Fujifilm X-Pro2 vs Nikon W150
The Fujifilm X-Pro2 and the Nikon Coolpix W150 are two digital cameras that were revealed to the public, respectively, in January 2016 and April 2019. The X-Pro2 is a mirrorless interchangeable lens camera, while the W150 is a fixed lens compact. The cameras are based on an APS-C (X-Pro2) and a 1/3.1-inch (W150) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Nikon provides 13 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro2||Nikon W150|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm X mount lenses||30-90mm f/3.3-5.9|
|24 MP, APS-C Sensor||13 MP, 1/3.1" Sensor|
|1080/60p Video||1080/30p Video|
|ISO 200-12800 (100-51200)||ISO 125-1600|
|Electronic viewfinder (2360k dots)||No viewfinder, LCD framing|
|3.0" LCD, 1620k dots||2.7" LCD, 230k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||4.7 shutter flaps per second|
|Weathersealed body||Waterproof body (10m)|
|350 shots per battery charge||220 shots per battery charge|
|141 x 83 x 46 mm, 495 g||110 x 67 x 38 mm, 177 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Nikon Coolpix W150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro2 and the Nikon W150 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the W150 is available in five color-versions (blue, orange, white, flower, resort).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon W150 is considerably smaller (37 percent) than the Fujifilm X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the W150 is water-proof up to 10m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the W150 has a lens built in, whereas the X-Pro2 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro2 and their specifications in the Fujinon X Lens Catalog.
The power pack in the W150 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon W150«||4.3 in||2.6 in||1.5 in||6.2 oz||220||Y||Apr 2019||159||Nikon W150|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||4.8 in||3.3 in||1.9 in||15.8 oz||430||n||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon P1000« »||5.7 in||4.7 in||7.1 in||49.9 oz||250||n||Jul 2018||999||Nikon P1000|
|Nikon W300« »||4.4 in||2.6 in||1.1 in||8.1 oz||280||Y||May 2017||389||Nikon W300|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999||Nikon D500|
|Panasonic TS7« »||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic TS7|
|Ricoh WG-60« »||4.8 in||2.4 in||1.2 in||6.8 oz||300||Y||Oct 2018||279||Ricoh WG-60|
|Sony RX0 II« »||2.3 in||1.6 in||1.4 in||4.7 oz||240||Y||Mar 2019||699||Sony RX0 II|
|Sony A6500« »||4.7 in||2.6 in||2.1 in||16.0 oz||350||Y||Oct 2016||1,399||-||Sony A6500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The W150 was launched at a lower price than the X-Pro2, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Nikon W150 a 1/3.1-inch sensor. The sensor area in the W150 is 96 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 7.4. The sensor in the X-Pro2 has a native 3:2 aspect ratio, while the one in the W150 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 24MP, the X-Pro2 offers a higher resolution than the W150 (13MP), but the X-Pro2 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 1.11μm for the W150) due to its larger sensor. However, the W150 is a much more recent model (by 3 years and 3 months) than the X-Pro2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Nikon W150 are 20.8 x 15.6 inch or 52.8 x 39.6 cm for good quality, 16.6 x 12.5 inch or 42.3 x 31.7 cm for very good quality, and 13.9 x 10.4 inch or 35.2 x 26.4 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon Coolpix W150 are ISO 125 to ISO 1600 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-Pro2»||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Nikon W150«||1/3.1||13.0||4160||3120||1080/30p||-||-||-||-||Nikon W150|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-H1« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm X-T100|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon P1000« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon P1000|
|Nikon W300« »||1/2.3||15.9||4608||3456||4K/30p||-||-||-||-||Nikon W300|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83||Nikon D500|
|Panasonic TS7« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TS7|
|Ricoh WG-60« »||1/2.3||15.9||4608||3456||1080/60p||-||-||-||-||Ricoh WG-60|
|Sony RX0 II« »||1-inch||15.4||4800||3200||4K/30p||-||-||-||-||Sony RX0 II|
|Sony A6500« »||APS-C||24.0||6000||4000||4K/30p||24.5||13.7||1405||85||Sony A6500|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-Pro2 provides a higher frame rate than the W150. It can shoot video footage at 1080/60p, while the Nikon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), which can be very helpful when shooting in bright sunlight. In contrast, the W150 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro2, the Nikon W150, and comparable cameras.
