Fujifilm X-M1 vs Sony A6300
The Fujifilm X-M1 and the Sony Alpha A6300 are two digital cameras that were announced, respectively, in June 2013 and February 2016. Both the X-M1 and the A6300 are mirrorless interchangeable lens cameras that are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Sony Alpha A6300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-M1 and the Sony A6300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the A6300 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6300 is somewhat larger (3 percent) than the Fujifilm X-M1. Moreover, the A6300 is markedly heavier (22 percent) than the X-M1. It is noteworthy in this context that the A6300 is splash and dust-proof, while the X-M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around an APS-C sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Sony E-Mount Lens Catalog (A6300). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-M1 gets 350 shots out of its NP-W126 battery, while the A6300 can take 400 images on a single charge of its NP-FW50 power pack. The power pack in the A6300 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|2.||Sony A6300||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999|
|3.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|4.||Fujifilm X70||113 mm||64 mm||44 mm||340 g||330||n||Jan 2016||799|
|5.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|6.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|7.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|8.||Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|9.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|10.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|11.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|12.||Panasonic G6||122 mm||85 mm||71 mm||390 g||340||n||Apr 2013||599|
|13.||Panasonic G5||120 mm||83 mm||71 mm||396 g||320||n||Jul 2012||599|
|14.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|17.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-M1 was launched at a markedly lower price (by 30 percent) than the A6300, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a slightly smaller sensor, the A6300 offers a higher resolution of 24 megapixels, compared with 16 MP of the X-M1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 4.80μm for the X-M1). However, it should be noted that the A6300 is much more recent (by 2 years and 7 months) than the X-M1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Sony A6300 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A6300 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Fujifilm X-M1 are 24.5 x 16.3 inches or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inches or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inches or 41.5 x 27.6 cm for excellent quality prints.
The A6300 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Sony Alpha A6300 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|12.||Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|13.||Panasonic G5||Four Thirds||15.9||4608||3456||1080/60p||22.3||11.9||643||66|
|16.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A6300 provides a better video resolution than the X-M1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6300 has an electronic viewfinder (2359k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-M1 and Sony A6300 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-M1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|2.||Sony A6300||2359||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|3.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|4.||Fujifilm X70||optional||n||3.0 / 1040||tilting||Y||1/4000s||8.0/s||Y||n|
|5.||Fujifilm X-E2S||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|6.||Fujifilm X-A2||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|7.||Fujifilm X-T10||2360||n||3.0 / 920||tilting||n||1/4000s||8.0/s||Y||n|
|8.||Fujifilm X20||optical||n||2.8 / 460||fixed||n||1/4000s||12.0/s||Y||Y|
|9.||Fujifilm X-A1||none||n||3.0 / 920||tilting||n||1/4000s||5.6/s||Y||n|
|10.||Fujifilm X-E2||2360||n||3.0 / 1040||fixed||n||1/4000s||7.0/s||Y||n|
|11.||Fujifilm X-E1||2360||n||2.8 / 460||fixed||n||1/4000s||6.0/s||Y||n|
|12.||Panasonic G6||1440||n||3.0 / 1036||swivel||Y||1/4000s||7.0/s||Y||n|
|13.||Panasonic G5||1440||n||3.0 / 920||swivel||Y||1/4000s||6.0/s||Y||n|
|14.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|15.||Sony A6500||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||Y|
|16.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|17.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A6300 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The X-M1 writes its imaging data to SDXC cards, while the A6300 uses SDXC or Memory Stick PRO Duo cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Sony Alpha A6300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-M1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|2.||Sony A6300||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|3.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|4.||Fujifilm X70||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|5.||Fujifilm X-E2S||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|6.||Fujifilm X-A2||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|7.||Fujifilm X-T10||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|8.||Fujifilm X20||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|9.||Fujifilm X-A1||Y||stereo / mono||-||-||mini||2.0||Y||-||-|
|10.||Fujifilm X-E2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|11.||Fujifilm X-E1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|12.||Panasonic G6||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|13.||Panasonic G5||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|14.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony A6500||Y||stereo / mono||Y||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the A6300 has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The X-M1 does not feature such a mic input.
