Fujifilm X-Pro2 vs Leica M10-R
The Fujifilm X-Pro2 and the Leica M10-R are two enthusiast cameras that were officially introduced, respectively, in January 2016 and July 2020. The X-Pro2 is a mirrorless interchangeable lens camera, while the M10-R is a rangefinder-focusing mirrorless. The cameras are based on an APS-C (X-Pro2) and a full frame (M10-R) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Leica provides 40.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro2 and the Leica M10-R? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro2 and the Leica M10-R. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the M10-R is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M10-R is notably smaller (5 percent) than the Fujifilm X-Pro2. However, the M10-R is markedly heavier (33 percent) than the X-Pro2. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro2) and the Leica M Lens Catalog (M10-R).
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|2.||Leica M10-R||139 mm||80 mm||39 mm||660 g||210||Y||Jul 2020||8,295|
|3.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399|
|4.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799|
|5.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|6.||Fujifilm X100F||127 mm||75 mm||52 mm||469 g||390||n||Jan 2017||1,299|
|7.||Fujifilm X-A3||117 mm||67 mm||40 mm||339 g||410||n||Aug 2016||399|
|8.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599|
|9.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|10.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|11.||Leica Q2||130 mm||80 mm||92 mm||718 g||370||Y||Mar 2019||4,995|
|12.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|13.||Leica M10-P||139 mm||80 mm||39 mm||660 g||210||Y||Aug 2018||7,995|
|14.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|15.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|16.||Nikon D500||147 mm||115 mm||81 mm||860 g||1240||Y||Jan 2016||1,999|
|17.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a markedly lower price (by 80 percent) than the M10-R, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro2 features an APS-C sensor and the Leica M10-R a full frame sensor. The sensor area in the M10-R is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 40.9MP, the M10-R offers a higher resolution than the X-Pro2 (24MP), but the M10-R nevertheless has larger individual pixels (pixel pitch of 4.57μm versus 3.92μm for the X-Pro2) due to its larger sensor. Moreover, the M10-R is a much more recent model (by 4 years and 6 months) than the X-Pro2, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica M10-R implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M10-R for good quality output (200 dots per inch) amounts to 39.3 x 26 inches or 99.9 x 66 cm, for very good quality (250 dpi) 31.5 x 20.8 inches or 79.9 x 52.8 cm, and for excellent quality (300 dpi) 26.2 x 17.3 inches or 66.6 x 44 cm. The corresponding values for the Fujifilm X-Pro2 are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro2 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica M10-R are ISO 100 to ISO 50000 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Leica M10-R||Full Frame||40.9||7864||5200||none||..||..||..||..|
|11.||Leica Q2||Full Frame||46.7||8368||5584||4K/30p||26.4||13.5||2491||96|
|12.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|13.||Leica M10-P||Full Frame||23.8||5952||3992||none||..||..||..||..|
|14.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|15.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-Pro2 indeed provides movie recording capabilities, while the M10-R does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the M10-R has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the M10-R has a higher magnification than the one of the X-Pro2 (0.73x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-Pro2 and Leica M10-R along with similar information for a selection of comparators.
|1.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0||n||n|
|2.||Leica M10-R||optical||n||3.0 / 1037||fixed||Y||1/4000s||4.5||n||n|
|3.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0||Y||n|
|4.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0||n||n|
|5.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0||n||n|
|6.||Fujifilm X100F||2360||n||3.0 / 1040||fixed||n||1/4000s||8.0||Y||n|
|7.||Fujifilm X-A3||none||n||3.0 / 1040||tilting||Y||1/4000s||6.0||Y||n|
|8.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0||n||n|
|9.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0||n||n|
|10.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0||n||n|
|11.||Leica Q2||3680||n||3.0 / 1040||fixed||Y||1/2000s||20.0||n||Y|
|12.||Leica M-E Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|13.||Leica M10-P||optical||n||3.0 / 1037||fixed||Y||1/4000s||5.0||n||n|
|14.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|15.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|16.||Nikon D500||optical||Y||3.2 / 2359||tilting||Y||1/8000s||10.0||n||n|
|17.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0||Y||Y|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The M10-R has a touchscreen, while the X-Pro2 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 and the Leica M10-R both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro2 and the M10-R write their files to SDXC cards. The X-Pro2 features dual card slots, which can be very useful in case a memory card fails. In contrast, the M10-R only has one slot. The X-Pro2 supports UHS-II cards (on its first slot), while the M10-R can use UHS-I cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro2 and Leica M10-R and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|2.||Leica M10-R||Y||- / -||-||-||-||-||Y||-||-|
|3.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|4.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|5.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Fujifilm X100F||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-A3||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|9.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Leica Q2||Y||stereo / mono||-||-||-||-||Y||-||Y|
|12.||Leica M-E Typ 240||Y||mono / -||-||-||-||2.0||-||-||-|
|13.||Leica M10-P||Y||- / -||-||-||-||-||Y||-||-|
|14.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|15.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|16.||Nikon D500||Y||stereo / mono||Y||Y||mini||3.0||Y||Y||Y|
|17.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Fujifilm X-Pro2 (unlike the M10-R) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro2 and the M10-R are recent models that are part of the current product line-up. The X-Pro2 replaced the earlier Fujifilm X-Pro1, while the M10-R does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro2 and the Leica M10-R? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-Pro2:
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1037k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 4.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Less heavy: Is lighter (by 165g or 25 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (350 versus 210) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in January 2016).
