Fujifilm X-Pro3 vs Panasonic G95

The Fujifilm X-Pro3 and the Panasonic Lumix DC-G95 (labelled Panasonic G90 in some countries) are two digital cameras that were revealed to the public, respectively, in October 2019 and April 2019. Both the X-Pro3 and the G95 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro3) and a Four Thirds (G95) sensor. The Fujifilm has a resolution of 26 megapixels, whereas the Panasonic provides 20.2 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Fujifilm X-Pro3		Panasonic G95
Mirrorless system camera		Mirrorless system camera
Fujifilm X mount lenses		Micro Four Thirds lenses
26 MP – APS-C sensor		20.2 MP – Four Thirds sensor
4K/30p Video		4K/30p Video
ISO 160-12,800 (80 - 51,200)		ISO 200-25,600
Electronic viewfinder (3690k dots)		Electronic viewfinder (2360k dots)
3.0" LCD – 1620k dots		3.0" LCD – 1240k dots
Tilting touchscreen		Swivel touchscreen
8 shutter flaps per second		9 shutter flaps per second
Lens stabilization only		In-body stabilization
Weathersealed body		Weathersealed body
440 shots per battery charge		290 shots per battery charge
141 x 83 x 46 mm, 497 g		130 x 94 x 77 mm, 536 g

Check X-Pro3 price at
amazon.com
Check G95 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro3 and the Panasonic Lumix DC-G95? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Fujifilm X-Pro3 and the Panasonic G95 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

The X-Pro3 can be obtained in two different colors (black, silver), while the G95 is only available in black.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G95 is somewhat larger (4 percent) than the Fujifilm X-Pro3. Moreover, the G95 is markedly heavier (8 percent) than the X-Pro3. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro3) and the Micro Four Thirds Lens Catalog (G95). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.

Concerning battery life, the X-Pro3 gets 440 shots out of its NP-W126S battery, while the G95 can take 290 images on a single charge of its DMW-BLC12 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro3	141 mm	83 mm	46 mm	497 g	440	Y	Oct 2019	1,799	amazon.com
2.		Panasonic G95	130 mm	94 mm	77 mm	536 g	290	Y	Apr 2019	999	amazon.com
3.		Fujifilm X100V	128 mm	75 mm	53 mm	478 g	420	Y	Feb 2020	1,399	amazon.com
4.		Fujifilm X-T4	135 mm	93 mm	64 mm	607 g	500	Y	Feb 2020	1,699	amazon.com
5.		Fujifilm X-A5	117 mm	68 mm	40 mm	361 g	450	n	Jan 2018	399	ebay.com
6.		Fujifilm X-T3	133 mm	93 mm	59 mm	539 g	390	Y	Sep 2018	1,499	ebay.com
7.		Fujifilm X-H1	140 mm	97 mm	86 mm	673 g	310	Y	Feb 2018	1,899	ebay.com
8.		Fujifilm X-T100	121 mm	83 mm	47 mm	448 g	430	n	May 2018	599	ebay.com
9.		Fujifilm X-Pro2	141 mm	83 mm	46 mm	495 g	350	Y	Jan 2016	1,699	ebay.com
10.		Fujifilm X-T2	133 mm	92 mm	49 mm	507 g	340	Y	Jul 2016	1,599	ebay.com
11.		Fujifilm X-T1	129 mm	90 mm	47 mm	440 g	350	Y	Jan 2014	1,299	ebay.com
12.		Olympus E-M1 III	134 mm	91 mm	69 mm	580 g	420	Y	Feb 2020	1,799	amazon.com
13.		Olympus E-M5 III	125 mm	85 mm	50 mm	414 g	310	Y	Oct 2019	1,199	amazon.com
14.		Panasonic GX9	124 mm	72 mm	47 mm	407 g	260	n	Feb 2018	849	ebay.com
15.		Panasonic G85	128 mm	89 mm	74 mm	505 g	330	Y	Sep 2016	899	ebay.com
16.		Panasonic GX8	133 mm	78 mm	63 mm	487 g	330	Y	Jul 2015	1,199	ebay.com
17.		Samsung NX1	139 mm	102 mm	66 mm	550 g	500	Y	Sep 2014	1,499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The G95 was launched at a markedly lower price (by 44 percent) than the X-Pro3, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Fujifilm X-Pro3 features an APS-C sensor and the Panasonic G95 a Four Thirds sensor. The sensor area in the G95 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro3 has a native 3:2 aspect ratio, while the one in the G95 offers a 4:3 aspect.

