Fujifilm X-Pro1 vs Panasonic LF1
The Fujifilm X-Pro1 and the Panasonic Lumix DMC-LF1 are two digital cameras that were officially introduced, respectively, in January 2012 and April 2013. The X-Pro1 is a mirrorless interchangeable lens camera, while the LF1 is a fixed lens compact. The cameras are based on an APS-C (X-Pro1) and a 1/1.7-inch (LF1) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Panasonic Lumix DMC-LF1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-Pro1 and the Panasonic LF1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LF1 is considerably smaller (44 percent) than the Fujifilm X-Pro1. In this context, it is worth noting that neither the X-Pro1 nor the LF1 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LF1 has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
The power pack in the LF1 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|2.||Panasonic LF1||103 mm||62 mm||28 mm||192 g||250||n||Apr 2013||499|
|3.||Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|4.||Canon S120||100 mm||59 mm||29 mm||217 g||230||n||Aug 2013||449|
|5.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|6.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|7.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|8.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|9.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|10.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|11.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|12.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|13.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|14.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|15.||Nikon P7800||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549|
|16.||Panasonic FZ200||125 mm||87 mm||110 mm||588 g||540||n||Jul 2012||599|
|17.||Panasonic LX7||111 mm||68 mm||46 mm||298 g||330||n||Jul 2012||499|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The LF1 was launched at a lower price than the X-Pro1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Panasonic LF1 a 1/1.7-inch sensor. The sensor area in the LF1 is 88 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 4.5. The sensor in the X-Pro1 has a native 3:2 aspect ratio, while the one in the LF1 offers a 4:3 aspect.
With 16MP, the X-Pro1 offers a higher resolution than the LF1 (12MP), but the X-Pro1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 1.89μm for the LF1) due to its larger sensor. However, the LF1 is a somewhat more recent model (by 1 year and 3 months) than the X-Pro1, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Panasonic LF1 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DMC-LF1 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the LF1 provides a faster frame rate than the X-Pro1. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro1 offers a substantially higher resolution than the one in the LF1 (1440k vs 200k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Panasonic LF1, and comparable cameras.
|1.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|2.||Panasonic LF1||200||n||3.0 / 920||fixed||n||1/4000s||10.0/s||Y||Y|
|3.||Canon G16||optical||n||3.0 / 922||fixed||n||1/4000s||2.2/s||Y||Y|
|4.||Canon S120||none||n||3.0 / 922||fixed||Y||1/2000s||12.1/s||Y||Y|
|5.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|6.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|7.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|8.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|9.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|10.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|11.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|12.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|13.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|14.||Fujifilm X-E1||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|15.||Nikon P7800||921||n||3.0 / 921||swivel||n||1/4000s||8.0/s||Y||Y|
|16.||Panasonic FZ200||1312||n||3.0 / 460||swivel||n||1/4000s||12.0/s||Y||Y|
|17.||Panasonic LX7||optional||n||3.0 / 920||fixed||n||1/4000s||11.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The LF1 has one, while the X-Pro1 does not. While the built-in flash of the LF1 is not very powerful, it can at times be useful as a fill-in light.
Concerning the storage of imaging data, both the X-Pro1 and the LF1 write their files to SDXC cards. The X-Pro1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the LF1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Panasonic Lumix DMC-LF1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Panasonic LF1||-||stereo / mono||-||-||mini||2.0||Y||Y||-|
|3.||Canon G16||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|4.||Canon S120||-||stereo / mono||-||-||mini||2.0||Y||-||-|
|5.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|6.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|7.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|10.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|11.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|12.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|13.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|14.||Fujifilm X-E1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|15.||Nikon P7800||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|16.||Panasonic FZ200||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Panasonic LX7||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the X-Pro1 has a hotshoe, while the LF1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the LF1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The LF1 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Which of the two cameras – the Fujifilm X-Pro1 or the Panasonic LF1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-Pro1:
- More detail: Offers more megapixels (16 vs 12MP) with a 18% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 200k dots).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 920k dots).
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Longer lasting: Can take more shots (300 versus 250) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been on the market for longer (launched in January 2012).
Arguments in favor of the Panasonic Lumix DMC-LF1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- Faster burst: Shoots at higher frequency (10 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-Pro1 necessitates an extra lens.
- More compact: Is smaller (103x62mm vs 140x82mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the X-Pro1).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Was introduced somewhat (1 year and 3 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the X-Pro1 comes out slightly ahead of the LF1 (14 : 13 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Panasonic LF1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-Pro1 and the LF1 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|2.||Panasonic LF1||3/5||+||..||..||4/5||4.5/5||Apr 2013||499|
|3.||Canon G16||4/5||+||..||..||4.5/5||4.5/5||Aug 2013||549|
|4.||Canon S120||..||+ +||..||..||4.5/5||4.5/5||Aug 2013||449|
|5.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|6.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|7.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|8.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|9.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|10.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|11.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|12.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|13.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|14.||Fujifilm X-E1||4/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||999|
|15.||Nikon P7800||3/5||..||..||..||4/5||4.5/5||Sep 2013||549|
|16.||Panasonic FZ200||3/5||+ +||..||80/100||4.5/5||4.5/5||Jul 2012||599|
|17.||Panasonic LX7||3/5||+ +||..||75/100||4/5||4.5/5||Jul 2012||499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 50D vs Panasonic LF1
- Canon 70D vs Fujifilm X-Pro1
- Canon G1 X Mark III vs Panasonic LF1
- Epson R-D1 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Panasonic GX7
- Fujifilm X-Pro1 vs Panasonic LX7
- Fujifilm X-Pro1 vs Ricoh WG-60
- Fujifilm X-Pro1 vs Sony A7 II
- Leica V-LUX 2 vs Panasonic LF1
- Nikon D40 vs Panasonic LF1
- Nikon D70 vs Panasonic LF1
- Panasonic L10 vs Panasonic LF1
Specifications: Fujifilm X-Pro1 vs Panasonic LF1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Panasonic LF1|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||28-200mm f/2.0-5.9|
|Launch Date||January 2012||April 2013|
|Launch Price||USD 1,699||USD 499|
|Sensor Specs||Fujifilm X-Pro1||Panasonic LF1|
|Sensor Format||APS-C Sensor||1/1.7" Sensor|
|Sensor Size||23.6 x 15.6 mm||7.6 x 5.7 mm|
|Sensor Area||368.16 mm2||43.32 mm2|
|Sensor Diagonal||28.3 mm||9.5 mm|
|Sensor Resolution||16 Megapixels||12 Megapixels|
|Image Resolution||4896 x 3264 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.80 μm||1.89 μm|
|Pixel Density||4.34 MP/cm2||27.70 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||1080/60i Video|
|ISO Setting||200 - 6,400 ISO||80 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||80 - 12,800 ISO|
|Image Processor||EXR Processor||Venus|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||20.8|
|DXO Dynamic Range (EV)||..||11.6|
|DXO Low Light (ISO)||..||211|
|Screen Specs||Fujifilm X-Pro1||Panasonic LF1|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||200k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro1||Panasonic LF1|
|Focus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||10 shutter flaps/s|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm X-Pro1||Panasonic LF1|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X-Pro1||Panasonic LF1|
|Battery Life (CIPA)||300 shots per charge||250 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
103 x 62 x 28 mm
(4.1 x 2.4 x 1.1 in)
|Camera Weight||450 g (15.9 oz)||192 g (6.8 oz)|
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