Fujifilm X-Pro3 vs Pentax K-5 II

The Fujifilm X-Pro3 and the Pentax K-5 II are two enthusiast cameras that were announced, respectively, in October 2019 and September 2012. The X-Pro3 is a mirrorless interchangeable lens camera, while the K-5 II is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Pentax provides 16.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-Pro3		Pentax K-5 II
Mirrorless system camera		Digital single lens reflex
Fujifilm X mount lenses		Pentax K mount lenses
26 MP – APS-C sensor		16.1 MP – APS-C sensor
4K/30p Video		1080/25p Video
ISO 160-12,800 (80 - 51,200)		ISO 100-12,800 (80 - 51,200)
Electronic viewfinder (3690k dots)		Optical viewfinder
3.0" LCD – 1620k dots		3.0" LCD – 921k dots
Tilting touchscreen		Fixed screen (not touch-sensitive)
8 shutter flaps per second		7 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
440 shots per battery charge		740 shots per battery charge
141 x 83 x 46 mm, 497 g		131 x 97 x 73 mm, 760 g

Check X-Pro3 price at
amazon.com
Check K-5 II offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro3 and the Pentax K-5 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro3 and the Pentax K-5 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.

The X-Pro3 can be obtained in two different colors (black, silver), while the K-5 II is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-5 II is notably larger (9 percent) than the Fujifilm X-Pro3. Moreover, the K-5 II is substantially heavier (53 percent) than the X-Pro3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

Concerning battery life, the X-Pro3 gets 440 shots out of its Fujifilm NP-W126S battery, while the K-5 II can take 740 images on a single charge of its Pentax D-LI90 power pack. The power pack in the X-Pro3 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
2.		Pentax K-5 II	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2012	1,099	ebay.com
3.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
4.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	1,899	ebay.com
5.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
6.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	1,299	ebay.com
7.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
8.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
9.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	ebay.com
10.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	599	ebay.com
11.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	1,399	ebay.com
12.		Pentax K-3	131 mm	100 mm	77 mm	800 g	560	Y	Oct 2013	1,299	ebay.com
13.		Pentax K-3 II	131 mm	100 mm	77 mm	800 g	720	Y	Apr 2015	1,099	ebay.com
14.		Pentax K-5	131 mm	97 mm	73 mm	760 g	740	Y	Sep 2010	1,099	ebay.com
15.		Pentax K-30	130 mm	97 mm	71 mm	650 g	410	Y	May 2012	849	ebay.com
16.		Pentax K-50	130 mm	97 mm	71 mm	650 g	410	Y	Jun 2013	599	ebay.com
17.		Samsung NX1	139 mm	102 mm	66 mm	550 g	500	Y	Sep 2014	1,499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The K-5 II was launched at a markedly lower price (by 39 percent) than the X-Pro3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-5 II is 1 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Despite having a slightly smaller sensor, the Fujifilm X-Pro3 offers a higher resolution of 26 megapixels, compared with 16.1 MP of the Pentax K-5 II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.76μm versus 4.81μm for the K-5 II). However, it should be noted that the X-Pro3 is much more recent (by 7 years and 1 month) than the K-5 II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Pentax K-5 II are 24.6 x 16.3 inches or 62.6 x 41.5 cm for good quality, 19.7 x 13.1 inches or 50.1 x 33.2 cm for very good quality, and 16.4 x 10.9 inches or 41.7 x 27.6 cm for excellent quality prints.

The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-Pro3 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Pentax K-5 II are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 80-51200.

