Fujifilm X-Pro1 vs Olympus E-510
The Fujifilm X-Pro1 and the Olympus E-510 are two digital cameras that were officially introduced, respectively, in January 2012 and March 2007. The X-Pro1 is a mirrorless interchangeable lens camera, while the E-510 is a DSLR. The cameras are based on an APS-C (X-Pro1) and a Four Thirds (E-510) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Olympus E-510? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-Pro1 and the Olympus E-510. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-510 is notably larger (9 percent) than the Fujifilm X-Pro1. Moreover, the E-510 is markedly heavier (20 percent) than the X-Pro1. In this context, it is worth noting that neither the X-Pro1 nor the E-510 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-Pro1) and the Four Thirds Lens Catalog (E-510). Mirrorless cameras, such as the Fujifilm X-Pro1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|2.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|3.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499|
|4.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599|
|5.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699|
|6.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|7.||Fujifilm X-T1||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299|
|8.||Fujifilm X100S||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299|
|9.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|10.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|11.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|12.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|13.||Olympus E-620||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699|
|14.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|15.||Olympus E-410||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699|
|16.||Olympus E-400||130 mm||91 mm||53 mm||435 g||500||n||Sep 2006||699|
|17.||Olympus E-500||130 mm||95 mm||66 mm||479 g||750||n||Sep 2005||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-510 was launched at a markedly lower price (by 53 percent) than the X-Pro1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Olympus E-510 a Four Thirds sensor. The sensor area in the E-510 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-Pro1 has a native 3:2 aspect ratio, while the one in the E-510 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 16MP, the X-Pro1 offers a higher resolution than the E-510 (10MP), but the X-Pro1 nevertheless has marginally larger individual pixels (pixel pitch of 4.80μm versus 4.74μm for the E-510) due to its larger sensor. Moreover, the X-Pro1 is a much more recent model (by 4 years and 10 months) than the E-510, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Olympus E-510 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus E-510 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|13.||Olympus E-620||Four Thirds||12.2||4032||3024||none||21.3||10.3||536||55|
|14.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|15.||Olympus E-410||Four Thirds||10.0||3648||2736||none||21.1||10.0||494||51|
|16.||Olympus E-400||Four Thirds||10.0||3648||2736||none||21.0||10.6||127||53|
|17.||Olympus E-500||Four Thirds||8.0||3264||2448||none||20.7||10.3||45||51|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-Pro1 indeed provides movie recording capabilities, while the E-510 does not. The highest resolution format that the X-Pro1 can use is 1080/24p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-Pro1 has an electronic viewfinder (1440k dots), while the E-510 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Fujifilm X-Pro1 and Olympus E-510 along with similar information for a selection of comparators.
|1.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|2.||Olympus E-510||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||Y|
|3.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|4.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|5.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|6.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|7.||Fujifilm X-T1||2360||n||3.0 / 1040||tilting||n||1/4000s||8.0/s||n||n|
|8.||Fujifilm X100S||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|9.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|10.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|11.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|12.||Fujifilm X-E1||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|13.||Olympus E-620||optical||n||2.7 / 230||swivel||n||1/4000s||4.0/s||Y||Y|
|14.||Olympus E-520||optical||n||2.7 / 215||fixed||n||1/4000s||3.5/s||Y||Y|
|15.||Olympus E-410||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|16.||Olympus E-400||optical||n||2.5 / 215||fixed||n||1/4000s||3.0/s||Y||n|
|17.||Olympus E-500||optical||n||2.5 / 215||fixed||n||1/4000s||2.5/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the E-510 and the X-Pro1 is in-body image stabilization (IBIS). The E-510 reduces the risk of handshake-induced blur with all attached lenses, while the X-Pro1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The X-Pro1 writes its imaging data to SDXC cards, while the E-510 uses Compact Flash or xD Picture cards. The E-510 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-Pro1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Olympus E-510 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|2.||Olympus E-510||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|7.||Fujifilm X-T1||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|8.||Fujifilm X100S||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|9.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|12.||Fujifilm X-E1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|13.||Olympus E-620||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Olympus E-520||Y||- / -||-||-||-||2.0||-||-||-|
|15.||Olympus E-410||Y||- / -||-||-||-||2.0||-||-||-|
|16.||Olympus E-400||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Olympus E-500||Y||- / -||-||-||-||2.0||-||-||-|
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the E-510) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro1 and the E-510 have been discontinued, but can regularly be found used on eBay. The E-510 was replaced by the Olympus E-520, while the X-Pro1 was followed by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what conclusions can be drawn? Is there a clear favorite between the Fujifilm X-Pro1 and the Olympus E-510? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-Pro1:
- More detail: Offers more megapixels (16 vs 10MP) with a 29% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/24p movies.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 215k dots).