Arguments in favor of the Leica M10-R:
- More detail: Has more megapixels (40.9 vs 24MP), which boosts linear resolution by 31%.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.39x).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More modern: Reflects 4 years and 6 months of technical progress since the X-Pro2 launch.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the match-up (14 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro2 or the M10-R. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|2.||Leica M10-R||4.5/5||..||4/5||..||..||4/5||Jul 2020||8,295|
|3.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399|
|4.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799|
|5.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|6.||Fujifilm X100F||5/5||+||3.9/5||83/100||4.5/5||4.5/5||Jan 2017||1,299|
|7.||Fujifilm X-A3||..||..||..||74/100||4.5/5||4/5||Aug 2016||399|
|8.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599|
|9.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|10.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|11.||Leica Q2||..||..||..||84/100||4.5/5||4/5||Mar 2019||4,995|
|12.||Leica M-E Typ 240||..||..||..||..||..||..||Jun 2019||3,999|
|13.||Leica M10-P||..||..||3/5||..||..||4/5||Aug 2018||7,995|
|14.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|15.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950|
|16.||Nikon D500||5/5||+ +||4.7/5||91/100||4.5/5||5/5||Jan 2016||1,999|
|17.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon G5 X Mark II vs Leica M10-R
- Canon M vs Leica M10-R
- Fujifilm GFX 100S vs Leica M10-R
- Fujifilm X-Pro2 vs Fujifilm X-Pro3
- Fujifilm X-Pro2 vs Fujifilm X100F
- Fujifilm X-Pro2 vs Leica D-LUX Typ 109
- Fujifilm X-Pro2 vs Nikon Df
- Fujifilm X-Pro2 vs Panasonic L10
- Fujifilm X-Pro2 vs Sony H300
- Fujifilm X-T3 vs Leica M10-R
- Leica M10-R vs Leica M8
Specifications: Fujifilm X-Pro2 vs Leica M10-R
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro2||Leica M10-R|
|Camera Type||Mirrorless system camera||Rangefinder camera|
|Camera Lens||Fujifilm X mount lenses||Leica M mount lenses|
|Launch Date||January 2016||July 2020|
|Launch Price||USD 1,699||USD 8,295|
|Sensor Specs||Fujifilm X-Pro2||Leica M10-R|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.8 x 23.9 mm|
|Sensor Area||368.16 mm2||855.62 mm2|
|Sensor Diagonal||28.3 mm||43 mm|
|Sensor Resolution||24 Megapixels||40.9 Megapixels|
|Image Resolution||6000 x 4000 pixels||7864 x 5200 pixels|
|Pixel Pitch||3.92 μm||4.57 μm|
|Pixel Density||6.52 MP/cm2||4.78 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||200 - 12,800 ISO||100 - 50,000 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X Processor Pro||Maestro II|
|Screen Specs||Fujifilm X-Pro2||Leica M10-R|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1620k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-Pro2||Leica M10-R|
|Focus System||On-Sensor Phase-detect||Manual Focus|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||8 shutter flaps/s||4.5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Single UHS-II||UHS-I|
|Connectivity Specs||Fujifilm X-Pro2||Leica M10-R|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||no USB|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Body Specs||Fujifilm X-Pro2||Leica M10-R|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||210 shots per charge|
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
139 x 80 x 39 mm
(5.5 x 3.1 x 1.5 in)
|Camera Weight||495 g (17.5 oz)||660 g (23.3 oz)|
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