Fujifilm X-M1 vs Olympus E-300
The Fujifilm X-M1 and the Olympus Evolt E-300 are two digital cameras that were announced, respectively, in June 2013 and September 2004. The X-M1 is a mirrorless interchangeable lens camera, while the E-300 is a DSLR. The cameras are based on an APS-C (X-M1) and a Four Thirds (E-300) sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Olympus provides 8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-M1||Olympus E-300|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Four Thirds lenses|
|16 MP, APS-C Sensor||8 MP, Four Thirds Sensor|
|1080/30p Video||no Video|
|ISO 200-6400 (100-25600)||ISO 100-400 (100-1600)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 920k dots||1.8" LCD, 134k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|5.6 shutter flaps per second||2.5 shutter flaps per second|
|350 shots per battery charge||750 shots per battery charge|
|117 x 67 x 39 mm, 330 g||147 x 85 x 64 mm, 624 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Olympus Evolt E-300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Fujifilm X-M1 and the Olympus E-300 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the E-300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-300 is considerably larger (59 percent) than the Fujifilm X-M1. Moreover, the E-300 is substantially heavier (89 percent) than the X-M1. In this context, it is worth noting that neither the X-M1 nor the E-300 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Four Thirds Lens Catalog (E-300). Mirrorless cameras, such as the Fujifilm X-M1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Fujifilm X-M1»||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Olympus E-300«||5.8 in||3.3 in||2.5 in||22.0 oz||750||n||Sep 2004||799||-||Olympus E-300|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica Digilux 3« »||5.7 in||3.4 in||3.0 in||21.4 oz||750||n||Sep 2006||1,499||-||Leica Digilux 3|
|Olympus E-330« »||5.5 in||3.4 in||2.8 in||22.5 oz||750||n||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||5.1 in||3.6 in||2.1 in||15.3 oz||500||n||Sep 2006||699||-||Olympus E-400|
|Olympus E-500« »||5.1 in||3.7 in||2.6 in||16.9 oz||750||n||Sep 2005||599||-||Olympus E-500|
|Olympus E-1« »||5.6 in||4.1 in||3.2 in||26.0 oz||750||Y||Jun 2003||1,699||-||Olympus E-1|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-M1 was launched at a somewhat lower price (by 13 percent) than the E-300, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-M1 features an APS-C sensor and the Olympus E-300 a Four Thirds sensor. The sensor area in the E-300 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-M1 has a native 3:2 aspect ratio, while the one in the E-300 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16MP, the X-M1 offers a higher resolution than the E-300 (8MP), but the X-M1 has smaller individual pixels (pixel pitch of 4.80μm versus 5.30μm for the E-300). However, the X-M1 is a much more recent model (by 8 years and 8 months) than the E-300, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-M1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Olympus E-300 are 16.3 x 12.2 inch or 41.5 x 31.1 cm for good quality, 13.1 x 9.8 inch or 33.2 x 24.9 cm for very good quality, and 10.9 x 8.2 inch or 27.6 x 20.7 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Olympus Evolt E-300 are ISO 100 to ISO 400, with the possibility to increase the ISO range to 100-1600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-M1»||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Olympus E-300«||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-300|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Leica Digilux 3« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Leica Digilux 3|
|Olympus E-330« »||Four Thirds||7.4||3136||2352||-||-||-||-||-||Olympus E-330|
|Olympus E-400« »||Four Thirds||10.0||3648||2736||-||-||-||-||-||Olympus E-400|
|Olympus E-500« »||Four Thirds||8.0||3264||2448||-||-||-||-||-||Olympus E-500|
|Olympus E-1« »||Four Thirds||4.9||2560||1920||-||-||-||-||-||Olympus E-1|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
Many modern cameras are not only capable of taking still images, but can also record movies. The X-M1 indeed provides movie recording capabilities, while the E-300 does not. The highest resolution format that the X-M1 can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the E-300 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Fujifilm X-M1, the Olympus E-300, and comparable cameras.