In terms of underlying technology, the X-Pro3 is build around a BSI-CMOS sensor, while the K-5 II uses a CMOS imager. The X-Pro3 uses Fujifilm's X-Trans layout of photosites, while the K-5 II employs the more common Bayer array.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
2.		Pentax K-5 II	APS-C	16.1	4928	3264	1080/25p	23.8	14.1	1235	82
3.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
4.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
5.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
6.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
7.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
8.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
9.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
10.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
11.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
12.		Pentax K-3	APS-C	24.1	6016	4000	1080/60i	23.7	13.4	1216	80
13.		Pentax K-3 II	APS-C	24.1	6016	4000	1080/60i	23.6	13.6	1106	80
14.		Pentax K-5	APS-C	16.1	4928	3264	1080/25p	23.7	14.1	1162	82
15.		Pentax K-30	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1129	79
16.		Pentax K-50	APS-C	16.1	4928	3264	1080/30p	23.7	13.0	1120	79
17.		Samsung NX1	APS-C	28.0	6480	4320	4K/30p	24.2	13.2	1363	83
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-Pro3 provides a higher video resolution than the K-5 II. It can shoot video footage at 4K/30p, while the Pentax is limited to 1080/25p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro3 has an electronic viewfinder (3690k dots), while the K-5 II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the K-5 II offers a wider field of view (100%) than the one in the X-Pro3 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-5 II has a higher magnification (0.61x vs 0.52x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-Pro3 and Pentax K-5 II along with similar information for a selection of comparators.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
2.		Pentax K-5 II	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
3.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
4.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
5.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
6.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
7.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
8.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
9.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
10.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
11.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	n	n
12.		Pentax K-3	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	Y	Y
13.		Pentax K-3 II	optical	Y	3.2 / 1037	fixed	n	1/8000s	8.3/s	n	Y
14.		Pentax K-5	optical	Y	3.0 / 921	fixed	n	1/8000s	7.0/s	Y	Y
15.		Pentax K-30	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
16.		Pentax K-50	optical	n	3.0 / 921	fixed	n	1/6000s	6.0/s	Y	Y
17.		Samsung NX1	2360	Y	3.0 / 1036	tilting	Y	1/8000s	15.0/s	Y	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The X-Pro3 has a touchscreen, while the K-5 II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro3 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-Pro3 and the Pentax K-5 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-Pro3 and the K-5 II write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the K-5 II only has one slot. The X-Pro3 supports UHS-II cards (on both slots), while the K-5 II cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro3 and Pentax K-5 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
2.		Pentax K-5 II	Y	stereo / mono	Y	-	mini	2.0	-	-	-
3.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
4.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
5.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
6.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
7.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
8.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
9.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
10.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
11.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
12.		Pentax K-3	Y	mono / mono	Y	Y	mini	3.0	-	-	-
13.		Pentax K-3 II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
14.		Pentax K-5	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Pentax K-30	Y	mono / mono	-	-	-	2.0	-	-	-
16.		Pentax K-50	Y	mono / mono	-	-	micro	2.0	-	-	-
17.		Samsung NX1	Y	stereo / mono	Y	Y	micro	3.0	Y	Y	Y

It is notable that the X-Pro3 offers wifi support, while the K-5 II does not. Wifi can be a very convenient means to transfer image data to an off-camera location.

Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.

The X-Pro3 is a recent model that features in the current product line-up of Fujifilm. In contrast, the K-5 II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the K-5 II was succeeded by the Pentax K-3. Further information on the features and operation of the X-Pro3 and K-5 II can be found, respectively, in the Fujifilm X-Pro3 Manual (free pdf) or the online Pentax K-5 II Manual.

Review summary

So how do things add up? Which of the two cameras – the Fujifilm X-Pro3 or the Pentax K-5 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.

Arguments in favor of the Fujifilm X-Pro3:

• More detail: Offers more megapixels (26 vs 16.1MP) with a 27% higher linear resolution.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/25p).
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
• More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
• Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
• Faster burst: Shoots at higher frequency (8 vs 7 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Less heavy: Is lighter (by 263g or 35 percent) and hence easier to carry around.
• Easier travel charging: Can be conveniently charged via its USB port.
• More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Easier wireless transfer: Supports Bluetooth for image sharing without cables.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 7 years and 1 month of technical progress since the K-5 II launch.

Advantages of the Pentax K-5 II:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.61x vs 0.52x).
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Longer lasting: Gets more shots (740 versus 440) out of a single battery charge.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
• More heavily discounted: Has been around for much longer (launched in September 2012).

If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro3 is the clear winner of the match-up (19 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-Pro3 and the Pentax K-5 II place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro3 or the K-5 II. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
2.		Pentax K-5 II	5/5	..	..	80/100	5/5	4.5/5	Sep 2012	1,099	ebay.com
3.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
4.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	1,899	ebay.com
5.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
6.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	1,299	ebay.com
7.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
8.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
9.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	ebay.com
10.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	599	ebay.com
11.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	1,399	ebay.com
12.		Pentax K-3	4/5	..	..	83/100	5/5	5/5	Oct 2013	1,299	ebay.com
13.		Pentax K-3 II	4.5/5	..	..	..	5/5	5/5	Apr 2015	1,099	ebay.com
14.		Pentax K-5	4/5	..	..	83/100	5/5	4.5/5	Sep 2010	1,099	ebay.com
15.		Pentax K-30	4/5	..	..	78/100	4.5/5	4.5/5	May 2012	849	ebay.com
16.		Pentax K-50	5/5	..	..	..	5/5	4.5/5	Jun 2013	599	ebay.com
17.		Samsung NX1	5/5	..	..	87/100	5/5	5/5	Sep 2014	1,499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

Check X-Pro3 price at
amazon.com
Check K-5 II offers at
ebay.com

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Check X-Pro3 price at
amazon.com
Check K-5 II offers at
ebay.com

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