Fujifilm X-Pro2 vs Panasonic L10
The Fujifilm X-Pro2 and the Panasonic Lumix DMC- L10 are two digital cameras that were revealed to the public, respectively, in January 2016 and August 2007. The X-Pro2 is a mirrorless interchangeable lens camera, while the L10 is a DSLR. The cameras are based on an APS-C (X-Pro2) and a Four Thirds (L10) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro2||Panasonic L10|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||10 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 200-12800 (100-51200)||ISO 100-1600|
|Electronic viewfinder (2360k dots)||Optical viewfinder|
|3.0" LCD, 1620k dots||2.5" LCD, 207k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|8 shutter flaps per second||3 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|350 shots per battery charge||450 shots per battery charge|
|141 x 83 x 46 mm, 495 g||135 x 96 x 78 mm, 556 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Panasonic Lumix DMC- L10? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Panasonic L10. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the L10 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L10 is notably larger (11 percent) than the Fujifilm X-Pro2. Moreover, the L10 is markedly heavier (12 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the L10 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Four Thirds Lens Catalog (L10). Mirrorless cameras, such as the Fujifilm X-Pro2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Panasonic L10«||5.3 in||3.8 in||3.1 in||19.6 oz||450||n||Aug 2007||599||-||Panasonic L10|
|Fujifilm X-Pro3« »||5.6 in||3.3 in||1.8 in||17.5 oz||440||Y||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Olympus E-420« »||5.1 in||3.6 in||2.1 in||15.5 oz||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||5.4 in||3.6 in||2.7 in||18.9 oz||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Mar 2007||699||-||Olympus E-410|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Panasonic L1« »||5.7 in||3.4 in||2.5 in||21.4 oz||750||n||Feb 2006||999||-||Panasonic L1|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L10 was launched at a markedly lower price (by 65 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Panasonic L10 a Four Thirds sensor. The sensor area in the L10 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the L10 offers a 4:3 aspect.
With 24MP, the X-Pro2 offers a higher resolution than the L10 (10MP), but the X-Pro2 has smaller individual pixels (pixel pitch of 3.92μm versus 4.74μm for the L10). However, the X-Pro2 is a much more recent model (by 8 years and 4 months) than the L10, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Panasonic L10 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC- L10 are ISO 100 to ISO 1600 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-Pro2»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Panasonic L10«||Four Thirds||10.0||3648||2736||-||21.3||10.8||429||55||Panasonic L10|
|Fujifilm X-Pro3« »||APS-C||26.0||6240||4160||4K/30p||-||-||-||-||Fujifilm X-Pro3|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
|Panasonic L1« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Panasonic L1|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras cannot only take still pictures, but also record videos. The X-Pro2 indeed provides movie recording capabilities, while the L10 does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the L10 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-Pro2 offers a wider field of view (100%) than the one in the L10 (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the L10 has a higher magnification (0.46x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Panasonic L10 in connection with corresponding information for a sample of similar cameras.
|Fujifilm X-Pro2»||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Panasonic L10«||optical||n||2.5||207||swivel||n||1/4000s||3.0||Y||n||Panasonic L10|
|Fujifilm X-Pro3« »||3690||n||3.0||1620||tilting||Y||1/8000s||8.0||n||n||Fujifilm X-Pro3|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
|Panasonic L1« »||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Panasonic L1|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One difference between the cameras concerns the presence of an on-board flash. The L10 has one, while the X-Pro2 does not. While the built-in flash of the L10 is not very powerful, it can at times be useful as a fill-in light.The L10 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-Pro2 writes its imaging data to SDXC cards, while the L10 uses SDHC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L10 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the L10 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Panasonic Lumix DMC- L10 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro2»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Panasonic L10«||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L10|
|Fujifilm X-Pro3« »||Y||stereo||mono||Y||-||-||3.1||Y||-||Y||Fujifilm X-Pro3|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
|Panasonic L1« »||Y||-||-||-||-||-||2.0||-||-||-||Panasonic L1|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the X-Pro2 offers wifi support, while the L10 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the L10) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the L10 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the L10 from Panasonic. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-Pro2 or the Panasonic L10 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 207k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Less heavy: Is lighter (by 61g or 11 percent) and hence easier to carry around.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More modern: Reflects 8 years and 4 months of technical progress since the L10 launch.
Arguments in favor of the Panasonic Lumix DMC- L10:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.46x vs 0.39x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Gets more shots (450 versus 350) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (65 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (24 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Panasonic L10 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-Pro2 or the L10 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro2»||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Panasonic L10«||85/100||+||3.5/5||o||4/5||Aug 2007||599||-||Panasonic L10|
|Fujifilm X-Pro3« »||-||85/100||-||-||-||Oct 2019||1,799||Fujifilm X-Pro3|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Panasonic L1« »||85/100||+||-||o||3.5/5||Feb 2006||999||-||Panasonic L1|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 400D vs Fujifilm X-Pro2
- Canon G1 X Mark III vs Fujifilm X-Pro2
- Canon XTi vs Panasonic L10
- Fujifilm GFX 50R vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Fujifilm X-Pro3
- Fujifilm X-Pro2 vs Fujifilm X-T1
- Fujifilm X-Pro2 vs Panasonic ZS80
- Fujifilm X-Pro2 vs Sony RX100 III
- Fujifilm X-Pro2 vs Sony WX800
- Nikon D700 vs Panasonic L10
- Panasonic L10 vs Sony A6000
- Panasonic L10 vs Sony RX0 II
Specifications: Fujifilm X-Pro2 vs Panasonic L10
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Panasonic L10|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2016||August 2007|
|Launch Price||USD 1699||USD 599|
|Sensor Specs||Fujifilm X-Pro2||Panasonic L10|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.92 μm||4.74 μm|
|Pixel Density||6.52 MP/cm2||4.44 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||200-12800 ISO||100-1600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||X Processor Pro||Venus|
|DXO Sensor Quality (score)||..||55|
|DXO Color Depth (bits)||..||21.3|
|DXO Dynamic Range (EV)||..||10.8|
|DXO Low Light (ISO)||..||429|
|Screen Specs||Fujifilm X-Pro2||Panasonic L10|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.5 inch|
|LCD Resolution||1620k dots||207k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Fujifilm X-Pro2||Panasonic L10|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Fujifilm X-Pro2||Panasonic L10|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-Pro2||Panasonic L10|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||350 shots per charge||450 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
135 x 96 x 78 mm
(5.3 x 3.8 x 3.1 in)
|Camera Weight||495 g (17.5 oz)||556 g (19.6 oz)|
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