Fujifilm X-M1 vs Nikon D300
The Fujifilm X-M1 and the Nikon D300 are two digital cameras that were revealed to the public, respectively, in June 2013 and August 2007. The X-M1 is a mirrorless interchangeable lens camera, while the D300 is a DSLR. Both cameras are equipped with an APS-C sensor. The Fujifilm has a resolution of 16 megapixels, whereas the Nikon provides 12.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-M1||Nikon D300|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Nikon F mount lenses|
|16 MP, APS-C Sensor||12.2 MP, APS-C Sensor|
|1080/30p Video||no Video|
|ISO 200-6400 (100-25600)||ISO 200-3200 (100-6400)|
|No viewfinder, LCD framing||Optical viewfinder|
|3.0" LCD, 920k dots||3.0" LCD, 922k dots|
|Tilting screen (no touchscreen)||Fixed screen (not touch-sensitive)|
|5.6 shutter flaps per second||6 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|350 shots per battery charge||1000 shots per battery charge|
|117 x 67 x 39 mm, 330 g||147 x 114 x 74 mm, 925 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-M1 and the Nikon D300? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-M1 and the Nikon D300 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The X-M1 can be obtained in three different colors (black, silver, brown), while the D300 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D300 is considerably larger (114 percent) than the Fujifilm X-M1. Moreover, the D300 is substantially heavier (180 percent) than the X-M1. It is noteworthy in this context that the D300 is splash and dust-proof, while the X-M1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-M1) and the Nikon Lens Catalog (D300). Mirrorless cameras, such as the Fujifilm X-M1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-M1»||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Jun 2013||699||-||Fujifilm X-M1|
|Nikon D300«||5.8 in||4.5 in||2.9 in||32.6 oz||1000||Y||Aug 2007||1,799||-||Nikon D300|
|Fujifilm X-A10« »||4.6 in||2.6 in||1.6 in||11.7 oz||410||n||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||4.6 in||2.6 in||1.6 in||12.3 oz||410||n||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||4.6 in||3.3 in||1.6 in||13.4 oz||350||n||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||4.6 in||2.6 in||1.5 in||11.6 oz||350||n||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||5.1 in||3.0 in||1.5 in||12.3 oz||350||n||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||5.5 in||3.2 in||1.7 in||15.9 oz||300||n||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D7000« »||5.2 in||4.1 in||3.0 in||27.5 oz||1050||Y||Sep 2010||1,499||-||Nikon D7000|
|Nikon D300S« »||5.8 in||4.5 in||3.2 in||33.1 oz||950||Y||Jul 2009||1,799||-||Nikon D300S|
|Nikon D700« »||5.8 in||4.8 in||3.0 in||37.9 oz||1000||Y||Jul 2008||2,999||-||Nikon D700|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Sony NEX-5R« »||4.4 in||2.3 in||1.5 in||9.7 oz||330||n||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||4.6 in||2.6 in||1.7 in||11.1 oz||470||n||May 2012||599||-||Sony NEX-F3|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The X-M1 was launched at a markedly lower price (by 61 percent) than the D300, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the D300 is 1 percent bigger. They nevertheless have the same format factor of 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a slightly smaller sensor, the Fujifilm X-M1 offers a higher resolution of 16 megapixels, compared with 12.2 MP of the Nikon D300. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.80μm versus 5.53μm for the D300). However, it should be noted that the X-M1 is much more recent (by 5 years and 10 months) than the D300, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-M1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-M1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-M1 for good quality output (200 dots per inch) amounts to 24.5 x 16.3 inch or 62.2 x 41.5 cm, for very good quality (250 dpi) 19.6 x 13.1 inch or 49.7 x 33.2 cm, and for excellent quality (300 dpi) 16.3 x 10.9 inch or 41.5 x 27.6 cm. The corresponding values for the Nikon D300 are 21.4 x 14.2 inch or 54.5 x 36.2 cm for good quality, 17.2 x 11.4 inch or 43.6 x 28.9 cm for very good quality, and 14.3 x 9.5 inch or 36.3 x 24.1 cm for excellent quality prints.
