Fujifilm X-Pro2 vs Nikon D810
The Fujifilm X-Pro2 and the Nikon D810 are two digital cameras that were officially introduced, respectively, in January 2016 and June 2014. The X-Pro2 is a mirrorless interchangeable lens camera, while the D810 is a DSLR. The cameras are based on an APS-C (X-Pro2) and a full frame (D810) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Nikon provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Nikon D810? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Nikon D810. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the D810 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D810 is considerably larger (53 percent) than the Fujifilm X-Pro2. Moreover, the D810 is substantially heavier (98 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Nikon Lens Catalog (D810). Mirrorless cameras, such as the Fujifilm X-Pro2, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|2.||Nikon D810||146 mm||123 mm||82 mm||980 g||1200||Y||Jun 2014||3,299|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|4.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|5.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|6.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|7.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|8.||Fujifilm X-E3||121 mm||74 mm||43 mm||337 g||350||n||Sep 2017||899|
|9.||Fujifilm X-T20||118 mm||83 mm||41 mm||383 g||350||n||Jan 2017||899|
|10.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|11.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|12.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|13.||Nikon D850||146 mm||124 mm||79 mm||1005 g||1840||Y||Jul 2017||3,299|
|14.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|15.||Nikon D610||141 mm||113 mm||82 mm||850 g||900||Y||Oct 2013||1,999|
|16.||Nikon D800||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||2,999|
|17.||Nikon D800E||146 mm||123 mm||82 mm||1000 g||900||Y||Feb 2012||3,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a markedly lower price (by 48 percent) than the D810, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Nikon D810 a full frame sensor. The sensor area in the D810 is 134 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 36.2MP, the D810 offers a higher resolution than the X-Pro2 (24MP), but the D810 nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 3.92μm for the X-Pro2) due to its larger sensor. However, the X-Pro2 is a somewhat more recent model (by 1 year and 6 months) than the D810, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Nikon D810 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D810 for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Fujifilm X-Pro2 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon D810 are ISO 64 to ISO 12800, with the possibility to increase the ISO range to 32-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Nikon D810||Full Frame||36.2||7360||4912||1080/60p||25.7||14.8||2853||97|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|13.||Nikon D850||Full Frame||45.4||8256||5504||4K/30p||26.4||14.8||2660||100|
|14.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|15.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|16.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|17.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the D810 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D810 has a higher magnification than the one of the X-Pro2 (0.70x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Nikon D810 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|2.||Nikon D810||optical||Y||3.2 / 1229||fixed||n||1/8000s||5.0||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|4.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0||Y||n|
|5.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0||n||n|
|6.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0||n||n|
|7.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|8.||Fujifilm X-E3||2360||n||3.0 / 1040||fixed||Y||1/4000s||8.0||n||n|
|9.||Fujifilm X-T20||2360||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||n|
|10.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0||n||n|
|11.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|12.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|13.||Nikon D850||optical||Y||3.2 / 2359||tilting||Y||1/8000s||9.0||n||n|
|14.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|15.||Nikon D610||optical||Y||3.2 / 921||fixed||n||1/4000s||6.0||Y||n|
|16.||Nikon D800||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
|17.||Nikon D800E||optical||Y||3.2 / 921||fixed||n||1/8000s||4.0||Y||n|
One feature that is present on the D810, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Nikon D810 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-Pro2 writes its imaging data to SDXC cards, while the D810 uses Compact Flash or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The X-Pro2 supports UHS-II cards (on its first slot), while the D810 can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Nikon D810 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Nikon D810||Y||stereo / mono||Y||Y||mini||3.0||Y||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|5.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|6.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|7.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-E3||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|9.||Fujifilm X-T20||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|10.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|11.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|12.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon D850||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|14.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|15.||Nikon D610||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|16.||Nikon D800||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Nikon D800E||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
It is notable that the D810 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-Pro2 lacks such a headphone port.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The X-Pro2 is a recent model that features in the current product line-up of Fujifilm. In contrast, the D810 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the D810 was succeeded by the Nikon D850. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So what conclusions can be drawn? Is the Fujifilm X-Pro2 better than the Nikon D810 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-Pro2:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1229k dots).
- Faster burst: Shoots at higher frequency (8 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- More compact: Is smaller (141x83mm vs 146x123mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 485g or 49 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (48 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 1 year and 6 months after the D810).
Reasons to prefer the Nikon D810:
- More detail: Has more megapixels (36.2 vs 24MP), which boosts linear resolution by 23%.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.39x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Gets more shots (1200 versus 350) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- More heavily discounted: Has been on the market for longer (launched in June 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the D810 emerges as the winner of the match-up (14 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro2 and the Nikon D810 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the X-Pro2 or the D810 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|2.||Nikon D810||5/5||..||5/5||86/100||5/5||4.5/5||Jun 2014||3,299|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|4.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|5.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|6.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|7.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|8.||Fujifilm X-E3||4.5/5||+||4.5/5||84/100||4.5/5||4.5/5||Sep 2017||899|
|9.||Fujifilm X-T20||5/5||+ +||5/5||82/100||5/5||4.5/5||Jan 2017||899|
|10.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|11.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|12.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|13.||Nikon D850||4.5/5||+ +||5/5||89/100||4.5/5||5/5||Jul 2017||3,299|
|14.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|15.||Nikon D610||4/5||+ +||..||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|16.||Nikon D800||5/5||+ +||..||82/100||5/5||5/5||Feb 2012||2,999|
|17.||Nikon D800E||..||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 100D vs Fujifilm X-Pro2
- Canon 1D X Mark III vs Nikon D810
- Canon T100 vs Fujifilm X-Pro2
- Fujifilm X-A5 vs Fujifilm X-Pro2
- Fujifilm X-A5 vs Nikon D810
- Fujifilm X-Pro2 vs Kodak S-1
- Fujifilm X-Pro2 vs Panasonic GH4
- Fujifilm X-Pro2 vs Sony A7R II
- Nikon D3X vs Nikon D810
- Nikon D500 vs Nikon D810
- Nikon D810 vs Panasonic FZ2000
- Nikon D810 vs Panasonic G85
Specifications: Fujifilm X-Pro2 vs Nikon D810
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Nikon D810|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Nikon F mount lenses|
|Launch Date||January 2016||June 2014|
|Launch Price||USD 1,699||USD 3,299|
|Sensor Specs||Fujifilm X-Pro2||Nikon D810|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.9 x 24.0 mm|
|Sensor Area||368.16 mm2||861.6 mm2|
|Sensor Diagonal||28.3 mm||43.2 mm|
|Sensor Resolution||24 Megapixels||36.2 Megapixels|
|Image Resolution||6000 x 4000 pixels||7360 x 4912 pixels|
|Pixel Pitch||3.92 μm||4.88 μm|
|Pixel Density||6.52 MP/cm2||4.20 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||1080/60p Video|
|ISO Setting||200 - 12,800 ISO||64 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||32 - 51,200 ISO|
|Image Processor||X Processor Pro||EXPEED 4|
|DXO Sensor Quality (score)||..||97|
|DXO Color Depth (bits)||..||25.7|
|DXO Dynamic Range (EV)||..||14.8|
|DXO Low Light (ISO)||..||2853|
|Screen Specs||Fujifilm X-Pro2||Nikon D810|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1620k dots||1229k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro2||Nikon D810|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||8 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-Pro2||Nikon D810|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-Pro2||Nikon D810|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||1200 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
146 x 123 x 82 mm
(5.7 x 4.8 x 3.2 in)
|Camera Weight||495 g (17.5 oz)||980 g (34.6 oz)|
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