Fujifilm X-Pro1 vs Nikon Z5
The Fujifilm X-Pro1 and the Nikon Z5 are two digital cameras that were officially introduced, respectively, in January 2012 and July 2020. Both the X-Pro1 and the Z5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-Pro1) and a full frame (Z5) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Nikon provides 24.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Nikon Z5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
An illustration of the physical size and weight of the Fujifilm X-Pro1 and the Nikon Z5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z5 is notably larger (18 percent) than the Fujifilm X-Pro1. Moreover, the Z5 is substantially heavier (50 percent) than the X-Pro1. It is noteworthy in this context that the Z5 is splash and dust-proof, while the X-Pro1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-Pro1 gets 300 shots out of its Fujifilm NP-W126 battery, while the Z5 can take 470 images on a single charge of its Nikon EN-EL15c power pack. The power pack in the Z5 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro1 | 140 mm | 82 mm | 43 mm | 450 g | 300 | n | Jan 2012 | 1,699 | ebay.com | |
2. | Nikon Z5 | 134 mm | 101 mm | 67 mm | 675 g | 470 | Y | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-A1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Sep 2013 | 399 | ebay.com | |
4. | Fujifilm X-E1 | 129 mm | 75 mm | 38 mm | 350 g | 350 | n | Sep 2012 | 999 | ebay.com | |
5. | Fujifilm X-E2 | 129 mm | 75 mm | 37 mm | 350 g | 350 | n | Oct 2013 | 999 | ebay.com | |
6. | Fujifilm X-M1 | 117 mm | 67 mm | 39 mm | 330 g | 350 | n | Jun 2013 | 699 | ebay.com | |
7. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
8. | Fujifilm X-T1 | 129 mm | 90 mm | 47 mm | 440 g | 350 | Y | Jan 2014 | 1,299 | ebay.com | |
9. | Fujifilm X-T3 | 133 mm | 93 mm | 59 mm | 539 g | 390 | Y | Sep 2018 | 1,499 | ebay.com | |
10. | Fujifilm X-T10 | 118 mm | 83 mm | 41 mm | 381 g | 350 | n | May 2015 | 799 | ebay.com | |
11. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
12. | Fujifilm X100S | 127 mm | 74 mm | 54 mm | 445 g | 330 | n | Jan 2013 | 1,299 | ebay.com | |
13. | Nikon Z6 | 134 mm | 101 mm | 67 mm | 675 g | 310 | Y | Aug 2018 | 1,999 | ebay.com | |
14. | Nikon Z6 II | 134 mm | 101 mm | 70 mm | 705 g | 410 | Y | Oct 2020 | 1,999 | amazon.com | |
15. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
16. | Nikon Z7 II | 134 mm | 101 mm | 70 mm | 705 g | 420 | Y | Oct 2020 | 2,999 | amazon.com | |
17. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | 1,999 | amazon.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The Z5 was launched at a somewhat lower price (by 18 percent) than the X-Pro1, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Nikon Z5 a full frame sensor. The sensor area in the Z5 is 133 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.2MP, the Z5 offers a higher resolution than the X-Pro1 (16MP), but the Z5 nevertheless has larger individual pixels (pixel pitch of 5.95μm versus 4.80μm for the X-Pro1) due to its larger sensor. Moreover, the Z5 is a much more recent model (by 8 years and 6 months) than the X-Pro1, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the X-Pro1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z5 for good quality output (200 dots per inch) amounts to 30.1 x 20.1 inches or 76.4 x 51 cm, for very good quality (250 dpi) 24.1 x 16.1 inches or 61.1 x 40.8 cm, and for excellent quality (300 dpi) 20.1 x 13.4 inches or 50.9 x 34 cm. The corresponding values for the Fujifilm X-Pro1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The Z5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon Z5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-Pro1 uses Fujifilm's X-Trans layout of photosites, while the Z5 employs the more common Bayer array.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.1 | 12.3 | 1238 | 74 | |
2. | Nikon Z5 | Full Frame | 24.2 | 6016 | 4016 | 4K/30p | 25.3 | 14.3 | 2929 | 95 | |
3. | Fujifilm X-A1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1390 | 76 | |
4. | Fujifilm X-E1 | APS-C | 16.0 | 4896 | 3264 | 1080/24p | 23.2 | 12.4 | 1298 | 75 | |
5. | Fujifilm X-E2 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.4 | 12.6 | 1400 | 77 | |
6. | Fujifilm X-M1 | APS-C | 16.0 | 4896 | 3264 | 1080/30p | 23.4 | 12.6 | 1371 | 76 | |
7. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
8. | Fujifilm X-T1 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.5 | 12.7 | 1426 | 77 | |
9. | Fujifilm X-T3 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.0 | 13.4 | 1853 | 83 | |
10. | Fujifilm X-T10 | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.7 | 12.9 | 1546 | 79 | |
11. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
12. | Fujifilm X100S | APS-C | 16.0 | 4896 | 3264 | 1080/60p | 23.3 | 12.5 | 1329 | 75 | |
13. | Nikon Z6 | Full Frame | 24.3 | 6048 | 4024 | 4K/30p | 25.3 | 14.3 | 3299 | 95 | |
14. | Nikon Z6 II | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.0 | 14.4 | 3303 | 94 | |
15. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
16. | Nikon Z7 II | Full Frame | 45.4 | 8256 | 5504 | 4K/60p | 26.3 | 14.7 | 2841 | 100 | |
17. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Z5 provides a better video resolution than the X-Pro1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/24p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under review are similar with respect to both having an electronic viewfinder. However, the one in the Z5 offers a substantially higher resolution than the one in the X-Pro1 (3690k vs 1440k dots). The following table reports on some other key feature differences and similarities of the Fujifilm X-Pro1, the Nikon Z5, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro1 | 1440 | n | 3.0 / 1230 | fixed | n | 1/4000s | 6.0/s | n | n | |
2. | Nikon Z5 | 3690 | n | 3.2 / 1040 | tilting | Y | 1/8000s | 4.5/s | n | Y | |
3. | Fujifilm X-A1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
4. | Fujifilm X-E1 | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
5. | Fujifilm X-E2 | 2360 | n | 3.0 / 1040 | fixed | n | 1/4000s | 7.0/s | Y | n | |
6. | Fujifilm X-M1 | none | n | 3.0 / 920 | tilting | n | 1/4000s | 5.6/s | Y | n | |
7. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
8. | Fujifilm X-T1 | 2360 | n | 3.0 / 1040 | tilting | n | 1/4000s | 8.0/s | n | n | |
9. | Fujifilm X-T3 | 3690 | n | 3.0 / 1040 | full-flex | Y | 1/8000s | 11.0/s | n | n | |
10. | Fujifilm X-T10 | 2360 | n | 3.0 / 920 | tilting | n | 1/4000s | 8.0/s | Y | n | |
11. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
12. | Fujifilm X100S | 2360 | n | 2.8 / 460 | fixed | n | 1/4000s | 6.0/s | Y | n | |
13. | Nikon Z6 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 12.0/s | n | Y | |
14. | Nikon Z6 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 14.0/s | n | Y | |
15. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
16. | Nikon Z7 II | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
17. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The Z5 has a touchscreen, while the X-Pro1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Nikon Z5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-Pro1 and the Z5 write their files to SDXC cards. The Z5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-Pro1 only has one slot. The Z5 supports UHS-II cards (on both slots), while the X-Pro1 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Nikon Z5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro1 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
2. | Nikon Z5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Fujifilm X-A1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
4. | Fujifilm X-E1 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
5. | Fujifilm X-E2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-M1 | Y | stereo / mono | - | - | mini | 2.0 | Y | - | - | |
7. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
8. | Fujifilm X-T1 | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | - | |
9. | Fujifilm X-T3 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
10. | Fujifilm X-T10 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Fujifilm X100S | Y | stereo / mono | - | - | micro | 2.0 | - | - | - | |
13. | Nikon Z6 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
14. | Nikon Z6 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
15. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
16. | Nikon Z7 II | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
17. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
It is notable that the Z5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the X-Pro1 does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the Z5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Z5 is a recent model that features in the current product line-up of Nikon. In contrast, the X-Pro1 has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the X-Pro1 was succeeded by the Fujifilm X-Pro2. Further information on the features and operation of the X-Pro1 and Z5 can be found, respectively, in the Fujifilm X-Pro1 Manual (free pdf) or the online Nikon Z5 Manual.
Review summary
So what is the bottom line? Is the Fujifilm X-Pro1 better than the Nikon Z5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-Pro1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- Faster burst: Shoots at higher frequency (6 vs 4.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (140x82mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 225g or 33 percent) and hence easier to carry around.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in January 2012).
Reasons to prefer the Nikon Z5:
- More detail: Has more megapixels (24.2 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/24p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1440k dots).
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (470 versus 300) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More affordable: Was released into a lower priced segment (18 percent cheaper at launch).
