Fujifilm X-Pro2 versus Fujifilm X-E2
The Fujifilm X-Pro2 and the Fujifilm X-E2 are two digital cameras that were revealed to the public, respectively, in January 2016 and October 2013. Both the X-Pro2 and the X-E2 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The X-Pro2 has a resolution of 24 megapixel, whereas the X-E2 provides 16 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-Pro2 vs Fujifilm X-E2
The physical size and weight of the Fujifilm X-Pro2 and the Fujifilm X-E2 are illustrated in the side-by-side display below. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro2 – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-E2 is notably smaller (17 percent) than the Fujifilm X-Pro2. Moreover, the X-E2 is markedly lighter (29 percent) than the X-Pro2. It is worth mentioning in this context that the X-Pro2 is splash and dust resistant, while the X-E2 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can find an overview of suitable optics in the Fujinon X Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm X-Pro2»||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Fujifilm X-E2«||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Fujifilm X-E3« »||4.8 in||2.9 in||1.7 in||11.9 oz||350||n||Sep 2017||899|
|Fujifilm X-T20« »||4.6 in||3.3 in||1.6 in||13.5 oz||350||n||Jan 2017||899|
|Fujifilm X-A3« »||4.6 in||2.6 in||1.6 in||12.0 oz||410||n||Aug 2016||399|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-|
|Nikon D500« »||5.8 in||4.5 in||3.2 in||30.3 oz||1240||Y||Jan 2016||1,999|
|Sony RX10 IV« »||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-E2 was launched at a markedly lower price (by 41 percent) than the X-Pro2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-Pro2 vs Fujifilm X-E2
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor and have a format factor (sometimes also referred to as "crop factor") of 1.5. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
While the two cameras under review share the same sensor size, the X-Pro2 offers a higher resolution of 24 megapixel, compared with 16 MP of the X-E2. This megapixel advantage translates into a 23 percent gain in linear resolution. On the other hand, these sensor specs imply that the X-Pro2 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 4.80μm for the X-E2). In this context, it should be noted, however, that the X-Pro2 is much more recent (by 2 years and 2 months) than the X-E2, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Fujifilm X-E3« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T20« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-A3« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Nikon D500« »||APS-C||20.7||5568||3712||4K/30p||24.0||14.0||1324||83|
|Sony RX10 IV« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-|
|Sony RX10 III« »||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/60p).
Feature comparison: Fujifilm X-Pro2 vs Fujifilm X-E2
Beyond body and sensor, cameras can and do differ across a range of features. The X-Pro2 and the X-E2 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 2360k dots. The table below summarizes some of the other core capabilities of the Fujifilm X-Pro2 and Fujifilm X-E2 in connection with corresponding information for a sample of similar cameras. If needed, the dpreview camera hub, for example, contains further detail on the cameras' specs.
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n|
|Fujifilm X-E3« »||2360||n||3.0||1040||fixed||Y||4000||8.0||n||n|
|Fujifilm X-T20« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||n|
|Fujifilm X-A3« »||-||n||3.0||1040||tilting||Y||4000||6.0||Y||n|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||8000||14.0||n||n|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||4000||6.0||n||n|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||4000||6.0||Y||n|
|Nikon D500« »||optical||Y||3.2||2359||tilting||Y||8000||10.0||n||n|
|Sony RX10 IV« »||2359||Y||3.0||1440||tilting||Y||2000||24.0||Y||Y|
|Sony RX10 III« »||2359||Y||3.0||1229||tilting||n||2000||14.0||Y||Y|
The X-Pro2 is a current model that online retailers, such as amazon, will have in stock. In contrast, the X-E2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-E2 was succeeded by the Fujifilm X-E2S.
Review summary: Fujifilm X-Pro2 vs Fujifilm X-E2
So how do things add up? Is there a clear favorite between the Fujifilm X-Pro2 and the Fujifilm X-E2? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-Pro2:
- More detail: Offers more megapixels (24 vs 16MP) with a 23% higher linear resolution.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 7 flaps/sec) to capture the decisive moment.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More modern: Reflects 2 years and 2 months of technical progress since the X-E2 launch.
Reasons to prefer the Fujifilm X-E2:
- More compact: Is smaller (129x75mm vs 141x83mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 145g or 29 percent) and is thus easier to take along.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (41 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in October 2013).
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro2 comes out slightly ahead of the X-E2 (6 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro2 and the X-E2 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Fujifilm X-Pro2»||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Fujifilm X-E2«||-||80/100||4.5/5||-||5/5||Oct 2013||999||-|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Fujifilm X-E3« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Sep 2017||899|
|Fujifilm X-T20« »||HiRec||82/100||5/5||-||4.5/5||Jan 2017||899|
|Fujifilm X-A3« »||-||74/100||4.5/5||-||4/5||Aug 2016||399|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-T2« »||HiRec||86/100||4.5/5||5/5||5/5||Jul 2016||1,599|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-|
|Fujifilm X-M1« »||Rec||77/100||4.5/5||-||4.5/5||Jun 2013||699|
|Fujifilm X-Pro1« »||HiRec||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-|
|Fujifilm X-E1« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-|
|Nikon D500« »||HiRec||91/100||4.5/5||5/5||5/5||Jan 2016||1,999|
|Sony RX10 IV« »||Rec||84/100||4.5/5||-||5/5||Sep 2017||1,699|
|Sony RX10 III« »||Rec||84/100||4.5/5||4.5/5||4.5/5||Mar 2016||1,499||-|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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