Fujifilm X-Pro3 vs Ricoh WG-6
The Fujifilm X-Pro3 and the Ricoh WG-6 are two digital cameras that were officially introduced, respectively, in October 2019 and February 2019. The X-Pro3 is a mirrorless interchangeable lens camera, while the WG-6 is a fixed lens compact. The cameras are based on an APS-C (X-Pro3) and a 1/2.3-inch (WG-6) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Ricoh provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro3 and the Ricoh WG-6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-Pro3 and the Ricoh WG-6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro3 can be obtained in two different colors (black, silver), while the WG-6 is also available in two color-versions, but different ones (black, orange).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Ricoh WG-6 is considerably smaller (33 percent) than the Fujifilm X-Pro3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the WG-6 is water-proof up to 20m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the WG-6 has a lens built in, whereas the X-Pro3 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro3 and their specifications in the Fujinon X Lens Catalog.
Concerning battery life, the X-Pro3 gets 440 shots out of its Fujifilm NP-W126S battery, while the WG-6 can take 340 images on a single charge of its Ricoh DB-110 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
2. | Ricoh WG-6 | 118 mm | 66 mm | 33 mm | 246 g | 340 | Y | Feb 2019 | 399 | amazon.com | |
3. | Canon SX740 | 110 mm | 64 mm | 40 mm | 299 g | 265 | n | Jul 2018 | 399 | amazon.com | |
4. | Fujifilm X100V | 128 mm | 75 mm | 53 mm | 478 g | 420 | Y | Feb 2020 | 1,399 | ebay.com | |
5. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
6. | Fujifilm X-A5 | 117 mm | 68 mm | 40 mm | 361 g | 450 | n | Jan 2018 | 399 | ebay.com | |
7. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | 1,499 | ebay.com | |
8. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | 1,899 | ebay.com | |
9. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
10. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
11. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ebay.com | |
12. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | 1,299 | ebay.com | |
13. | Panasonic TS7 | 117 mm | 76 mm | 37 mm | 319 g | 300 | Y | May 2018 | 449 | ebay.com | |
14. | Samsung NX1 | 139 mm | 102 mm | 66 mm | 550 g | 500 | Y | Sep 2014 | 1,499 | ebay.com | |
15. | Sony HX99 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 449 | ebay.com | |
16. | Sony HX95 | 102 mm | 58 mm | 36 mm | 242 g | 370 | n | Aug 2018 | 429 | ebay.com | |
17. | Sony WX800 | 102 mm | 58 mm | 36 mm | 233 g | 370 | n | Oct 2018 | 399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The WG-6 was launched at a lower price than the X-Pro3, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro3 features an APS-C sensor and the Ricoh WG-6 a 1/2.3-inch sensor. The sensor area in the WG-6 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-Pro3 has a native 3:2 aspect ratio, while the one in the WG-6 offers a 4:3 aspect.
With 26MP, the X-Pro3 offers a higher resolution than the WG-6 (20.2MP), but the X-Pro3 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 1.18μm for the WG-6) due to its larger sensor. Moreover, the X-Pro3 is a somewhat more recent model (by 8 months) than the WG-6, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Ricoh WG-6 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro3 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Ricoh WG-6 are ISO 125 to ISO 6400 (no boost).