With 26MP, the X-Pro3 offers a higher resolution than the G95 (20.2MP), but the X-Pro3 nevertheless has larger individual pixels (pixel pitch of 3.76μm versus 3.34μm for the G95) due to its larger sensor. Moreover, the X-Pro3 is a somewhat more recent model (by 6 months) than the G95, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.

The resolution advantage of the Fujifilm X-Pro3 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro3 for good quality output (200 dots per inch) amounts to 31.2 x 20.8 inches or 79.2 x 52.8 cm, for very good quality (250 dpi) 25 x 16.6 inches or 63.4 x 42.3 cm, and for excellent quality (300 dpi) 20.8 x 13.9 inches or 52.8 x 35.2 cm. The corresponding values for the Panasonic G95 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.

The X-Pro3 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.

The Fujifilm X-Pro3 has a native sensitivity range from ISO 160 to ISO 12800, which can be extended to ISO 80-51200. The corresponding ISO settings for the Panasonic Lumix DC-G95 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.

In terms of underlying technology, the X-Pro3 is build around a BSI-CMOS sensor, while the G95 uses a CMOS imager. The X-Pro3 uses Fujifilm's X-Trans layout of photosites, while the G95 employs the more common Bayer array.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Fujifilm X-Pro3	APS-C	26.0	6240	4160	4K/30p	24.1	13.6	1968	84
2.		Panasonic G95	Four Thirds	20.2	5184	3888	4K/30p	23.2	13.0	1273	75
3.		Fujifilm X100V	APS-C	26.0	6240	4160	4K/30p	24.2	13.6	1996	84
4.		Fujifilm X-T4	APS-C	26.0	6240	4160	4K/60p	24.1	13.6	1995	84
5.		Fujifilm X-A5	APS-C	24.0	6000	4000	4K/15p	24.0	13.3	1800	82
6.		Fujifilm X-T3	APS-C	26.0	6240	4160	4K/60p	24.0	13.4	1853	83
7.		Fujifilm X-H1	APS-C	24.0	6000	4000	4K/30p	24.0	13.3	1806	82
8.		Fujifilm X-T100	APS-C	24.0	6000	4000	4K/15p	24.0	13.4	1829	83
9.		Fujifilm X-Pro2	APS-C	24.0	6000	4000	1080/60p	23.7	13.0	1608	80
10.		Fujifilm X-T2	APS-C	24.0	6000	4000	4K/30p	23.8	13.1	1653	81
11.		Fujifilm X-T1	APS-C	16.0	4896	3264	1080/60p	23.5	12.7	1426	77
12.		Olympus E-M1 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1356	76
13.		Olympus E-M5 III	Four Thirds	20.2	5184	3888	4K/30p	23.3	13.1	1324	76
14.		Panasonic GX9	Four Thirds	20.2	5184	3888	4K/30p	23.1	12.8	1163	74
15.		Panasonic G85	Four Thirds	15.8	4592	3448	4K/30p	22.8	12.5	656	71
16.		Panasonic GX8	Four Thirds	20.2	5184	3888	4K/30p	23.5	12.6	806	75
17.		Samsung NX1	APS-C	28.0	6480	4320	4K/30p	24.2	13.2	1363	83
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, and both provide the same movie specifications (4K/30p).

