Fujifilm X-M1 vs Olympus E-5
The Fujifilm X-M1 and the Olympus E-5 are two digital cameras that were officially introduced, respectively, in June 2013 and September 2010. The X-M1 is a mirrorless interchangeable lens camera, while the E-5 is a DSLR. The cameras are based on an APS-C (X-M1) and a Four Thirds (E-5) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Olympus E-5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-M1 and the Olympus E-5 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the E-5 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-5 is considerably larger (112 percent) than the Fujifilm X-M1. Moreover, the E-5 is substantially heavier (165 percent) than the X-M1. It is noteworthy in this context that the E-5 is splash and dust-proof, while the X-M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Four Thirds Lens Catalog (E-5). Mirrorless cameras, such as the Fujifilm X-M1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-M1||117 mm||67 mm||39 mm||330 g||350||n||Jun 2013||699|
|2.||Olympus E-5||142 mm||117 mm||75 mm||873 g||750||Y||Sep 2010||1,699|
|3.||Fujifilm X-A10||117 mm||67 mm||40 mm||331 g||410||n||Dec 2016||399|
|4.||Fujifilm X-E2S||129 mm||75 mm||37 mm||350 g||350||n||Jan 2016||699|
|5.||Fujifilm X-A2||117 mm||67 mm||40 mm||350 g||410||n||Jan 2015||399|
|6.||Fujifilm X-T10||118 mm||83 mm||41 mm||381 g||350||n||May 2015||799|
|7.||Fujifilm X-A1||117 mm||67 mm||39 mm||330 g||350||n||Sep 2013||399|
|8.||Fujifilm X-E2||129 mm||75 mm||37 mm||350 g||350||n||Oct 2013||999|
|9.||Fujifilm X-E1||129 mm||75 mm||38 mm||350 g||350||n||Sep 2012||999|
|10.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699|
|11.||Olympus E-30||142 mm||108 mm||75 mm||701 g||750||n||Nov 2008||1,299|
|12.||Olympus E-520||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699|
|13.||Olympus E-3||142 mm||116 mm||75 mm||876 g||750||Y||Oct 2007||1,699|
|14.||Olympus E-510||136 mm||92 mm||68 mm||538 g||750||n||Mar 2007||799|
|15.||Olympus E-1||141 mm||104 mm||81 mm||738 g||750||Y||Jun 2003||1,699|
|16.||Sony NEX-5R||111 mm||59 mm||39 mm||276 g||330||n||Aug 2012||749|
|17.||Sony NEX-F3||117 mm||67 mm||42 mm||314 g||470||n||May 2012||599|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The X-M1 was launched at a markedly lower price (by 59 percent) than the E-5, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-M1 features an APS-C sensor and the Olympus E-5 a Four Thirds sensor. The sensor area in the E-5 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-M1 has a native 3:2 aspect ratio, while the one in the E-5 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16MP, the X-M1 offers a higher resolution than the E-5 (12.2MP), but the X-M1 nevertheless has larger individual pixels (pixel pitch of 4.80μm versus 4.29μm for the E-5) due to its larger sensor. Moreover, the X-M1 is a much more recent model (by 2 years and 9 months) than the E-5, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-M1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inches or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inches or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inches or 41.5 x 27.6 cm. The corresponding values for the Olympus E-5 are 20.2 x 15.1 inches or 51.2 x 38.4 cm for good quality, 16.1 x 12.1 inches or 41 x 30.7 cm for very good quality, and 13.4 x 10.1 inches or 34.1 x 25.6 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus E-5 are ISO 100 to ISO 6400 (no boost).
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|2.||Olympus E-5||Four Thirds||12.2||4032||3024||720/30p||21.6||10.5||519||56|
|11.||Olympus E-30||Four Thirds||12.2||4032||3024||none||21.3||10.4||530||55|
|12.||Olympus E-520||Four Thirds||10.0||3648||2736||none||21.4||10.4||548||55|
|13.||Olympus E-3||Four Thirds||10.0||3648||2736||none||21.6||10.5||571||56|
|14.||Olympus E-510||Four Thirds||10.0||3648||2736||none||21.2||10.0||442||52|
|15.||Olympus E-1||Four Thirds||4.9||2560||1920||none||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-M1 provides a higher video resolution than the E-5. It can shoot video footage at 1080/30p, while the Olympus is limited to 720/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-5 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Fujifilm X-M1 and Olympus E-5 in connection with corresponding information for a sample of similar cameras.