The Fujifilm X-M1 has a native sensitivity range from ISO 200 to ISO 6400, which can be extended to ISO 100-25600. The corresponding ISO settings for the Nikon D300 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-M1»||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-M1|
|Nikon D300«||APS-C||12.2||4288||2848||-||22.1||12.0||679||67||Nikon D300|
|Fujifilm X-A10« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||APS-C||16.0||4896||3264||1080/30p||-||-||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||APS-C||16.0||4896||3264||1080/60p||-||-||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||APS-C||16.0||4896||3264||1080/24p||-||-||-||-||Fujifilm X-Pro1|
|Nikon D7000« »||APS-C||16.1||4928||3264||10800/24p||23.5||13.9||1167||80||Nikon D7000|
|Nikon D300S« »||APS-C||12.2||4288||2848||720/24p||22.5||12.2||787||70||Nikon D300S|
|Nikon D700« »||Full Frame||12.1||4256||2832||-||23.5||12.2||2303||80||Nikon D700|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Nikon D200« »||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Sony NEX-5R« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||910||78||Sony NEX-5R|
|Sony NEX-F3« »||APS-C||16.0||4912||3264||1080/60i||22.7||12.3||1114||73||Sony NEX-F3|
Many modern cameras cannot only take still pictures, but also record videos. The X-M1 indeed provides movie recording capabilities, while the D300 does not. The highest resolution format that the X-M1 can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the D300 has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the X-M1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Fujifilm X-M1 and Nikon D300 along with similar information for a selection of comparators.
|Fujifilm X-M1»||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-M1|
|Nikon D300«||optical||Y||3.0||922||fixed||n||1/8000s||6.0||Y||n||Nikon D300|
|Fujifilm X-A10« »||-||n||3.0||1040||tilting||n||1/4000s||6.0||Y||n||Fujifilm X-A10|
|Fujifilm X-E2S« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A2|
|Fujifilm X-T10« »||2360||n||3.0||920||tilting||n||1/4000s||8.0||Y||n||Fujifilm X-T10|
|Fujifilm X-A1« »||-||n||3.0||920||tilting||n||1/4000s||5.6||Y||n||Fujifilm X-A1|
|Fujifilm X-E2« »||2360||n||3.0||1040||fixed||n||1/4000s||7.0||Y||n||Fujifilm X-E2|
|Fujifilm X-E1« »||2360||n||2.8||460||fixed||n||1/4000s||6.0||Y||n||Fujifilm X-E1|
|Fujifilm X-Pro1« »||1440||n||3.0||1230||fixed||n||1/4000s||6.0||n||n||Fujifilm X-Pro1|
|Nikon D7000« »||optical||Y||3.0||921||fixed||n||1/8000s||6.0||Y||n||Nikon D7000|
|Nikon D300S« »||optical||Y||3.0||920||fixed||n||1/8000s||7.0||Y||n||Nikon D300S|
|Nikon D700« »||optical||Y||3.0||922||fixed||n||1/8000s||8.0||Y||n||Nikon D700|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Nikon D200« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Sony NEX-5R« »||-||n||3.0||920||tilting||Y||1/4000s||10.0||n||n||Sony NEX-5R|
|Sony NEX-F3« »||-||n||3.0||920||tilting||n||1/4000s||5.5||Y||n||Sony NEX-F3|
One feature that is present on the D300, but is missing on the X-M1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Nikon D300 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-M1 writes its imaging data to SDXC cards, while the D300 uses Compact Flash cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-M1 and Nikon D300 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-M1»||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-M1|
|Nikon D300«||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D300|
|Fujifilm X-A10« »||-||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A2|
|Fujifilm X-T10« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-T10|
|Fujifilm X-A1« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Fujifilm X-A1|
|Fujifilm X-E2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-E2|
|Fujifilm X-E1« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X-Pro1|
|Nikon D7000« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D7000|
|Nikon D300S« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon D300S|
|Nikon D700« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D700|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Nikon D200« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Sony NEX-5R« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-5R|
|Sony NEX-F3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony NEX-F3|
It is notable that the X-M1 offers wifi support, while the D300 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Nikon D300 (unlike the X-M1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-M1 and the D300 have been discontinued, but can regularly be found used on eBay. The D300 was replaced by the Nikon D300S, while the X-M1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Nikon websites.
So how do things add up? Is there a clear favorite between the Fujifilm X-M1 and the Nikon D300? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-M1:
- More detail: Offers more megapixels (16 vs 12.2MP) with a 14% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can record not only still images but also 1080/30p movies.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (117x67mm vs 147x114mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 595g or 64 percent) and hence easier to carry around.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (61 percent cheaper at launch).
- More modern: Reflects 5 years and 10 months of technical progress since the D300 launch.
Advantages of the Nikon D300:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (1000 versus 350) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been around for much longer (launched in August 2007).