Technology-wise, both cameras are equipped with BSI-CMOS (Backside Illuminated Complementary Metal–Oxide–Semiconductor) sensors. The X-Pro3 uses Fujifilm's X-Trans layout of photosites, while the WG-6 employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
2. | Ricoh WG-6 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.7 | 12.2 | 1104 | 52 | |
3. | Canon SX740 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1050 | 51 | |
4. | Fujifilm X100V | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.2 | 13.6 | 1996 | 84 | |
5. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
6. | Fujifilm X-A5 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.3 | 1800 | 82 | |
7. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
8. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
9. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
10. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
11. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
12. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
13. | Panasonic TS7 | 1/2.3 | 20.2 | 5184 | 3888 | 4K/30p | 20.6 | 12.1 | 1028 | 51 | |
14. | Samsung NX1 | APS-C | 28.0 | 6480 | 4320 | 4K/30p | 24.2 | 13.2 | 1363 | 83 | |
15. | Sony HX99 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1058 | 51 | |
16. | Sony HX95 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.1 | 1057 | 51 | |
17. | Sony WX800 | 1/2.3 | 18.0 | 4896 | 3672 | 4K/30p | 20.6 | 12.2 | 1070 | 51 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (4K/30p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro3 has an electronic viewfinder (3690k dots), which can be very helpful when shooting in bright sunlight. In contrast, the WG-6 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-Pro3 and Ricoh WG-6 along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
2. | Ricoh WG-6 | none | n | 3.0 / 1040 | fixed | n | 1/4000s | 1.0/s | Y | n | |
3. | Canon SX740 | none | n | 3.0 / 922 | tilting | n | 1/3200s | 10.0/s | Y | Y | |
4. | Fujifilm X100V | 3690 | n | 3.0 / 1620 | tilting | Y | 1/4000s | 11.0/s | n | n | |
5. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
6. | Fujifilm X-A5 | none | n | 3.0 / 1040 | tilting | Y | 1/4000s | 6.0/s | Y | n | |
7. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
8. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
9. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
10. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
11. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
12. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
13. | Panasonic TS7 | 1170 | n | 3.0 / 1040 | fixed | n | 1/1300s | 10.0/s | Y | Y | |
14. | Samsung NX1 | 2360 | Y | 3.0 / 1036 | tilting | Y | 1/8000s | 15.0/s | Y | n | |
15. | Sony HX99 | 638 | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
16. | Sony HX95 | 638 | n | 3.0 / 922 | tilting | n | 1/2000s | 10.0/s | Y | Y | |
17. | Sony WX800 | none | n | 3.0 / 922 | tilting | Y | 1/2000s | 10.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-Pro3 has a touchscreen, while the WG-6 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro3 and the Ricoh WG-6 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro3 and the WG-6 write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the WG-6 only has one slot. The X-Pro3 supports UHS-II cards (on both slots), while the WG-6 cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro3 and Ricoh WG-6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
2. | Ricoh WG-6 | - | mono / mono | - | - | micro | 3.0 | - | - | - | |
3. | Canon SX740 | - | stereo / mono | - | - | micro | 2.0 | Y | - | Y | |
4. | Fujifilm X100V | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
5. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
6. | Fujifilm X-A5 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
7. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
8. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
9. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
10. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
12. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
13. | Panasonic TS7 | - | stereo / mono | - | - | micro | 2.0 | Y | - | - | |
14. | Samsung NX1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | Y | Y | |
15. | Sony HX99 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
16. | Sony HX95 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | Y | |
17. | Sony WX800 | - | stereo / mono | - | - | micro | 2.0 | Y | Y | - |
It is notable that the X-Pro3 has a hotshoe, while the WG-6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro3 (unlike the WG-6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the WG-6 has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the X-Pro3 and the WG-6 are recent models that are part of the current product line-up. The WG-6 replaced the earlier Ricoh WG-5, while the X-Pro3 followed on from the Fujifilm X-Pro2. Further information on the features and operation of the X-Pro3 and WG-6 can be found, respectively, in the Fujifilm X-Pro3 Manual (free pdf) or the online Ricoh WG-6 Manual.
Review summary
So what is the bottom line? Which of the two cameras – the Fujifilm X-Pro3 or the Ricoh WG-6 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-Pro3:
- More detail: Offers more megapixels (26 vs 20.2MP) with a 16% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (440 versus 340) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Is somewhat more recent (announced 8 months after the WG-6).
Advantages of the Ricoh WG-6:
- Ready to shoot: Has an integrated lens, whereas the X-Pro3 necessitates an extra lens.
- More compact: Is smaller (118x66mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro3).