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro3 offers a substantially higher resolution than the one in the G95 (3690k vs 2360k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro3, the Panasonic G95, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Fujifilm X-Pro3	3690	n	3.0 / 1620	tilting	Y	1/8000s	8.0/s	n	n
2.		Panasonic G95	2360	n	3.0 / 1240	swivel	Y	1/4000s	9.0/s	Y	Y
3.		Fujifilm X100V	3690	n	3.0 / 1620	tilting	Y	1/4000s	11.0/s	Y	n
4.		Fujifilm X-T4	3690	n	3.0 / 1620	swivel	Y	1/8000s	15.0/s	n	Y
5.		Fujifilm X-A5	none	n	3.0 / 1040	tilting	Y	1/4000s	6.0/s	Y	n
6.		Fujifilm X-T3	3690	n	3.0 / 1040	full-flex	Y	1/8000s	11.0/s	n	n
7.		Fujifilm X-H1	3690	Y	3.0 / 1040	full-flex	Y	1/8000s	14.0/s	n	Y
8.		Fujifilm X-T100	2360	n	3.0 / 1040	swivel	Y	1/4000s	6.0/s	Y	n
9.		Fujifilm X-Pro2	2360	n	3.0 / 1620	fixed	n	1/8000s	8.0/s	n	n
10.		Fujifilm X-T2	2360	n	3.0 / 1040	full-flex	n	1/8000s	8.0/s	n	n
11.		Fujifilm X-T1	2360	n	3.0 / 1040	tilting	n	1/4000s	8.0/s	n	n
12.		Olympus E-M1 III	2360	n	3.0 / 1037	swivel	Y	1/8000s	18.0/s	n	Y
13.		Olympus E-M5 III	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
14.		Panasonic GX9	2760	n	3.0 / 1240	tilting	Y	1/4000s	9.0/s	Y	Y
15.		Panasonic G85	2360	n	3.0 / 1040	swivel	Y	1/4000s	9.0/s	Y	Y
16.		Panasonic GX8	2360	n	3.0 / 1040	swivel	Y	1/8000s	10.0/s	n	Y
17.		Samsung NX1	2360	Y	3.0 / 1036	tilting	Y	1/8000s	15.0/s	Y	n
Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that differentiates the G95 and the X-Pro3 is in-body image stabilization (IBIS). The G95 reduces the risk of handshake-induced blur with all attached lenses, while the X-Pro3 offers no blur reduction with lenses that themselves do not provide optical image stabilization.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm X-Pro3 and the Panasonic G95 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

Concerning the storage of imaging data, both the X-Pro3 and the G95 write their files to SDXC cards. The X-Pro3 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G95 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro3 and Panasonic Lumix DC-G95 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Fujifilm X-Pro3	Y	stereo / mono	Y	-	-	3.1	Y	-	Y
2.		Panasonic G95	Y	stereo / mono	Y	Y	micro	2.0	Y	-	Y
3.		Fujifilm X100V	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
4.		Fujifilm X-T4	Y	stereo / mono	Y	-	micro	3.1	Y	-	Y
5.		Fujifilm X-A5	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
6.		Fujifilm X-T3	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
7.		Fujifilm X-H1	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
8.		Fujifilm X-T100	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
9.		Fujifilm X-Pro2	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
10.		Fujifilm X-T2	Y	stereo / mono	Y	-	micro	3.0	Y	-	-
11.		Fujifilm X-T1	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
12.		Olympus E-M1 III	Y	stereo / mono	Y	Y	micro	3.1	Y	-	Y
13.		Olympus E-M5 III	Y	stereo / mono	Y	-	micro	2.0	Y	-	Y
14.		Panasonic GX9	Y	stereo / mono	-	-	micro	2.0	Y	-	Y
15.		Panasonic G85	Y	stereo / mono	Y	-	micro	2.0	Y	-	-
16.		Panasonic GX8	Y	stereo / mono	Y	-	micro	2.0	Y	Y	-
17.		Samsung NX1	Y	stereo / mono	Y	Y	micro	3.0	Y	Y	Y

It is notable that the G95 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-Pro3 lacks such a headphone port.

