Fujifilm X-Pro3 vs Ricoh WG-60
The Fujifilm X-Pro3 and the Ricoh WG-60 are two digital cameras that were officially introduced, respectively, in October 2019 and October 2018. The X-Pro3 is a mirrorless interchangeable lens camera, while the WG-60 is a fixed lens compact. The cameras are based on an APS-C (X-Pro3) and a 1/2.3-inch (WG-60) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Ricoh provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro3||Ricoh WG-60|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm X mount lenses||28-140mm f/3.5-5.5|
|26 MP, APS-C Sensor||15.9 MP, 1/2.3" Sensor|
|4K/30p Video||1080/60p Video|
|ISO 160-12800 (80-51200)||ISO 125-6400|
|Electronic viewfinder (3690k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1620k dots||2.7" LCD, 230k dots|
|Tilting touchscreen||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||8 shutter flaps per second|
|Weathersealed body||Waterproof body (14m)|
|440 shots per battery charge||300 shots per battery charge|
|141 x 83 x 46 mm, 497 g||123 x 62 x 30 mm, 193 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro3 and the Ricoh WG-60? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro3 and the Ricoh WG-60. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The X-Pro3 can be obtained in two different colors (black, silver), while the WG-60 is also available in two color-versions, but different ones (black, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-60 is considerably smaller (35 percent) than the Fujifilm X-Pro3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the WG-60 is water-proof up to 14m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-60 has a lens built in, whereas the X-Pro3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro3 and their specifications in the Fujinon X Lens Catalog.
The power pack in the X-Pro3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-Pro3»||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Ricoh WG-60«||123 mm||62 mm||30 mm||193 g||300||Y||Oct 2018||279||Ricoh WG-60|
|Fujifilm X100V« »||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||Fujifilm X100V|
|Fujifilm X-T4« »||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||Fujifilm X-T4|
|Fujifilm XP140« »||110 mm||71 mm||28 mm||207 g||240||Y||Feb 2019||229||Fujifilm XP140|
|Fujifilm X-A5« »||117 mm||68 mm||40 mm||361 g||450||n||Jan 2018||399||Fujifilm X-A5|
|Fujifilm X-T3« »||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm XP130« »||110 mm||71 mm||28 mm||207 g||240||n||Jan 2018||229||Fujifilm XP130|
|Fujifilm XP120« »||110 mm||71 mm||28 mm||203 g||210||Y||Jan 2017||229||Fujifilm XP120|
|Fujifilm X-Pro2« »||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||Fujifilm X-T2|
|Fujifilm X-T1« »||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||Fujifilm X-T1|
|Nikon W300« »||112 mm||66 mm||29 mm||231 g||280||Y||May 2017||389||Nikon W300|
|Sigma fp« »||113 mm||70 mm||45 mm||422 g||280||Y||Jul 2019||1,899||Sigma fp|
|Sony WX800« »||102 mm||58 mm||36 mm||233 g||370||n||Oct 2018||399||Sony WX800|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The WG-60 was launched at a lower price than the X-Pro3, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro3 features an APS-C sensor and the Ricoh WG-60 a 1/2.3-inch sensor. The sensor area in the WG-60 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-Pro3 has a native 3:2 aspect ratio, while the one in the WG-60 offers a 4:3 aspect.
With 26MP, the X-Pro3 offers a higher resolution than the WG-60 (15.9MP), but the X-Pro3 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.33μm for the WG-60) due to its larger sensor. Moreover, the X-Pro3 is a somewhat more recent model (by 11 months) than the WG-60, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inch or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inch or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inch or 52.8 x 35.2 cm. The corresponding values for the Ricoh WG-60 are 23 x 17.3 inch or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inch or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inch or 39 x 29.3 cm for excellent quality prints.
The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro3 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Ricoh WG-60 are ISO 125 to ISO 6400 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Fujifilm X-Pro3||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X-Pro3|
|Ricoh WG-60||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Ricoh WG-60|
|Fujifilm X100V||APS-C||26.0||6240||4160||4K/30p||..||..||..||..||Fujifilm X100V|
|Fujifilm X-T4||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T4|
|Fujifilm XP140||1/2.3||15.9||4608||3456||4K/15p||..||..||..||..||Fujifilm XP140|
|Fujifilm X-A5||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-A5|
|Fujifilm X-T3||APS-C||26.0||6240||4160||4K/60p||..||..||..||..||Fujifilm X-T3|
|Fujifilm X-H1||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-H1|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Fujifilm XP130||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP130|
|Fujifilm XP120||1/2.3||15.9||4608||3456||1080/60p||..||..||..||..||Fujifilm XP120|
|Fujifilm X-Pro2||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-Pro2|
|Fujifilm X-T2||APS-C||24.0||6000||4000||4K/30p||..||..||..||..||Fujifilm X-T2|
|Fujifilm X-T1||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T1|
|Nikon W300||1/2.3||15.9||4608||3456||4K/30p||..||..||..||..||Nikon W300|
|Sigma fp||Full Frame||24.0||6000||4000||4K/30p||..||..||..||..||Sigma fp|
|Sony WX800||1/2.3||18.0||4896||3672||4K/30p||..||..||..||..||Sony WX800|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro3 provides a higher video resolution than the WG-60. It can shoot video footage at 4K/30p, while the Ricoh is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro3 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-60 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-Pro3 and Ricoh WG-60 along with similar information for a selection of comparators.
