Fujifilm X-Pro2 vs Panasonic GX800
The Fujifilm X-Pro2 and the Panasonic Lumix DMC-GX800 (labelled Panasonic GX850 in some countries) are two digital cameras that were revealed to the public, respectively, in January 2016 and January 2017. Both the X-Pro2 and the GX800 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a Four Thirds (GX800) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Panasonic Lumix DMC-GX800? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-Pro2 and the Panasonic GX800 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the GX800 is available in three color-versions (black, silver, red).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX800 is considerably smaller (41 percent) than the Fujifilm X-Pro2. Moreover, the GX800 is substantially lighter (46 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the GX800 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Micro Four Thirds Lens Catalog (GX800). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|2.||Panasonic GX800||107 mm||65 mm||33 mm||269 g||210||n||Jan 2017||549|
|3.||Canon M10||108 mm||67 mm||35 mm||301 g||255||n||Oct 2015||499|
|4.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|5.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|6.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|7.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|8.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|9.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|10.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|11.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|12.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|13.||Panasonic GF7||107 mm||65 mm||33 mm||266 g||230||n||Jan 2015||499|
|14.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|15.||Panasonic GF6||111 mm||65 mm||38 mm||323 g||340||n||Apr 2013||499|
|16.||Panasonic GF5||108 mm||67 mm||37 mm||267 g||360||n||Apr 2012||499|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GX800 was launched at a markedly lower price (by 68 percent) than the X-Pro2, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Panasonic GX800 a Four Thirds sensor. The sensor area in the GX800 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the GX800 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the X-Pro2 offers a higher resolution than the GX800 (15.8MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the GX800) due to its larger sensor. However, the GX800 is a somewhat more recent model (by 11 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GX800 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GX800 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic GX800||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|13.||Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|14.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|15.||Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|16.||Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GX800 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the GX800 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Panasonic GX800, and comparable cameras.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|2.||Panasonic GX800||none||n||3.0 / 1040||tilting||Y||1/500s||10.0||Y||n|
|3.||Canon M10||none||n||3.0 / 1040||tilting||Y||1/4000s||4.6||Y||n|
|4.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0||Y||n|
|5.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0||n||n|
|6.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0||n||n|
|7.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|8.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|9.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0||n||n|
|10.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|11.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|12.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|13.||Panasonic GF7||none||n||3.0 / 1040||tilting||Y||1/500s||5.8||Y||n|
|14.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0||Y||n|
|15.||Panasonic GF6||none||n||3.0 / 1040||tilting||Y||1/4000s||4.2||Y||n|
|16.||Panasonic GF5||none||n||3.0 / 920||fixed||Y||1/4000s||4.0||Y||n|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX800 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The GX800 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Panasonic GX800 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the GX800 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GX800 only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the GX800 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Panasonic Lumix DMC-GX800 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Panasonic GX800||-||stereo / mono||-||-||micro||2.0||Y||-||-|
|3.||Canon M10||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|4.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|6.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|10.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|11.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|12.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|13.||Panasonic GF7||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|14.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Panasonic GF6||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|16.||Panasonic GF5||-||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
It is notable that the X-Pro2 has a hotshoe, while the GX800 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the GX800) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro2 and the GX800 are recent models that are part of the current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the GX800 followed on from the Panasonic GF7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro2 and the Panasonic GX800? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/500s) to freeze action.
- Longer lasting: Can take more shots (350 versus 210) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Advantages of the Panasonic Lumix DMC-GX800:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 8 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (107x65mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 226g or 46 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (68 percent cheaper at launch).
- More modern: Was introduced somewhat (11 months) more recently.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (17 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Panasonic GX800 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-Pro2 and the GX800 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|2.||Panasonic GX800||..||+||..||76/100||4.5/5||4.5/5||Jan 2017||549|
|3.||Canon M10||..||..||..||..||..||4/5||Oct 2015||499|
|4.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|5.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|6.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|7.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|8.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|9.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|10.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|11.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|12.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|13.||Panasonic GF7||4/5||+||..||..||4.5/5||4.5/5||Jan 2015||499|
|14.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|15.||Panasonic GF6||..||+ +||..||..||4.5/5||4.5/5||Apr 2013||499|
|16.||Panasonic GF5||3/5||..||..||..||4.5/5||4.5/5||Apr 2012||499|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 70D vs Panasonic GX800
- Canon G5 X Mark II vs Fujifilm X-Pro2
- Canon SX70 vs Fujifilm X-Pro2
- Canon SX730 vs Panasonic GX800
- Canon SX740 vs Panasonic GX800
- Fujifilm X-Pro2 vs Fujifilm X-T10
- Fujifilm X-Pro2 vs Leica D-LUX 6
- Fujifilm X-Pro2 vs Nikon D3400
- Fujifilm X-Pro2 vs Sony NEX-5N
- Leica D-LUX 5 vs Panasonic GX800
- Panasonic GX800 vs Sony HX90V
- Panasonic GX800 vs Sony NEX-3
Specifications: Fujifilm X-Pro2 vs Panasonic GX800
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Panasonic GX800|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2016||January 2017|
|Launch Price||USD 1,699||USD 549|
|Sensor Specs||Fujifilm X-Pro2||Panasonic GX800|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.92 μm||3.77 μm|
|Pixel Density||6.52 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X Processor Pro||Venus|
|DXO Sensor Quality (score)||..||73|
|DXO Color Depth (bits)||..||23.2|
|DXO Dynamic Range (EV)||..||13.3|
|DXO Low Light (ISO)||..||586|
|Screen Specs||Fujifilm X-Pro2||Panasonic GX800|
|Viewfinder Type||Electronic viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro2||Panasonic GX800|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/500s|
|Continuous Shooting||8 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-Pro2||Panasonic GX800|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-Pro2||Panasonic GX800|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||350 shots per charge||210 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
107 x 65 x 33 mm
(4.2 x 2.6 x 1.3 in)
|Camera Weight||495 g (17.5 oz)||269 g (9.5 oz)|
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