Fujifilm X-Pro2 vs Pentax MX-1
The Fujifilm X-Pro2 and the Pentax MX-1 are two digital cameras that were revealed to the public, respectively, in January 2016 and January 2013. The X-Pro2 is a mirrorless interchangeable lens camera, while the MX-1 is a fixed lens compact. The cameras are based on an APS-C (X-Pro2) and a 1/1.7-inch (MX-1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Pentax MX-1 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the MX-1 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is considerably smaller (36 percent) than the Fujifilm X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the MX-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|2.||Pentax MX-1||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499||ebay.com|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||ebay.com|
|4.||Canon G15||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||ebay.com|
|5.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|6.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|7.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|8.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|9.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|10.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|11.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||ebay.com|
|12.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|13.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|14.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||ebay.com|
|15.||Olympus XZ-2||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||ebay.com|
|16.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499||ebay.com|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The MX-1 was launched at a lower price than the X-Pro2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.5. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the MX-1 offers a 4:3 aspect.
With 24MP, the X-Pro2 offers a higher resolution than the MX-1 (12MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.89μm for the MX-1) due to its larger sensor. Moreover, the X-Pro2 is a much more recent model (by 3 years) than the MX-1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-Pro2 uses Fujifilm's X-Trans layout of photosites, while the MX-1 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-Pro2 provides a higher frame rate than the MX-1. It can shoot video footage at 1080/60p, while the Pentax is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Pentax MX-1 along with similar information for a selection of comparators.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|2.||Pentax MX-1||none||n||3.0 / 920||tilting||n||1/8000s||1.0/s||Y||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Canon G15||optical||n||3.0 / 922||fixed||n||1/4000s||2.1/s||Y||Y|
|5.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|6.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|7.||Fujifilm X-T3||3690||n||3.0 / 1040||full-flex||Y||1/8000s||11.0/s||n||n|
|8.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|9.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|10.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|11.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|12.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|13.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|14.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|15.||Olympus XZ-2||optional||n||3.0 / 920||tilting||Y||1/2000s||5.0/s||Y||Y|
|16.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The MX-1 has one, while the X-Pro2 does not. While the built-in flash of the MX-1 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the MX-1 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the MX-1 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the MX-1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Pentax MX-1||-||stereo / mono||-||-||mini||2.0||-||-||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon G15||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|5.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|6.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|7.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|8.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|11.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|14.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Olympus XZ-2||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|16.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the X-Pro2 has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the MX-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro2 and the MX-1 have been discontinued, but can regularly be found used on ebay. The X-Pro2 was replaced by the Fujifilm X-Pro3, while the MX-1 does not have a direct successor. Further information on the features and operation of the X-Pro2 and MX-1 can be found, respectively, in the Fujifilm X-Pro2 Manual (free pdf) or the online Pentax MX-1 Manual.
So how do things add up? Is there a clear favorite between the Fujifilm X-Pro2 and the Pentax MX-1? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 12MP) with a 44% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 920k dots).
- Faster burst: Shoots at higher frequency (8 vs 1 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 3 years of technical progress since the MX-1 launch.
Advantages of the Pentax MX-1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Ready to shoot: Has an integrated lens, whereas the X-Pro2 necessitates an extra lens.
- More compact: Is smaller (122x61mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro2).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in January 2013).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (23 : 9 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro2 or the MX-1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|2.||Pentax MX-1||3/5||..||..||74/100||4/5||4/5||Jan 2013||499||ebay.com|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549||ebay.com|
|4.||Canon G15||4/5||+||..||76/100||4.5/5||4.5/5||Sep 2012||499||ebay.com|
|5.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|6.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|7.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|8.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|9.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|10.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|11.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299||ebay.com|
|12.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|13.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|14.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549||ebay.com|
|15.||Olympus XZ-2||4/5||+||..||..||4.5/5||4.5/5||Sep 2012||599||ebay.com|
|16.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499||ebay.com|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Pentax MX-1
- Canon 6D vs Pentax MX-1
- Canon M100 vs Fujifilm X-Pro2
- Canon SX50 vs Pentax MX-1
- Canon SX710 vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Kodak S-1
- Fujifilm X-Pro2 vs Leica Digilux 3
- Fujifilm X-Pro2 vs Olympus E-M1
- Fujifilm X-Pro2 vs Panasonic GF7
- Fujifilm X30 vs Pentax MX-1
- Panasonic FT7 vs Pentax MX-1
- Panasonic FZ1000 vs Pentax MX-1
Specifications: Fujifilm X-Pro2 vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Pentax MX-1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||28-112mm f/1.8-2.5|
|Launch Date||January 2016||January 2013|
|Launch Price||USD 1,699||USD 499|
|Sensor Specs||Fujifilm X-Pro2||Pentax MX-1|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.6 x 15.6 mm||7.6 x 5.7 mm|
|Sensor Area||368.16 mm2||43.32 mm2|
|Sensor Diagonal||28.3 mm||9.5 mm|
|Sensor Resolution||24 Megapixels||12 Megapixels|
|Image Resolution||6000 x 4000 pixels||4000 x 3000 pixels|
|Pixel Pitch||3.92 μm||1.89 μm|
|Pixel Density||6.52 MP/cm2||27.70 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200 - 12,800 ISO||100 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|DXO Sensor Quality (score)||..||49|
|DXO Color Depth (bits)||..||20.4|
|DXO Dynamic Range (EV)||..||11.3|
|DXO Low Light (ISO)||..||208|
|Screen Specs||Fujifilm X-Pro2||Pentax MX-1|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Fujifilm X-Pro2||Pentax MX-1|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||1 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Fujifilm X-Pro2||Pentax MX-1|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-Pro2||Pentax MX-1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||350 shots per charge||290 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||495 g (17.5 oz)||391 g (13.8 oz)|
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