|Fujifilm X-M1»||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Olympus E-300«||optical||n||1.8||134||fixed||n||1/4000s||2.5||Y||n||Olympus E-300|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Leica Digilux 3« »||optical||n||2.5||207||fixed||n||1/4000s||3.0||Y||n||Leica Digilux 3|
|Olympus E-330« »||optical||n||2.5||215||tilting||n||1/4000s||3.0||Y||n||Olympus E-330|
|Olympus E-400« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-400|
|Olympus E-500« »||optical||n||2.5||215||fixed||n||1/4000s||2.5||Y||n||Olympus E-500|
|Olympus E-1« »||optical||Y||1.8||134||fixed||n||1/4000s||3.0||n||n||Olympus E-1|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
The X-M1 writes its imaging data to SDXC cards, while the E-300 uses Compact Flash or xD Picture cards. The E-300 features dual card slots, which can be very useful in case a memory card fails. In contrast, the X-M1 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Olympus Evolt E-300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-M1»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Olympus E-300«||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-300|
|Fujifilm X-A10« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Leica Digilux 3« »||Y||stereo||mono||-||-||-||2.0||-||-||-||Leica Digilux 3|
|Olympus E-330« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-330|
|Olympus E-400« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-400|
|Olympus E-500« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-500|
|Olympus E-1« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-1|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
It is notable that the X-M1 offers wifi support, while the E-300 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the X-M1 and the E-300 have been discontinued, but can regularly be found used on eBay. The E-300 was replaced by the Olympus E-330, while the X-M1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Olympus websites.
So how do things add up? Which of the two cameras – the Fujifilm X-M1 or the Olympus E-300 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Fujifilm X-M1:
- More detail: Offers more megapixels (16 vs 8MP) with a 44% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 134k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5.6 vs 2.5 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (117x67mm vs 147x85mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 294g or 47 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced segment (13 percent cheaper at launch).
- More modern: Reflects 8 years and 8 months of technical progress since the E-300 launch.
Reasons to prefer the Olympus Evolt E-300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Longer lasting: Gets more shots (750 versus 350) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in September 2004).
If the count of individual advantages (bullet points above) is taken as a guide, the X-M1 is the clear winner of the match-up (17 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Olympus E-300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-M1 or the E-300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-M1»||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Olympus E-300«||-||+||o||o||4.5/5||Sep 2004||799||-||Olympus E-300|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Leica Digilux 3« »||-||-||-||-||-||Sep 2006||1,499||-||Leica Digilux 3|
|Olympus E-330« »||-||+||o||3.5/5||-||Jan 2006||999||-||Olympus E-330|
|Olympus E-400« »||85/100||-||4/5||-||4/5||Sep 2006||699||-||Olympus E-400|
|Olympus E-500« »||76/100||+ +||-||-||-||Sep 2005||599||-||Olympus E-500|
|Olympus E-1« »||-||+||o||o||-||Jun 2003||1,699||-||Olympus E-1|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 250D vs Fujifilm X-M1
- Canon 7D vs Fujifilm X-M1
- Canon G1 X Mark II vs Fujifilm X-M1
- Fujifilm X-A2 vs Fujifilm X-M1
- Fujifilm X-M1 vs Nikon D600
- Fujifilm X-M1 vs Nikon D800E
- Fujifilm X-M1 vs Panasonic FZ300
- Fujifilm X-M1 vs Sony A6600
- Nikon D1H vs Olympus E-300
- Olympus E-300 vs Olympus E-400
- Olympus E-300 vs Panasonic S1R
- Olympus E-300 vs Ricoh GR III
Specifications: Fujifilm X-M1 vs Olympus E-300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Olympus E-300|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||June 2013||September 2004|
|Launch Price||USD 699||USD 799|
|Sensor Specs||Fujifilm X-M1||Olympus E-300|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||8 Megapixels|
|Image Resolution||4896 x 3264 pixels||3264 x 2448 pixels|
|Pixel Pitch||4.80 μm||5.30 μm|
|Pixel Density||4.34 MP/cm2||3.55 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||200-6400 ISO||100-400 ISO|
|ISO Boost||100-25600 ISO||100-1600 ISO|
|Image Processor||EXR Processor II||TruePic|
|Screen Specs||Fujifilm X-M1||Olympus E-300|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||1.8 inch|
|LCD Resolution||920k dots||134k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Fujifilm X-M1||Olympus E-300|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||5.6 shutter flaps/s||2.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Fujifilm X-M1||Olympus E-300|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-M1||Olympus E-300|
|Battery Life (CIPA)||350 shots per charge||750 shots per charge|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
147 x 85 x 64 mm
(5.8 x 3.3 x 2.5 in)
|Camera Weight||330 g (11.6 oz)||624 g (22.0 oz)|
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