Fujifilm X-Pro1 vs Leica V-LUX 3
The Fujifilm X-Pro1 and the Leica V-LUX 3 are two digital cameras that were announced, respectively, in January 2012 and December 2011. The X-Pro1 is a mirrorless interchangeable lens camera, while the V-LUX 3 is a fixed lens compact. The cameras are based on an APS-C (X-Pro1) and a 1/2.3-inch (V-LUX 3) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Leica provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-Pro1||Leica V-LUX 3|
|Mirrorless system camera||Fixed lens compact camera|
|Fujifilm X mount lenses||25-600mm f/2.8-5.2|
|16 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|1080/24p Video||1080/60p Video|
|ISO 200-6400 (100-25600)||ISO 100-3200 (100-6400)|
|Electronic viewfinder (1440k dots)||Electronic viewfinder (202k dots)|
|3.0" LCD, 1230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|6 shutter flaps per second||12 shutter flaps per second|
|300 shots per battery charge||410 shots per battery charge|
|140 x 82 x 43 mm, 450 g||124 x 81 x 95 mm, 540 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-Pro1 and the Leica V-LUX 3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-Pro1 and the Leica V-LUX 3 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 3 is notably smaller (13 percent) than the Fujifilm X-Pro1. In this context, it is worth noting that neither the X-Pro1 nor the V-LUX 3 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 3 has a lens built in, whereas the X-Pro1 is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the X-Pro1 and their specifications in the Fujinon X Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-Pro1»||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||Fujifilm X-Pro1|
|Leica V-LUX 3«||124 mm||81 mm||95 mm||540 g||410||n||Dec 2011||949||Leica V-LUX 3|
|Canon G1 X Mark II« »||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon G1 X« »||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799||Canon G1 X|
|Fujifilm X-E2S« »||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699||Fujifilm X-E2S|
|Fujifilm X-Pro2« »||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T10« »||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799||Fujifilm X-T10|
|Fujifilm X100T« »||127 mm||74 mm||52 mm||440 g||330||n||Sep 2014||1,299||Fujifilm X100T|
|Fujifilm X-T1« »||129 mm||90 mm||47 mm||440 g||350||Y||Jan 2014||1,299||Fujifilm X-T1|
|Fujifilm X100S« »||127 mm||74 mm||54 mm||445 g||330||n||Jan 2013||1,299||Fujifilm X100S|
|Fujifilm X-A1« »||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399||Fujifilm X-A1|
|Fujifilm X-E2« »||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999||Fujifilm X-E2|
|Fujifilm X-M1« »||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699||Fujifilm X-M1|
|Fujifilm X-E1« »||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999||Fujifilm X-E1|
|Fujifilm X100« »||126 mm||75 mm||54 mm||445 g||300||n||Sep 2010||1,199||Fujifilm X100|
|Leica V-LUX 4« »||125 mm||87 mm||110 mm||588 g||540||n||Sep 2012||949||Leica V-LUX 4|
|Leica V-LUX 2« »||124 mm||80 mm||95 mm||520 g||410||n||Sep 2010||849||Leica V-LUX 2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The V-LUX 3 was launched at a lower price than the X-Pro1, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-Pro1 features an APS-C sensor and the Leica V-LUX 3 a 1/2.3-inch sensor. The sensor area in the V-LUX 3 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 5.6. The sensor in the X-Pro1 has a native 3:2 aspect ratio, while the one in the V-LUX 3 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16MP, the X-Pro1 offers a higher resolution than the V-LUX 3 (12MP), but the X-Pro1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 1.53μm for the V-LUX 3) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Fujifilm X-Pro1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Leica V-LUX 3 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Fujifilm X-Pro1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Leica V-LUX 3 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Fujifilm X-Pro1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-Pro1|
|Leica V-LUX 3||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 3|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Fujifilm X-E2S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2S|
|Fujifilm X-Pro2||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Fujifilm X-Pro2|
|Fujifilm X-T10||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T10|
|Fujifilm X100T||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X100T|
|Fujifilm X-T1||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-T1|
|Fujifilm X100S||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X100S|
|Fujifilm X-A1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-A1|
|Fujifilm X-E2||APS-C||16.0||4896||3264||1080/60p||..||..||..||..||Fujifilm X-E2|
|Fujifilm X-M1||APS-C||16.0||4896||3264||1080/30p||..||..||..||..||Fujifilm X-M1|
|Fujifilm X-E1||APS-C||16.0||4896||3264||1080/24p||..||..||..||..||Fujifilm X-E1|
|Fujifilm X100||APS-C||12.2||4288||2848||720/30p||22.9||12.4||1001||73||Fujifilm X100|
|Leica V-LUX 4||1/2.3||12.0||4000||3000||1080/60p||..||..||..||..||Leica V-LUX 4|
|Leica V-LUX 2||1/2.3||14.0||4320||3240||1080/60i||..||..||..||..||Leica V-LUX 2|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the V-LUX 3 provides a faster frame rate than the X-Pro1. It can shoot movie footage at 1080/60p, while the Fujifilm is limited to 1080/24p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-Pro1 offers a substantially higher resolution than the one in the V-LUX 3 (1440k vs 202k dots). The adjacent table lists some of the other core features of the Fujifilm X-Pro1 and Leica V-LUX 3 along with similar information for a selection of comparators.