Studio photographers will appreciate that the Fujifilm X-Pro3 (unlike the G95) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the X-Pro3 and the G95 are recent models that are part of the current product line-up. The G95 replaced the earlier Panasonic G85, while the X-Pro3 followed on from the Fujifilm X-Pro2. Further information on the features and operation of the X-Pro3 and G95 can be found, respectively, in the Fujifilm X-Pro3 Manual (free pdf) or the online Panasonic G95 Manual.

Review summary

So what is the bottom line? Is the Fujifilm X-Pro3 better than the Panasonic G95 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Fujifilm X-Pro3:

• More detail: Offers more megapixels (26 vs 20.2MP) with a 16% higher linear resolution.
• Better image quality: Features a larger and more technologically advanced imaging sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
• More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
• More detailed LCD: Has a higher resolution rear screen (1620k vs 1240k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
• Longer lasting: Can take more shots (440 versus 290) on a single battery charge.
• Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• More modern: Is somewhat more recent (announced 6 months after the G95).

Arguments in favor of the Panasonic Lumix DC-G95:

• Better sound control: Has a headphone port that enables audio monitoring while recording.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.52x).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More affordable: Was introduced into a lower priced category (44 percent cheaper at launch).
• More heavily discounted: Has been on the market for longer (launched in April 2019).

If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro3 is the clear winner of the match-up (14 : 10 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Fujifilm X-Pro3 and the Panasonic G95 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-Pro3 and the G95 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.

Expert reviews

This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Fujifilm X-Pro3	4/5	+	4/5	85/100	4/5	..	Oct 2019	1,799	amazon.com
2.		Panasonic G95	4.5/5	+	4.5/5	83/100	4.5/5	4.5/5	Apr 2019	999	amazon.com
3.		Fujifilm X100V	5/5	+ +	4.5/5	86/100	5/5	4.5/5	Feb 2020	1,399	amazon.com
4.		Fujifilm X-T4	5/5	+ +	5/5	88/100	5/5	5/5	Feb 2020	1,699	amazon.com
5.		Fujifilm X-A5	..	+	4.1/5	..	4/5	3.5/5	Jan 2018	399	ebay.com
6.		Fujifilm X-T3	5/5	+ +	4.5/5	88/100	5/5	5/5	Sep 2018	1,499	ebay.com
7.		Fujifilm X-H1	..	+	5/5	86/100	4.5/5	4.5/5	Feb 2018	1,899	ebay.com
8.		Fujifilm X-T100	4/5	+	4.5/5	79/100	4/5	4.5/5	May 2018	599	ebay.com
9.		Fujifilm X-Pro2	..	+	..	83/100	4.5/5	4.5/5	Jan 2016	1,699	ebay.com
10.		Fujifilm X-T2	5/5	+ +	..	86/100	4.5/5	5/5	Jul 2016	1,599	ebay.com
11.		Fujifilm X-T1	5/5	+ +	..	84/100	5/5	5/5	Jan 2014	1,299	ebay.com
12.		Olympus E-M1 III	5/5	..	5/5	83/100	4.5/5	4/5	Feb 2020	1,799	amazon.com
13.		Olympus E-M5 III	5/5	+	5/5	82/100	4.5/5	4.5/5	Oct 2019	1,199	amazon.com
14.		Panasonic GX9	4/5	+	4/5	84/100	4.5/5	4.5/5	Feb 2018	849	ebay.com
15.		Panasonic G85	..	+ +	..	84/100	5/5	4.5/5	Sep 2016	899	ebay.com
16.		Panasonic GX8	5/5	+	..	82/100	4.5/5	4.5/5	Jul 2015	1,199	ebay.com
17.		Samsung NX1	5/5	..	..	87/100	5/5	5/5	Sep 2014	1,499	ebay.com
Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.

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