nikon D7000 vs Nikon Z5
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- Nikon Z5 vs Sony NEX-6
Specifications: Fujifilm X-S10 vs Nikon Z5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-S10 | Nikon Z5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Nikon Z mount lenses |
Launch Date | October 2020 | July 2020 |
Launch Price | USD 999 | USD 1,399 |
Sensor Specs | Fujifilm X-S10 | Nikon Z5 |
Sensor Technology | BSI-CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.5 x 15.6 mm | 35.9 x 23.9 mm |
Sensor Area | 366.6 mm2 | 858.01 mm2 |
Sensor Diagonal | 28.2 mm | 43.1 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 26 Megapixels | 24.2 Megapixels |
Image Resolution | 6240 x 4160 pixels | 6016 x 4016 pixels |
Pixel Pitch | 3.76 μm | 5.95 μm |
Pixel Density | 7.08 MP/cm2 | 2.82 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 160 - 12,800 ISO | 100 - 51,200 ISO |
ISO Boost | 80 - 51,200 ISO | 50 - 102,400 ISO |
Image Processor | X-Processor 4 | EXPEED 6 |
Screen Specs | Fujifilm X-S10 | Nikon Z5 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.62x | 0.80x |
Viewfinder Resolution | 2360k dots | 3690k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1040k dots | 1040k dots |
LCD Attachment | Swivel screen | Tilting screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-S10 | Nikon Z5 |
Focus System | On-Sensor Phase-detect | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 8 shutter flaps/s | 4.5 shutter flaps/s |
Electronic Shutter | up to 1/32000s | up to 1/8000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Fujifilm X-S10 | Nikon Z5 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 3.2 | USB 3.2 |
HDMI Port | micro HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Fujifilm X-S10 | Nikon Z5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Fujifilm NP-W126S | Nikon EN-EL15c |
Battery Life (CIPA) | 325 shots per charge | 470 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
126 x 85 x 65 mm (5.0 x 3.3 x 2.6 in) |
134 x 101 x 67 mm (5.3 x 4.0 x 2.6 in) |
Camera Weight | 465 g (16.4 oz) | 675 g (23.8 oz) |
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