Fujifilm X-Pro2 vs Panasonic G80
The Fujifilm X-Pro2 and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were announced, respectively, in January 2016 and September 2016. Both the X-Pro2 and the G80 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro2) and a Four Thirds (G80) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Panasonic Lumix DMC-G80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Panasonic G80 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the G80 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G80 is somewhat smaller (3 percent) than the Fujifilm X-Pro2. However, the G80 is slightly heavier (2 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Micro Four Thirds Lens Catalog (G80). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|2.||Panasonic G80||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899||ebay.com|
|3.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|4.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|5.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|6.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299||ebay.com|
|7.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399||ebay.com|
|8.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|9.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||ebay.com|
|10.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|11.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999||amazon.com|
|12.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099||ebay.com|
|13.||Panasonic G90||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999||amazon.com|
|14.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|15.||Panasonic GX80||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799||amazon.com|
|16.||Panasonic GX8||133 mm||78 mm||63 mm||487 g||330||Y||Jul 2015||1,199||ebay.com|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G80 was launched at a markedly lower price (by 47 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
With 24MP, the X-Pro2 offers a higher resolution than the G80 (15.8MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.77μm for the G80) due to its larger sensor. However, the G80 is a somewhat more recent model (by 8 months) than the X-Pro2, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G80 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-Pro2 uses Fujifilm's X-Trans layout of photosites, while the G80 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic G80||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|12.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|13.||Panasonic G90||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|14.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|15.||Panasonic GX80||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|16.||Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the G80 provides a better video resolution than the X-Pro2. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The X-Pro2 and the G80 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Panasonic G80, and comparable cameras.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|2.||Panasonic G80||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0/s||Y||Y|
|3.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|4.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|5.||Fujifilm X-T3||3690||n||3.0 / 1040||full-flex||Y||1/8000s||11.0/s||n||n|
|6.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0/s||Y||n|
|8.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|9.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|10.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|11.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0/s||n||n|
|12.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0/s||n||Y|
|13.||Panasonic G90||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0/s||Y||Y|
|14.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|15.||Panasonic GX80||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||Y|
|16.||Panasonic GX8||2360||n||3.0 / 1040||swivel||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The G80 has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The G80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro2 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Panasonic G80 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the G80 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the G80 only has one slot. Both cameras support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s (the second slot of the X-Pro2 supports only UHS-I, though).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Panasonic Lumix DMC-G80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Panasonic G80||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|5.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|9.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|12.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Panasonic G90||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|14.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Panasonic GX80||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic GX8||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the G80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro2 and the G80 have been discontinued, but can regularly be found used on ebay. The X-Pro2 was replaced by the Fujifilm X-Pro3, while the G80 was followed by the Panasonic G90. Further information on the features and operation of the X-Pro2 and G80 can be found, respectively, in the Fujifilm X-Pro2 Manual (free pdf) or the online Panasonic G80 Manual.
So what conclusions can be drawn? Which of the two cameras – the Fujifilm X-Pro2 or the Panasonic G80 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been on the market for longer (launched in January 2016).
Arguments in favor of the Panasonic Lumix DMC-G80:
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.39x).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 8 flaps/sec) to capture the decisive moment.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More modern: Was introduced somewhat (8 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the X-Pro2 comes out slightly ahead of the G80 (11 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Panasonic G80 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-Pro2 and the G80 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|2.||Panasonic G80||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899||ebay.com|
|3.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|4.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|5.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|6.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299||ebay.com|
|7.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399||ebay.com|
|8.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|9.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299||ebay.com|
|10.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|11.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999||amazon.com|
|12.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099||ebay.com|
|13.||Panasonic G90||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999||amazon.com|
|14.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|15.||Panasonic GX80||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799||amazon.com|
|16.||Panasonic GX8||5/5||+||..||82/100||4.5/5||4.5/5||Jul 2015||1,199||ebay.com|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark III vs Fujifilm X-Pro2
- Canon 6D vs Fujifilm X-Pro2
- Canon 77D vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Leica S Typ 007
- Fujifilm X-Pro2 vs Nikon D40
- Fujifilm X-Pro2 vs Olympus E-500
- Fujifilm X-T10 vs Panasonic G80
- Leica V-LUX 4 vs Panasonic G80
- Nikon Coolpix A vs Panasonic G80
- Nikon D850 vs Panasonic G80
- Nikon Z5 vs Panasonic G80
- Olympus E-P1 vs Panasonic G80
Specifications: Fujifilm X-Pro2 vs Panasonic G80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Panasonic G80|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||January 2016||September 2016|
|Launch Price||USD 1,699||USD 899|
|Sensor Specs||Fujifilm X-Pro2||Panasonic G80|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.92 μm||3.77 μm|
|Pixel Density||6.52 MP/cm2||7.04 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||200 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||X Processor Pro||Venus|
|DXO Sensor Quality (score)||..||71|
|DXO Color Depth (bits)||..||22.8|
|DXO Dynamic Range (EV)||..||12.5|
|DXO Low Light (ISO)||..||656|
|Screen Specs||Fujifilm X-Pro2||Panasonic G80|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro2||Panasonic G80|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/16000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-II|
|Connectivity Specs||Fujifilm X-Pro2||Panasonic G80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-Pro2||Panasonic G80|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||330 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||495 g (17.5 oz)||505 g (17.8 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.