One feature that differentiates the E-5 and the X-M1 is in-body image stabilization (IBIS). The E-5 reduces the risk of handshake-induced blur with all attached lenses, while the X-M1 offers no blur reduction with lenses that themselves do not provide optical image stabilization.The E-5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-M1 does not have a selfie-screen.
The X-M1 writes its imaging data to SDXC cards, while the E-5 uses Compact Flash or xD Picture cards. The E-5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-M1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Olympus E-5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
It is notable that the X-M1 offers wifi support, while the E-5 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Olympus E-5 (unlike the X-M1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-M1 and the E-5 have been discontinued, but can regularly be found used on eBay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Fujifilm and Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Fujifilm X-M1 and the Olympus E-5? Which camera is better? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-M1:
- More detail: Offers more megapixels (16 vs 12.2MP) with a 17% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Faster burst: Shoots at higher frequency (5.6 vs 5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 142x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 543g or 62 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (59 percent cheaper at launch).
- More modern: Reflects 2 years and 9 months of technical progress since the E-5 launch.
Reasons to prefer the Olympus E-5:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2010).
If the count of individual advantages (bullet points above) is taken as a guide, the X-M1 emerges as the winner of the contest (14 : 12 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Olympus E-5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the X-M1 or the E-5 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-M1||3/5||+||77/100||4.5/5||4.5/5||Jun 2013||699|
|2.||Olympus E-5||4/5||..||75/100||4/5||4.5/5||Sep 2010||1,699|
|3.||Fujifilm X-A10||..||..||..||4/5||4/5||Dec 2016||399|
|4.||Fujifilm X-E2S||4.5/5||..||77/100||4.5/5||4.5/5||Jan 2016||699|
|5.||Fujifilm X-A2||4/5||..||..||4.5/5||4.5/5||Jan 2015||399|
|6.||Fujifilm X-T10||4.5/5||+ +||80/100||5/5||5/5||May 2015||799|
|7.||Fujifilm X-A1||..||..||..||4.5/5||4.5/5||Sep 2013||399|
|8.||Fujifilm X-E2||4/5||..||80/100||4.5/5||5/5||Oct 2013||999|
|9.||Fujifilm X-E1||4/5||+ +||79/100||4.5/5||4.5/5||Sep 2012||999|
|10.||Fujifilm X-Pro1||5/5||+ +||79/100||4.5/5||4.5/5||Jan 2012||1,699|
|11.||Olympus E-30||..||..||71/100||4.5/5||4/5||Nov 2008||1,299|
|12.||Olympus E-520||..||87/100||+ +||4.5/5||4.5/5||May 2008||699|
|13.||Olympus E-3||..||88/100||+ +||o||4/5||Oct 2007||1,699|
|14.||Olympus E-510||..||89/100||+ +||3.5/5||4.5/5||Mar 2007||799|
|15.||Olympus E-1||..||..||+||o||..||Jun 2003||1,699|
|16.||Sony NEX-5R||..||..||..||4.5/5||4.5/5||Aug 2012||749|
|17.||Sony NEX-F3||4/5||..||74/100||4.5/5||4.5/5||May 2012||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Fujifilm X-M1 vs Olympus E-5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Olympus E-5|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||June 2013||September 2010|
|Launch Price||USD 699||USD 1,699|
|Sensor Specs||Fujifilm X-M1||Olympus E-5|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||12.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||4032 x 3024 pixels|
|Pixel Pitch||4.80 μm||4.29 μm|
|Pixel Density||4.34 MP/cm2||5.42 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||200 - 6,400 ISO||100 - 6,400 ISO|
|ISO Boost||100 - 25,600 ISO||no Enhancement|
|Image Processor||EXR Processor II||TruePic V+|
|DXO Sensor Quality (score)||..||56|
|DXO Color Depth (bits)||..||21.6|
|DXO Dynamic Range (EV)||..||10.5|
|DXO Low Light (ISO)||..||519|
|Screen Specs||Fujifilm X-M1||Olympus E-5|
|Viewfinder Type||no viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||920k dots|
|LCD Attachment||Tilting screen||Swivel screen|
|Shooting Specs||Fujifilm X-M1||Olympus E-5|
|Focus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||5.6 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-M1||Olympus E-5|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-M1||Olympus E-5|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
142 x 117 x 75 mm
(5.6 x 4.6 x 3.0 in)
|Camera Weight||330 g (11.6 oz)||873 g (30.8 oz)|
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