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 20m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in February 2019).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro3 is the clear winner of the match-up (23 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro3 and the Ricoh WG-6 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-Pro3 and the WG-6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
2. | Ricoh WG-6 | .. | .. | .. | .. | 3.5/5 | 3.5/5 | Feb 2019 | 399 | amazon.com | |
3. | Canon SX740 | .. | + | 3.5/5 | .. | 4/5 | 4/5 | Jul 2018 | 399 | amazon.com | |
4. | Fujifilm X100V | 5/5 | + + | 4.5/5 | 86/100 | 5/5 | 4.5/5 | Feb 2020 | 1,399 | ebay.com | |
5. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
6. | Fujifilm X-A5 | .. | + | 4.1/5 | .. | 4/5 | 3.5/5 | Jan 2018 | 399 | ebay.com | |
7. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | 1,499 | ebay.com | |
8. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,899 | ebay.com | |
9. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
10. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
11. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ebay.com | |
12. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | 1,299 | ebay.com | |
13. | Panasonic TS7 | .. | + | .. | .. | .. | 3.5/5 | May 2018 | 449 | ebay.com | |
14. | Samsung NX1 | 5/5 | .. | .. | 87/100 | 5/5 | 5/5 | Sep 2014 | 1,499 | ebay.com | |
15. | Sony HX99 | .. | .. | .. | .. | 4/5 | 4.5/5 | Aug 2018 | 449 | ebay.com | |
16. | Sony HX95 | .. | .. | .. | .. | .. | .. | Aug 2018 | 429 | ebay.com | |
17. | Sony WX800 | .. | .. | .. | .. | .. | .. | Oct 2018 | 399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark III vs Fujifilm X-Pro3
- Canon 7D II vs Fujifilm X-Pro3
- Canon 80D vs Fujifilm X-Pro3
- Canon 90D vs Ricoh WG-6
- Fujifilm X-Pro3 vs Nikon D3000
- Fujifilm X-Pro3 vs Panasonic GX80
- Fujifilm X-Pro3 vs Sony A99
- Fujifilm X-T4 vs Ricoh WG-6
- Nikon B700 vs Ricoh WG-6
- Panasonic GF6 vs Ricoh WG-6
- Ricoh WG-6 vs Sony A77 II
- Ricoh WG-6 vs Sony A7R IVA
Specifications: Fujifilm X-Pro3 vs Ricoh WG-6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-Pro3 | Ricoh WG-6 |
---|---|---|
Camera Type | Mirrorless system camera | Fixed lens compact camera |
Camera Lens | Fujifilm X mount lenses | 28-140mm f/3.5-5.5 |
Launch Date | October 2019 | February 2019 |
Launch Price | USD 1,799 | USD 399 |
Sensor Specs | Fujifilm X-Pro3 | Ricoh WG-6 |
Sensor Technology | BSI-CMOS | BSI-CMOS |
Sensor Format | APS-C Sensor | 1/2.3" Sensor |
Sensor Size | 23.6 x 15.6 mm | 6.17 x 4.55 mm |
Sensor Area | 368.16 mm2 | 28.0735 mm2 |
Sensor Diagonal | 28.3 mm | 7.7 mm |
Crop Factor | 1.5x | 5.6x |
Sensor Resolution | 26 Megapixels | 20.2 Megapixels |
Image Resolution | 6240 x 4160 pixels | 5184 x 3888 pixels |
Pixel Pitch | 3.76 μm | 1.18 μm |
Pixel Density | 7.05 MP/cm2 | 71.80 MP/cm2 |
Moiré control | no AA filter | no AA filter |
Movie Capability | 4K/30p Video | 4K/30p Video |
ISO Setting | 160 - 12,800 ISO | 125 - 6,400 ISO |
ISO Boost | 80 - 51,200 ISO | no Enhancement |
Screen Specs | Fujifilm X-Pro3 | Ricoh WG-6 |
Viewfinder Type | Electronic viewfinder | no viewfinder |
Viewfinder Field of View | 95% | |
Viewfinder Magnification | 0.52x | |
Viewfinder Resolution | 3690k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1620k dots | 1040k dots |
LCD Attachment | Tilting screen | Fixed screen |
Touch Input | Touchscreen | no Touchscreen |
Shooting Specs | Fujifilm X-Pro3 | Ricoh WG-6 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 8 shutter flaps/s | 1 shutter flaps/s |
Electronic Shutter | up to 1/32000s | no E-Shutter |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | no |
Connectivity Specs | Fujifilm X-Pro3 | Ricoh WG-6 |
External Flash | Hotshoe | no Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 3.1 | USB 3.0 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | External MIC port | no MIC socket |
Wifi Support | Wifi built-in | no Wifi |
Bluetooth Support | Bluetooth built-in | no Bluetooth |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Fujifilm X-Pro3 | Ricoh WG-6 |
Environmental Sealing | Weathersealed body | Waterproof body (20m) |
Battery Type | Fujifilm NP-W126S | Ricoh DB-110 |
Battery Life (CIPA) | 440 shots per charge | 340 shots per charge |
In-Camera Charging | USB charging | USB charging |
Body Dimensions |
141 x 83 x 46 mm (5.6 x 3.3 x 1.8 in) |
118 x 66 x 33 mm (4.6 x 2.6 x 1.3 in) |
Camera Weight | 497 g (17.5 oz) | 246 g (8.7 oz) |
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.