If the number of relative strengths (bullet points above) is taken as a guide, the X-M1 comes out slightly ahead of the D300 (10 : 9 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-M1 and the Nikon D300 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-M1 or the D300. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-M1»||+||77/100||4.5/5||-||4.5/5||Jun 2013||699||-||Fujifilm X-M1|
|Nikon D300«||+ +||+ +||5/5||o||4.5/5||Aug 2007||1,799||-||Nikon D300|
|Fujifilm X-A10« »||-||-||4/5||-||4/5||Dec 2016||399||-||Fujifilm X-A10|
|Fujifilm X-E2S« »||-||77/100||4.5/5||-||4.5/5||Jan 2016||699||-||Fujifilm X-E2S|
|Fujifilm X-A2« »||-||-||4.5/5||4/5||4.5/5||Jan 2015||399||-||Fujifilm X-A2|
|Fujifilm X-T10« »||+ +||80/100||5/5||4/5||5/5||May 2015||799||-||Fujifilm X-T10|
|Fujifilm X-A1« »||-||-||4.5/5||-||4.5/5||Sep 2013||399||-||Fujifilm X-A1|
|Fujifilm X-E2« »||-||80/100||4.5/5||-||5/5||Oct 2013||999||-||Fujifilm X-E2|
|Fujifilm X-E1« »||+ +||79/100||4.5/5||4.5/5||4.5/5||Sep 2012||999||-||Fujifilm X-E1|
|Fujifilm X-Pro1« »||+ +||79/100||4.5/5||4/5||4.5/5||Jan 2012||1,699||-||Fujifilm X-Pro1|
|Nikon D7000« »||-||80/100||4.5/5||5/5||4.5/5||Sep 2010||1,499||-||Nikon D7000|
|Nikon D300S« »||+ +||82/100||4/5||5/5||4.5/5||Jul 2009||1,799||-||Nikon D300S|
|Nikon D700« »||89/100||+ +||4.5/5||5/5||4.5/5||Jul 2008||2,999||-||Nikon D700|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Nikon D200« »||+ +||+ +||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Sony NEX-5R« »||-||-||4.5/5||-||4.5/5||Aug 2012||749||-||Sony NEX-5R|
|Sony NEX-F3« »||-||74/100||4.5/5||4.5/5||4.5/5||May 2012||599||-||Sony NEX-F3|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 350D vs Nikon D300
- Canon 600D vs Fujifilm X-M1
- Canon G16 vs Fujifilm X-M1
- Canon SX530 vs Nikon D300
- Canon T4i vs Fujifilm X-M1
- Fujifilm X-M1 vs Leica C-LUX
- Fujifilm X-M1 vs Olympus E-1
- Fujifilm X-M1 vs Panasonic FZ200
- Fujifilm X-M1 vs Samsung NX500
- Nikon 1 V1 vs Nikon D300
- Nikon D300 vs Panasonic G85
- Nikon D300 vs Panasonic S1
Specifications: Fujifilm X-M1 vs Nikon D300
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-M1||Nikon D300|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Nikon F mount lenses|
|Launch Date||June 2013||August 2007|
|Launch Price||USD 699||USD 1799|
|Sensor Specs||Fujifilm X-M1||Nikon D300|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||23.6 x 15.6 mm||23.6 x 15.8 mm|
|Sensor Area||368.16 mm2||372.88 mm2|
|Sensor Diagonal||28.3 mm||28.4 mm|
|Sensor Resolution||16 Megapixels||12.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||4288 x 2848 pixels|
|Pixel Pitch||4.80 μm||5.53 μm|
|Pixel Density||4.34 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||no Video|
|ISO Setting||200-6400 ISO||200-3200 ISO|
|ISO Boost||100-25600 ISO||100-6400 ISO|
|Image Processor||EXR Processor II||EXPEED|
|DXO Sensor Quality (score)||..||67|
|DXO Color Depth (bits)||..||22.1|
|DXO Dynamic Range (EV)||..||12.0|
|DXO Low Light (ISO)||..||679|
|Screen Specs||Fujifilm X-M1||Nikon D300|
|Viewfinder Type||No viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||922k dots|
|LCD Attachment||Tilting screen||Fixed screen|
|Shooting Specs||Fujifilm X-M1||Nikon D300|
|Autofocus System||Contrast-detect AF||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||5.6 shutter flaps/s||6 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Fujifilm X-M1||Nikon D300|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-M1||Nikon D300|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||350 shots per charge||1000 shots per charge|
117 x 67 x 39 mm
(4.6 x 2.6 x 1.5 in)
147 x 114 x 74 mm
(5.8 x 4.5 x 2.9 in)
|Camera Weight||330 g (11.6 oz)||925 g (32.6 oz)|
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