|Fujifilm X-Pro1||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Leica V-LUX 3||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Fujifilm X-E2S||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-Pro2||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T10||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X100T||2360||n||3.0||1040||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100T|
|Fujifilm X-T1||2360||n||3.0||1040||tilting||n||1/4000s||8.0||n||n||Fujifilm X-T1|
|Fujifilm X100S||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X100S|
|Fujifilm X-A1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-M1||none||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Fujifilm X-E1||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X100||1440||n||2.8||460||fixed||n||1/4000s||5.0||Y||n||Fujifilm X100|
|Leica V-LUX 4||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Leica V-LUX 4|
|Leica V-LUX 2||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Leica V-LUX 2|
One difference between the cameras concerns the presence of an on-board flash. The V-LUX 3 has one, while the X-Pro1 does not. While the built-in flash of the V-LUX 3 is not very powerful, it can at times be useful as a fill-in light.The V-LUX 3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-Pro1 does not have a selfie-screen.
Concerning the storage of imaging data, both the X-Pro1 and the V-LUX 3 write their files to SDXC cards. The X-Pro1 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the V-LUX 3 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-Pro1 and Leica V-LUX 3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-Pro1||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Leica V-LUX 3||Y||stereo||none||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Fujifilm X-E2S||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-Pro2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T10||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X100T||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100T|
|Fujifilm X-T1||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Fujifilm X-T1|
|Fujifilm X100S||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X100S|
|Fujifilm X-A1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-M1||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Fujifilm X-E1||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X100||Y||stereo||none||-||-||mini||2.0||-||-||-||Fujifilm X100|
|Leica V-LUX 4||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Leica V-LUX 4|
|Leica V-LUX 2||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica V-LUX 2|
Studio photographers will appreciate that the Fujifilm X-Pro1 (unlike the V-LUX 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-Pro1 and the V-LUX 3 have been discontinued, but can regularly be found used on eBay. The V-LUX 3 was replaced by the Leica V-LUX 4, while the X-Pro1 was followed by the Fujifilm X-Pro2. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So how do things add up? Is there a clear favorite between the Fujifilm X-Pro1 and the Leica V-LUX 3? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Fujifilm X-Pro1:
- More detail: Offers more megapixels (16 vs 12MP) with a 18% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- More detailed viewfinder: Has higher resolution electronic viewfinder (1440k vs 202k dots).
- More detailed LCD: Has a higher resolution rear screen (1230k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Accepts interchangeable lenses, so that lens characteristics can be altered.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
Arguments in favor of the Leica V-LUX 3:
- Better video: Provides higher movie framerates (1080/60p versus 1080/24p).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Ready to shoot: Has an integrated lens, whereas the X-Pro1 necessitates an extra lens.
- More compact: Is smaller (124x81mm vs 140x82mm) and will fit more readily into a bag.
- Longer lasting: Gets more shots (410 versus 300) out of a single battery charge.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (11 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-Pro1 and the Leica V-LUX 3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-Pro1 and the V-LUX 3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon SL3 vs Leica V-LUX 3
- Fujifilm X-A2 vs Leica V-LUX 3
- Fujifilm X-E2 vs Leica V-LUX 3
- Fujifilm X-Pro1 vs Nikon D500
- Fujifilm X-Pro1 vs Panasonic FZ100
- Fujifilm X-Pro1 vs Panasonic G9
- Fujifilm X-Pro1 vs Sony NEX-C3
- Fujifilm X-Pro1 vs Sony RX10 IV
- Leica V-LUX 3 vs Olympus E-620
- Leica V-LUX 3 vs Panasonic GF6
- Leica V-LUX 3 vs Panasonic ZS70
- Leica V-LUX 3 vs Sony A7 II
Specifications: Fujifilm X-Pro1 vs Leica V-LUX 3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-Pro1||Leica V-LUX 3|
|Camera Type||Mirrorless system camera||Fixed lens compact camera|
|Camera Lens||Fujifilm X mount lenses||25-600mm f/2.8-5.2|
|Launch Date||January 2012||December 2011|
|Launch Price||USD 1699||USD 949|
|Sensor Specs||Fujifilm X-Pro1||Leica V-LUX 3|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||23.6 x 15.6 mm||6.17 x 4.55 mm|
|Sensor Area||368.16 mm2||28.0735 mm2|
|Sensor Diagonal||28.3 mm||7.7 mm|
|Sensor Resolution||16 Megapixels||12 Megapixels|
|Image Resolution||4896 x 3264 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.80 μm||1.53 μm|
|Pixel Density||4.34 MP/cm2||42.74 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/24p Video||1080/60p Video|
|ISO Setting||200-6400 ISO||100-3200 ISO|
|ISO Boost||100-25600 ISO||100-6400 ISO|
|Screen Specs||Fujifilm X-Pro1||Leica V-LUX 3|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1230k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Fujifilm X-Pro1||Leica V-LUX 3|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||6 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||no|
|Connectivity Specs||Fujifilm X-Pro1||Leica V-LUX 3|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Fujifilm X-Pro1||Leica V-LUX 3|
|Battery Life (CIPA)||300 shots per charge||410 shots per charge|
140 x 82 x 43 mm
(5.5 x 3.2 x 1.7 in)
124 x 81 x 95 mm
(4.9 x 3.2 x 3.7 in)
|Camera Weight||450 g (15.9 oz)||540 g (19.0 oz)|
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