- More modern: Reflects 8 years and 6 months of technical progress since the X-Pro1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the Z5 is the clear winner of the contest (28 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Nikon Z5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the X-Pro1 and the Z5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-Pro1 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Jan 2012 | 1,699 | ebay.com | |
2. | Nikon Z5 | 4/5 | .. | 4/5 | 89/100 | 4.5/5 | 4/5 | Jul 2020 | 1,399 | amazon.com | |
3. | Fujifilm X-A1 | .. | .. | .. | .. | 4.5/5 | 4.5/5 | Sep 2013 | 399 | ebay.com | |
4. | Fujifilm X-E1 | 4/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | 999 | ebay.com | |
5. | Fujifilm X-E2 | 4/5 | .. | .. | 80/100 | 4.5/5 | 5/5 | Oct 2013 | 999 | ebay.com | |
6. | Fujifilm X-M1 | 3/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2013 | 699 | ebay.com | |
7. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
8. | Fujifilm X-T1 | 5/5 | + + | .. | 84/100 | 5/5 | 5/5 | Jan 2014 | 1,299 | ebay.com | |
9. | Fujifilm X-T3 | 5/5 | + + | 4.5/5 | 88/100 | 5/5 | 5/5 | Sep 2018 | 1,499 | ebay.com | |
10. | Fujifilm X-T10 | 4.5/5 | + + | .. | 80/100 | 5/5 | 5/5 | May 2015 | 799 | ebay.com | |
11. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
12. | Fujifilm X100S | 5/5 | + + | .. | 81/100 | 4.5/5 | 5/5 | Jan 2013 | 1,299 | ebay.com | |
13. | Nikon Z6 | 5/5 | .. | 5/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 1,999 | ebay.com | |
14. | Nikon Z6 II | 4.5/5 | .. | 4/5 | 89/100 | 4.5/5 | 4.5/5 | Oct 2020 | 1,999 | amazon.com | |
15. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
16. | Nikon Z7 II | 4.5/5 | .. | 4.5/5 | .. | 4.5/5 | 4.5/5 | Oct 2020 | 2,999 | amazon.com | |
17. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | 1,999 | amazon.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Fujifilm X-Pro1 vs Ricoh GR IIIx
- Fujifilm X-Pro1 vs Sony NEX-7
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- Leica Q Typ 116 vs Nikon Z5
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- Nikon Z5 vs Olympus E-PL10
Specifications: Fujifilm X-Pro1 vs Nikon Z5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-Pro1 | Nikon Z5 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Nikon Z mount lenses |
Launch Date | January 2012 | July 2020 |
Launch Price | USD 1,699 | USD 1,399 |
Sensor Specs | Fujifilm X-Pro1 | Nikon Z5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 23.6 x 15.6 mm | 35.9 x 23.9 mm |
Sensor Area | 368.16 mm2 | 858.01 mm2 |
Sensor Diagonal | 28.3 mm | 43.1 mm |
Crop Factor | 1.5x | 1.0x |
Sensor Resolution | 16 Megapixels | 24.2 Megapixels |
Image Resolution | 4896 x 3264 pixels | 6016 x 4016 pixels |
Pixel Pitch | 4.80 μm | 5.95 μm |
Pixel Density | 4.34 MP/cm2 | 2.82 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 1080/24p Video | 4K/30p Video |
ISO Setting | 200 - 6,400 ISO | 100 - 51,200 ISO |
ISO Boost | 100 - 25,600 ISO | 50 - 102,400 ISO |
Image Processor | EXR Processor | EXPEED 6 |
Screen Specs | Fujifilm X-Pro1 | Nikon Z5 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.80x | |
Viewfinder Resolution | 1440k dots | 3690k dots |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 1230k dots | 1040k dots |
LCD Attachment | Fixed screen | Tilting screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-Pro1 | Nikon Z5 |
Focus System | Contrast-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 6 shutter flaps/s | 4.5 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | UHS-I | Dual UHS-II |
Connectivity Specs | Fujifilm X-Pro1 | Nikon Z5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | no PC Sync |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Fujifilm X-Pro1 | Nikon Z5 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Fujifilm NP-W126 | Nikon EN-EL15c |
Battery Life (CIPA) | 300 shots per charge | 470 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
140 x 82 x 43 mm (5.5 x 3.2 x 1.7 in) |
134 x 101 x 67 mm (5.3 x 4.0 x 2.6 in) |
Camera Weight | 450 g (15.9 oz) | 675 g (23.8 oz) |
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