Both the X-M1 and the A6300 have been discontinued, but can regularly be found used on eBay. The A6300 was replaced by the Sony A6500, while the X-M1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Sony websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-M1 and the Sony A6300? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Fujifilm X-M1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Less heavy: Is lighter (by 74g or 18 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (30 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2013).
Reasons to prefer the Sony Alpha A6300:
- More detail: Has more megapixels (24 vs 16MP), which boosts linear resolution by 23%.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- Faster burst: Shoots at higher frequency (11 vs 5.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Longer lasting: Gets more shots (400 versus 350) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 2 years and 7 months of technical progress since the X-M1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A6300 is the clear winner of the contest (13 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Sony A6300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-M1 or the A6300 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-M1||3/5||+||..||77/100||4.5/5||4.5/5||Jun 2013||699|
|2.||Sony A6300||4.5/5||+||..||85/100||5/5||5/5||Feb 2016||999|
|3.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199|
|4.||Fujifilm X70||4.5/5||..||..||76/100||4.5/5||4.5/5||Jan 2016||799|
|5.||Fujifilm X-E2S||4.5/5||..||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|6.||Fujifilm X-A2||4/5||..||..||..||4.5/5||4.5/5||Jan 2015||399|
|7.||Fujifilm X-T10||4.5/5||+ +||..||80/100||5/5||5/5||May 2015||799|
|8.||Fujifilm X20||4/5||+ +||..||77/100||4.5/5||5/5||Jan 2013||599|
|9.||Fujifilm X-A1||..||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|10.||Fujifilm X-E2||4/5||..||..||80/100||4.5/5||5/5||Oct 2013||999|
|11.||Fujifilm X-E1||4/5||+ +||..||79/100||4.5/5||4.5/5||Sep 2012||999|
|12.||Panasonic G6||4/5||+ +||..||..||5/5||4.5/5||Apr 2013||599|
|13.||Panasonic G5||3/5||+ +||..||..||4.5/5||4.5/5||Jul 2012||599|
|14.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899|
|15.||Sony A6500||5/5||+ +||3.5/5||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|17.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Fujifilm X-M1
- Canon G15 vs Sony A6300
- Canon XS vs Fujifilm X-M1
- Epson R-D1 vs Fujifilm X-M1
- Fujifilm X-M1 vs Panasonic G3
- Fujifilm X-M1 vs Sony NEX-5R
- Fujifilm X-M1 vs Sony RX0 II
- Fujifilm X-T4 vs Sony A6300
- Panasonic G6 vs Sony A6300
- Panasonic L1 vs Sony A6300
- Sony A6300 vs Sony A7 II
- Sony A6300 vs Sony A850
Specifications: Fujifilm X-M1 vs Sony A6300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Sony A6300|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Sony E mount lenses|
|Launch Date||June 2013||February 2016|
|Launch Price||USD 699||USD 999|
|Sensor Specs||Fujifilm X-M1||Sony A6300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.5 x 15.6 mm|
|Sensor Area||368.16 mm2||366.6 mm2|
|Sensor Diagonal||28.3 mm||28.2 mm|
|Sensor Resolution||16 Megapixels||24 Megapixels|
|Image Resolution||4896 x 3264 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.80 μm||3.91 μm|
|Pixel Density||4.34 MP/cm2||6.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 25,600 ISO||100 - 51,200 ISO|
|Image Processor||EXR Processor II||BIONZ X|
|DXO Sensor Quality (score)||..||85|
|DXO Color Depth (bits)||..||24.4|
|DXO Dynamic Range (EV)||..||13.7|
|DXO Low Light (ISO)||..||1437|
|Screen Specs||Fujifilm X-M1||Sony A6300|
|Viewfinder Type||no viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2359k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Shooting Specs||Fujifilm X-M1||Sony A6300|
|Focus System||Contrast-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5.6 shutter flaps/s||11 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-M1||Sony A6300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Fujifilm X-M1||Sony A6300|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||400 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
120 x 67 x 49 mm
(4.7 x 2.6 x 1.9 in)
|Camera Weight||330 g (11.6 oz)||404 g (14.3 oz)|
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