Fujifilm X-M1 vs Panasonic GX9
The Fujifilm X-M1 and the Panasonic Lumix DC-GX9 are two digital cameras that were revealed to the public, respectively, in June 2013 and February 2018. Both the X-M1 and the GX9 are mirrorless interchangeable lens cameras that are based on an APS-C (X-M1) and a Four Thirds (GX9) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-M1||Panasonic GX9|
|Mirrorless system camera||Mirrorless system camera|
|Fujifilm X mount lenses||Micro Four Thirds lenses|
|16 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 200-6400 (100-25600)||ISO 200-25600|
|No viewfinder, LCD framing||Electronic viewfinder (2760k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1240k dots|
|Tilting screen (no touchscreen)||Tilting touchscreen|
|5.6 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|350 shots per battery charge||260 shots per battery charge|
|117 x 67 x 39 mm, 330 g||124 x 72 x 47 mm, 407 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Panasonic Lumix DC-GX9? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-M1 and the Panasonic GX9 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the GX9 is available in two color-versions (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GX9 is notably larger (14 percent) than the Fujifilm X-M1. Moreover, the GX9 is markedly heavier (23 percent) than the X-M1. In this context, it is worth noting that neither the X-M1 nor the GX9 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Micro Four Thirds Lens Catalog (GX9). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-M1 gets 350 shots out of its NP-W126 battery, while the GX9 can take 260 images on a single charge of its DMW-BLG10 power pack. The power pack in the GX9 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Fujifilm X-M1»||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Panasonic GX9«||4.9 in||2.8 in||1.9 in||14.4 oz||260||n||Feb 2018||849||Panasonic GX9|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-M10 II« »||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic G95« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G95|
|Panasonic LX100 II« »||4.5 in||2.6 in||2.6 in||13.8 oz||300||n||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Feb 2018||799||Panasonic ZS200|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-M1 was launched at a somewhat lower price (by 18 percent) than the GX9, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-M1 features an APS-C sensor and the Panasonic GX9 a Four Thirds sensor. The sensor area in the GX9 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-M1 has a native 3:2 aspect ratio, while the one in the GX9 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the GX9 offers a higher resolution of 20.2 megapixels, compared with 16 MP of the X-M1. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.80μm for the X-M1). However, it should be noted that the GX9 is much more recent (by 4 years and 7 months) than the X-M1, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Panasonic GX9 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GX9 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Fujifilm X-M1 are 24.5 x 16.3 inch or 62.2 x 41.5 cm for good quality, 19.6 x 13.1 inch or 49.7 x 33.2 cm for very good quality, and 16.3 x 10.9 inch or 41.5 x 27.6 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Panasonic Lumix DC-GX9 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-M1»||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Panasonic GX9«||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic GX9|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Olympus E-M10 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73||Olympus E-M10 II|
|Panasonic G95« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G95|
|Panasonic LX100 II« »||Four Thirds||16.8||4736||3552||4K/30p||-||-||-||-||Panasonic LX100 II|
|Panasonic ZS200« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Panasonic ZS200|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the GX9 provides a better video resolution than the X-M1. It can shoot movie footage at 4K/30p, while the Fujifilm is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the GX9 has an electronic viewfinder (2760k dots), which can be very helpful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-M1, the Panasonic GX9, and comparable cameras.
|Fujifilm X-M1»||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Panasonic GX9«||2760||n||3.0||1240||tilting||Y||1/4000s||9.0||Y||Y||Panasonic GX9|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Olympus E-M10 II« »||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Olympus E-M10 II|
|Panasonic G95« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G95|
|Panasonic LX100 II« »||2764||n||3.0||1240||fixed||Y||1/4000s||11.0||n||Y||Panasonic LX100 II|
|Panasonic ZS200« »||2330||n||3.0||1240||fixed||Y||1/2000s||10.0||Y||Y||Panasonic ZS200|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The GX9 has a touchscreen, while the X-M1 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GX9 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GX9 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-M1 and the GX9 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Panasonic Lumix DC-GX9 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-M1»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Panasonic GX9«||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic GX9|
|Fujifilm X-A10« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Olympus E-M10 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus E-M10 II|
|Panasonic G95« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G95|
|Panasonic LX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic LX100 II|
|Panasonic ZS200« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic ZS200|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
The GX9 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-M1 has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the X-M1 from Fujifilm. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Panasonic websites.
So how do things add up? Is the Fujifilm X-M1 better than the Panasonic GX9 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-M1:
- More compact: Is smaller (117x67mm vs 124x72mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 77g or 19 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (350 versus 260) on a single battery charge.
- More affordable: Was introduced into a lower priced segment (18 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in June 2013).
Arguments in favor of the Panasonic Lumix DC-GX9:
- More detail: Has more megapixels (20.2 vs 16MP), which boosts linear resolution by 10%.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Easier framing: Has an electronic viewfinder for image composition and settings control.
- More detailed LCD: Has a higher resolution rear screen (1240k vs 920k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (9 vs 5.6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 4 years and 7 months of technical progress since the X-M1 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GX9 is the clear winner of the contest (11 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Panasonic GX9 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the X-M1 or the GX9 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-M1»||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Panasonic GX9«||+||84/100||4.5/5||4.5/5||4.5/5||Feb 2018||849||Panasonic GX9|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Olympus E-M10 II« »||+ +||80/100||5/5||5/5||5/5||Aug 2015||649||-||Olympus E-M10 II|
|Panasonic G95« »||+||83/100||4.5/5||4.5/5||4.5/5||Apr 2019||999||Panasonic G95|
|Panasonic LX100 II« »||+||82/100||4.5/5||4.5/5||4.5/5||Aug 2018||999||Panasonic LX100 II|
|Panasonic ZS200« »||+ +||81/100||4.5/5||-||4.5/5||Feb 2018||799||Panasonic ZS200|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D vs Panasonic GX9
- Fujifilm X-E1 vs Panasonic GX9
- Fujifilm X-M1 vs Fujifilm X-T10
- Fujifilm X-M1 vs Leica V-LUX 3
- Fujifilm X-M1 vs Nikon D3400
- Fujifilm X-M1 vs Sony A6100
- Nikon D1H vs Panasonic GX9
- Nikon D40X vs Panasonic GX9
- Olympus E-510 vs Panasonic GX9
- Olympus E-M10 vs Panasonic GX9
- Panasonic GF3 vs Panasonic GX9
- Panasonic GF6 vs Panasonic GX9
Specifications: Fujifilm X-M1 vs Panasonic GX9
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Panasonic GX9|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2013||February 2018|
|Launch Price||USD 699||USD 849|
|Sensor Specs||Fujifilm X-M1||Panasonic GX9|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||20.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.80 μm||3.34 μm|
|Pixel Density||4.34 MP/cm2||8.96 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||200-6400 ISO||200-25600 ISO|
|ISO Boost||100-25600 ISO||100-25600 ISO|
|Image Processor||EXR Processor II||Venus|
|Screen Specs||Fujifilm X-M1||Panasonic GX9|
|Viewfinder Type||No viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%|
|Viewfinder Resolution||2760k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1240k dots|
|LCD Attachment||Tilting screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Fujifilm X-M1||Panasonic GX9|
|Autofocus System||Contrast-detect AF||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/4000/s|
|Continuous Shooting||5.6 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Fujifilm X-M1||Panasonic GX9|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-M1||Panasonic GX9|
|Battery Life (CIPA)||350 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
124 x 72 x 47 mm
(4.9 x 2.8 x 1.9 in)
|Camera Weight||330 g (11.6 oz)||407 g (14.4 oz)|
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