|Fujifilm X-Pro2»||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Nikon W150«||-||n||2.7||230||fixed||n||1/2000s||4.7||Y||n||Nikon W150|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-H1« »||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Fujifilm X-T100« »||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||1/4000s||8.0||Y||n||Fujifilm X100F|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||1/4000s||6.0||Y||n||Fujifilm X-A3|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon P1000« »||2359||n||3.2||921||swivel||n||1/4000s||7.0||Y||Y||Nikon P1000|
|Nikon W300« »||-||n||3.0||921||fixed||n||1/4000s||7.0||Y||Y||Nikon W300|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||1/8000s||10.0||n||n||Nikon D500|
|Panasonic TS7« »||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic TS7|
|Ricoh WG-60« »||-||n||2.7||230||fixed||n||1/4000s||8.0||Y||n||Ricoh WG-60|
|Sony RX0 II« »||-||n||1.5||230||tilting||n||..||5.5||n||n||Sony RX0 II|
|Sony A6500« »||2359||n||3.0||922||tilting||Y||1/4000s||11.0||Y||Y||Sony A6500|
One difference between the cameras concerns the presence of an on-board flash. The W150 has one, while the X-Pro2 does not. While the built-in flash of the W150 is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the W150 write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the W150 only has one slot. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the W150 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Nikon Coolpix W150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro2»||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Nikon W150«||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W150|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-H1« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Fujifilm X-T100« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Fujifilm X-A3« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Fujifilm X-A3|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Fujifilm X-T1« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon P1000« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Nikon P1000|
|Nikon W300« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Nikon W300|
|Nikon D500« »||Y||stereo||mono||Y||Y||mini||3.0||Y||Y||Y||Nikon D500|
|Panasonic TS7« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TS7|
|Ricoh WG-60« »||-||mono||mono||-||-||micro||2.0||-||-||-||Ricoh WG-60|
|Sony RX0 II« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0 II|
|Sony A6500« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6500|
It is notable that the X-Pro2 has a hotshoe, while the W150 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the W150) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro2 and the W150 are recent models that are part of the current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the W150 followed on from the Nikon W100. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Is the Fujifilm X-Pro2 better than the Nikon W150 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 13MP) with a 39% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 4.7 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (350 versus 220) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Nikon Coolpix W150:
- Ready to shoot: Has an integrated lens, whereas the X-Pro2 necessitates an extra lens.
- More compact: Is smaller (110x67mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro2).
- Easier travel charging: Can be conveniently charged via its USB port.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 3 months of technical progress since the X-Pro2 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 is the clear winner of the match-up (21 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Nikon W150 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-Pro2 or the W150 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-Pro2»||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Nikon W150«||+||-||3.5/5||-||3/5||Apr 2019||159||Nikon W150|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-H1« »||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Fujifilm X-T100« »||+||79/100||4/5||-||4.5/5||May 2018||599||Fujifilm X-T100|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399||-||Fujifilm X-A3|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Fujifilm X-T1« »||+ +||84/100||5/5||4/5||5/5||Jan 2014||1,299||-||Fujifilm X-T1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon P1000« »||+||73/100||3.5/5||4.5/5||3.5/5||Jul 2018||999||Nikon P1000|
|Nikon W300« »||+||-||4/5||-||4/5||May 2017||389||Nikon W300|
|Nikon D500« »||+ +||91/100||4.5/5||5/5||5/5||Jan 2016||1,999||Nikon D500|
|Panasonic TS7« »||+||-||-||-||3.5/5||May 2018||449||Panasonic TS7|
|Ricoh WG-60« »||-||-||-||-||-||Oct 2018||279||Ricoh WG-60|
|Sony RX0 II« »||-||-||3.5/5||-||4/5||Mar 2019||699||Sony RX0 II|
|Sony A6500« »||+ +||85/100||4.5/5||5/5||4.5/5||Oct 2016||1,399||-||Sony A6500|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Leica SL vs Nikon W150
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Specifications: Fujifilm X-Pro2 vs Nikon W150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Nikon W150|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||30-90mm f/3.3-5.9|
|Launch Date||January 2016||April 2019|
|Launch Price||USD 1699||USD 159|
|Sensor Specs||Fujifilm X-Pro2||Nikon W150|
|Sensor Format||APS-C Sensor||1/3.1" Sensor|
|Sensor Size||23.6 x 15.6 mm||4.7 x 3.5 mm|
|Sensor Area||368.16 mm2||16.45 mm2|
|Sensor Diagonal||28.3 mm||5.9 mm|
|Sensor Resolution||24 Megapixels||13 Megapixels|
|Image Resolution||6000 x 4000 pixels||4160 x 3120 pixels|
|Pixel Pitch||3.92 μm||1.11 μm|
|Pixel Density||6.52 MP/cm2||78.90 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/30p Video|
|ISO Setting||200-12800 ISO||125-1600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Screen Specs||Fujifilm X-Pro2||Nikon W150|
|Viewfinder Type||Electronic viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||1620k dots||230k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro2||Nikon W150|
|Autofocus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||4.7 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/2000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||no|
|Connectivity Specs||Fujifilm X-Pro2||Nikon W150|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-Pro2||Nikon W150|
|Environmental Sealing||Weathersealed body||Waterproof body (10m)|
|Battery Life (CIPA)||350 shots per charge||220 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
110 x 67 x 38 mm
(4.3 x 2.6 x 1.5 in)
|Camera Weight||495 g (17.5 oz)||177 g (6.2 oz)|
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