- Faster burst: Shoots at higher frequency (6 vs 3 flaps/sec) to capture the decisive moment.
- Less heavy: Is lighter (by 88g or 16 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More modern: Reflects 4 years and 10 months of technical progress since the E-510 launch.
Arguments in favor of the Olympus E-510:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 300) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (53 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in March 2007).
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro1 is the clear winner of the match-up (15 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Olympus E-510 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-Pro1 or the E-510. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|2.||Olympus E-510||..||89/100||..||+ +||3.5/5||4.5/5||Mar 2007||799|
|3.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499|
|4.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599|
|5.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699|
|6.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|7.||Fujifilm X-T1||5/5||+ +||..||84/100||5/5||5/5||Jan 2014||1,299|
|8.||Fujifilm X100S||5/5||+ +||..||81/100||4.5/5||5/5||Jan 2013||1,299|
|9.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|10.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|11.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|12.||Fujifilm X-E1||4/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||999|
|13.||Olympus E-620||3/5||88/100||..||72/100||4.5/5||5/5||Feb 2009||699|
|14.||Olympus E-520||..||87/100||..||+ +||4.5/5||4.5/5||May 2008||699|
|15.||Olympus E-410||..||86/100||..||+ +||4/5||4.5/5||Mar 2007||699|
|16.||Olympus E-400||..||85/100||..||..||4/5||4/5||Sep 2006||699|
|17.||Olympus E-500||..||76/100||..||+ +||..||..||Sep 2005||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 800D vs Olympus E-510
- Canon G16 vs Fujifilm X-Pro1
- Canon SX730 vs Fujifilm X-Pro1
- Fujifilm X-Pro1 vs Nikon A1000
- Fujifilm X-Pro1 vs Sony A7 III
- Fujifilm X-Pro1 vs Sony A850
- Fujifilm X-Pro1 vs Sony RX0
- Leica SL vs Olympus E-510
- Leica X-U Typ 113 vs Olympus E-510
- Olympus E-510 vs Sony A6400
- Olympus E-510 vs Sony A850
- Olympus E-510 vs Sony A9
Specifications: Fujifilm X-Pro1 vs Olympus E-510
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Olympus E-510|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||January 2012||March 2007|
|Launch Price||USD 1,699||USD 799|
|Sensor Specs||Fujifilm X-Pro1||Olympus E-510|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||10 Megapixels|
|Image Resolution||4896 x 3264 pixels||3648 x 2736 pixels|
|Pixel Pitch||4.80 μm||4.74 μm|
|Pixel Density||4.34 MP/cm2||4.44 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/24p Video||no Video|
|ISO Setting||200 - 6,400 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||EXR Processor||TruePic III|
|DXO Sensor Quality (score)||..||52|
|DXO Color Depth (bits)||..||21.2|
|DXO Dynamic Range (EV)||..||10.0|
|DXO Low Light (ISO)||..||442|
|Screen Specs||Fujifilm X-Pro1||Olympus E-510|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||1440k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1230k dots||215k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Fujifilm X-Pro1||Olympus E-510|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-Pro1||Olympus E-510|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X-Pro1||Olympus E-510|
|Battery Life (CIPA)||300 shots per charge||750 shots per charge|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
136 x 92 x 68 mm
(5.4 x 3.6 x 2.7 in)
|Camera Weight||450 g (15.9 oz)||538 g (19.0 oz)|
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