|Fujifilm X-Pro3||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Ricoh WG-60||none||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Fujifilm X100V||3690||n||3.0||1620||tilting||Y||1/4000s||11.0||Y||n||Fujifilm X100V|
|Fujifilm X-T4||3690||n||3.0||1620||swivel||Y||1/8000s||15.0||n||Y||Fujifilm X-T4|
|Fujifilm XP140||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP140|
|Fujifilm X-A5||none||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A5|
|Fujifilm X-T3||3690||n||3.0||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-H1||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm XP130||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP130|
|Fujifilm XP120||none||n||3.0||920||fixed||n||1/2000s||10.0||Y||Y||Fujifilm XP120|
|Fujifilm X-Pro2||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Nikon W300||none||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Sigma fp||none||n||3.2||2100||fixed||Y||1/8000s||12.0||n||n||Sigma fp|
|Sony WX800||none||n||3.0||922||tilting||Y||1/2000s||10.0||Y||Y||Sony WX800|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-Pro3 has a touchscreen, while the WG-60 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro3 and the Ricoh WG-60 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro3 and the WG-60 write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the WG-60 only has one slot. The X-Pro3 supports UHS-II cards (on both slots), while the WG-60 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro3 and Ricoh WG-60 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro3||Y||stereo||mono||Y||-||none||3.1||Y||-||Y||Fujifilm X-Pro3|
|Ricoh WG-60||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Fujifilm X100V||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X100V|
|Fujifilm X-T4||Y||stereo||mono||Y||-||micro||3.1||Y||-||Y||Fujifilm X-T4|
|Fujifilm XP140||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP140|
|Fujifilm X-A5||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Fujifilm X-A5|
|Fujifilm X-T3||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-H1||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm XP130||-||mono||mono||-||-||micro||2.0||Y||-||Y||Fujifilm XP130|
|Fujifilm XP120||-||mono||mono||-||-||micro||2.0||Y||-||-||Fujifilm XP120|
|Fujifilm X-Pro2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Nikon W300||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Sigma fp||Y||stereo||mono||Y||-||micro||3.1||-||-||-||Sigma fp|
|Sony WX800||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony WX800|
It is notable that the X-Pro3 has a hotshoe, while the WG-60 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro3 (unlike the WG-60) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro3 and the WG-60 are recent models that are part of the current product line-up. The WG-60 replaced the earlier Ricoh WG-50, while the X-Pro3 followed on from the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Ricoh websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro3 and the Ricoh WG-60? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-Pro3:
- More detail: Offers more megapixels (26 vs 15.9MP) with a 30% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (440 versus 300) on a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Is somewhat more recent (announced 11 months after the WG-60).
Arguments in favor of the Ricoh WG-60:
- Ready to shoot: Has an integrated lens, whereas the X-Pro3 necessitates an extra lens.
- More compact: Is smaller (123x62mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro3).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 14m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in October 2018).
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro3 is the clear winner of the match-up (25 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro3 and the Ricoh WG-60 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro3 or the WG-60. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon M6 vs Fujifilm X-Pro3
- Canon T2i vs Ricoh WG-60
- Fujifilm X-A5 vs Ricoh WG-60
- Fujifilm X-E3 vs Ricoh WG-60
- Fujifilm X-Pro3 vs Fujifilm XF10
- Fujifilm X-Pro3 vs Leica M Typ 240
- Fujifilm X-Pro3 vs Olympus PEN-F
- Leica M Typ 240 vs Ricoh WG-60
- Nikon D4 vs Ricoh WG-60
- Panasonic GX850 vs Ricoh WG-60
- Ricoh WG-60 vs Sony A77
- Ricoh WG-60 vs Sony NEX-5N
Specifications: Fujifilm X-Pro3 vs Ricoh WG-60
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro3||Ricoh WG-60|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||28-140mm f/3.5-5.5|
|Launch Date||October 2019||October 2018|
|Launch Price||USD 1799||USD 279|
|Sensor Specs||Fujifilm X-Pro3||Ricoh WG-60|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||368.16 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||26 Megapixels||15.9 Megapixels|
|Image Resolution||6240 x 4160 pixels||4608 x 3456 pixels|
|Pixel Pitch||3.76 μm||1.33 μm|
|Pixel Density||7.05 MP/cm2||56.73 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||1080/60p Video|
|ISO Setting||160-12800 ISO||125-6400 ISO|
|ISO Boost||80-51200 ISO||no Enhancement|
|Screen Specs||Fujifilm X-Pro3||Ricoh WG-60|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||95%|
|Viewfinder Resolution||3690k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||1620k dots||230k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-Pro3||Ricoh WG-60|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm X-Pro3||Ricoh WG-60|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Fujifilm X-Pro3||Ricoh WG-60|
|Environmental Sealing||Weathersealed body||Waterproof body (14m)|
|Battery Life (CIPA)||440 shots per charge||300 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
123 x 62 x 30 mm
(4.8 x 2.4 x 1.2 in)
|Camera Weight||497 g (17.5 oz)||193 g (6.8 oz)|
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