Fujifilm X-Pro1 versus Olympus E-M5
The Fujifilm X-Pro1 and the Olympus OM-D E-M5 are two enthusiast cameras that were revealed to the public, respectively, in January 2012 and February 2012. Both the X-Pro1 and the E-M5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro1) and a Four Thirds (E-M5) sensor. The Fujifilm has a resolution of 16 megapixel, whereas the Olympus provides 15.9 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Fujifilm X-Pro1 vs Olympus E-M5
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro1 and the Olympus E-M5. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the X-Pro1 – represents 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 is notably smaller (5 percent) than the Fujifilm X-Pro1. Moreover, the E-M5 is markedly lighter (6 percent) than the X-Pro1. It is noteworthy in this context that the E-M5 is splash and dust-proof, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Fujinon X Lens Catalog (X-Pro1) and the Micro Four Thirds Lens Catalog (E-M5). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Fujifilm X-Pro1»||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-|
|Olympus E-M5«||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||-|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-|
|Fujifilm X-T1« »||5.1 in||3.5 in||1.9 in||15.5 oz||350||Y||Jan 2014||1,699||-|
|Fujifilm X100S« »||5.0 in||2.9 in||2.1 in||15.7 oz||330||n||Jan 2013||1,299||-|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-|
|Fujifilm X-M1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||799||-|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099|
|Olympus E-M10« »||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699||-|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||-|
|Olympus E-P5« »||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The E-M5 was launched at a somewhat lower price (by 24 percent) than the X-Pro1, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Fujifilm X-Pro1 vs Olympus E-M5
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Olympus E-M5 a Four Thirds sensor. The sensor area in the E-M5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro1 has a native 3:2 aspect ratio, while the one in the E-M5 offers a 4:3 aspect.
With 16MP, the X-Pro1 offers a slightly higher resolution than the E-M5 (15.9MP), but the X-Pro1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 3.76μm for the E-M5) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Olympus E-M5«||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-T1« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X100S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-|
|Fujifilm X-M1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|Olympus E-M10« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1« »||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Olympus E-P5« »||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the E-M5 provides a faster frame rate than the X-Pro1. It can shoot movie footage at 1080/60i, while the Fujifilm is limited to 1080/24p.
Feature comparison: Fujifilm X-Pro1 vs Olympus E-M5
Apart from body and sensor, cameras can and do differ across a range of features. The X-Pro1 and the E-M5 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 1440k dots. The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Olympus E-M5, and comparable cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||4000||8.0||Y||n|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-T1« »||2360||n||3.0||1040||tilting||n||4000||8.0||n||n|
|Fujifilm X100S« »||2360||n||2.8||460||fixed||n||4000||6.0||Y||n|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||4000||7.0||Y||n|
|Fujifilm X-M1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||4000||5.6||Y||n|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||4000||6.0||Y||n|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||8000||10.0||n||Y|
|Olympus E-M10« »||1440||n||3.0||1037||tilting||Y||4000||8.0||Y||Y|
|Olympus E-M1« »||2360||n||3.0||1037||tilting||Y||8000||10.0||n||Y|
|Olympus E-P5« »||-||n||3.0||1037||tilting||Y||8000||9.0||Y||Y|
Both the X-Pro1 and the E-M5 have been discontinued, but can regularly be found used on eBay. The X-Pro1 was replaced by the Fujifilm X-Pro2, while the E-M5 was followed by the Olympus E-M5 II.
Review summary: Fujifilm X-Pro1 vs Olympus E-M5
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro1 and the Olympus E-M5? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-Pro1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better low-light imaging: Features bigger pixels on a larger sensor for better high-ISO images.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 610k dots).
Advantages of the Olympus OM-D E-M5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher movie framerates (1080/60i versus 1080/24p).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 6 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (360 versus 300) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More affordable: Was released into a lower priced segment (24 percent cheaper at launch).
If the count of relative strengths (bullet points above) is taken as a measure, the E-M5 is the clear winner of the contest (9 : 3 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the X-Pro1 and the E-M5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Fujifilm X-Pro1»||HiRec||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-|
|Olympus E-M5«||HiRec||80/100||4.5/5||5/5||5/5||Feb 2012||1,299||-|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Fujifilm X-T10« »||HiRec||80/100||5/5||4/5||5/5||May 2015||799||-|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-|
|Fujifilm X-T1« »||HiRec||84/100||5/5||4/5||5/5||Jan 2014||1,699||-|
|Fujifilm X100S« »||HiRec||81/100||4.5/5||4/5||5/5||Jan 2013||1,299||-|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-|
|Fujifilm X-M1« »||Rec||77/100||4.5/5||-||4.5/5||Jun 2013||699|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-|
|Fujifilm X-E1« »||HiRec||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-|
|Olympus E-M10 II« »||HiRec||80/100||5/5||5/5||5/5||Aug 2015||799||-|
|Olympus E-M5 II« »||HiRec||81/100||5/5||4.5/5||5/5||Feb 2015||1,099|
|Olympus E-M10« »||-||80/100||5/5||4.5/5||5/5||Jan 2014||699||-|
|Olympus E-M1« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399||-|
|Olympus E-P5« »||HiRec||78/100||4.5/5||4.5/5||5/5||May 2013||999||-|
The review scores listed above should be treated with care, though. The ratings are only valid when refering to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
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