Fujifilm X-H1 vs Panasonic S5
The Fujifilm X-H1 and the Panasonic Lumix DC-S5 are two enthusiast cameras that were revealed to the public, respectively, in February 2018 and September 2020. Both the X-H1 and the S5 are mirrorless interchangeable lens cameras that are based on an APS-C (X-H1) and a full frame (S5) sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Panasonic Lumix DC-S5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-H1 and the Panasonic S5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic S5 is somewhat smaller (4 percent) than the Fujifilm X-H1. However, the S5 is markedly heavier (6 percent) than the X-H1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the X-H1 gets 310 shots out of its NP-W126S battery, while the S5 can take 440 images on a single charge of its DMW-BLK22 power pack. The battery packs of both cameras can be charged via USB, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|2.||Panasonic S5||133 mm||98 mm||82 mm||714 g||440||Y||Sep 2020||1,999||amazon.com|
|3.||Fujifilm X-H2S||136 mm||93 mm||85 mm||660 g||580||Y||May 2022||2,499||amazon.com|
|4.||Fujifilm X-H2||136 mm||93 mm||85 mm||660 g||680||Y||Sep 2022||1,999||amazon.com|
|5.||Fujifilm X-T5||130 mm||91 mm||64 mm||557 g||580||Y||Nov 2022||1,699||amazon.com|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|10.||Nikon Z6 II||134 mm||101 mm||70 mm||705 g||410||Y||Oct 2020||1,999||amazon.com|
|11.||Panasonic S5 II||134 mm||102 mm||90 mm||740 g||370||Y||Jan 2023||1,999||amazon.com|
|12.||Panasonic GH5 II||139 mm||98 mm||87 mm||727 g||400||Y||May 2021||1,699||amazon.com|
|13.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|14.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||ebay.com|
|16.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-H1 was somewhat cheaper (by 5 percent) than the S5 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Panasonic S5 a full frame sensor. The sensor area in the S5 is 130 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the S5 has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the S5 has a lower pixel density and larger individual pixels (with a pixel pitch of 5.94μm versus 3.92μm for the X-H1), which gives it a potential advantage in terms of light gathering capacity. In addition, the S5 is much more recent (by 2 years and 6 months) than the X-H1, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the X-H1, the S5 has the capacity to capture high quality composite images (96MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-S5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-H1 uses Fujifilm's X-Trans layout of photosites, while the S5 employs the more common Bayer array.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic S5||Full Frame||24.0||6000||4000||4K/60p||25.1||14.5||2697||94|
|10.||Nikon Z6 II||Full Frame||24.3||6048||4024||4K/60p||25.0||14.4||3303||94|
|11.||Panasonic S5 II||Full Frame||24.0||6000||4000||6K/30p||25.4||14.6||3158||96|
|12.||Panasonic GH5 II||Four Thirds||20.2||5184||3888||4K/60p||23.7||13.1||1136||79|
|13.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|14.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the S5 provides a faster frame rate than the X-H1. It can shoot movie footage at 4K/60p, while the Fujifilm is limited to 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-H1 offers a substantially higher resolution than the one in the S5 (3690k vs 2360k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-H1 and Panasonic S5 in connection with corresponding information for a sample of similar cameras.
|1.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|2.||Panasonic S5||2360||n||3.0 / 1840||swivel||Y||1/8000s||7.0/s||n||Y|
|3.||Fujifilm X-H2S||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|4.||Fujifilm X-H2||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|5.||Fujifilm X-T5||3690||n||3.0 / 1840||full-flex||Y||1/8000s||15.0/s||n||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|7.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|8.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|9.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|10.||Nikon Z6 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||14.0/s||n||Y|
|11.||Panasonic S5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||9.0/s||n||Y|
|12.||Panasonic GH5 II||3680||n||3.0 / 1840||swivel||Y||1/8000s||12.0/s||n||Y|
|13.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|14.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0/s||n||Y|
|16.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the X-H1, but is missing on the S5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The S5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-H1 does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 and the Panasonic S5 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-H1 and the S5 write their files to SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. However, while the X-H1 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s) on both slots, the S5 supports UHS-II only on its first slot and UHS-I (data transfer speed up to 104 MB/s) on the second one.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Panasonic Lumix DC-S5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|2.||Panasonic S5||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Fujifilm X-H2S||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|4.||Fujifilm X-H2||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|5.||Fujifilm X-T5||Y||stereo / mono||Y||-||micro||3.2||Y||-||Y|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|8.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|10.||Nikon Z6 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|11.||Panasonic S5 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|12.||Panasonic GH5 II||Y||stereo / mono||Y||Y||full||3.2||Y||-||Y|
|13.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|14.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the S5 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-H1 lacks such a headphone port.
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the S5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The S5 is a recent model that features in the current product line-up of Panasonic. In contrast, the X-H1 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the X-H1 from Fujifilm. Further information on the features and operation of the X-H1 and S5 can be found, respectively, in the Fujifilm X-H1 Manual (free pdf) or the online Panasonic S5 Manual.
So what conclusions can be drawn? Is the Fujifilm X-H1 better than the Panasonic S5 or vice versa? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Fujifilm X-H1:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 2360k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.74x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (14 vs 7 flaps/sec) to capture the decisive moment.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2018).
Advantages of the Panasonic Lumix DC-S5:
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More detailed LCD: Has a higher resolution rear screen (1840k vs 1040k dots).
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Longer lasting: Gets more shots (440 versus 310) out of a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 2 years and 6 months of technical progress since the X-H1 launch.
If the count of individual advantages (bullet points above) is taken as a guide, the S5 is the clear winner of the contest (12 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Panasonic S5 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the X-H1 or the S5. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|2.||Panasonic S5||4.5/5||+ +||4.5/5||88/100||4.5/5||4.5/5||Sep 2020||1,999||amazon.com|
|3.||Fujifilm X-H2S||5/5||+||5/5||90/100||5/5||5/5||May 2022||2,499||amazon.com|
|4.||Fujifilm X-H2||5/5||+ +||5/5||5/5||5/5||5/5||Sep 2022||1,999||amazon.com|
|5.||Fujifilm X-T5||5/5||+ +||..||..||4.5/5||..||Nov 2022||1,699||amazon.com|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|10.||Nikon Z6 II||4.5/5||..||4/5||89/100||4.5/5||4.5/5||Oct 2020||1,999||amazon.com|
|11.||Panasonic S5 II||..||..||..||..||..||..||Jan 2023||1,999||amazon.com|
|12.||Panasonic GH5 II||4.5/5||..||4.5/5||85/100||4.5/5||5/5||May 2021||1,699||amazon.com|
|13.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|14.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999||ebay.com|
|16.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D X Mark II vs Fujifilm X-H1
- Canon 1D X Mark III vs Fujifilm X-H1
- Canon 350D vs Panasonic S5
- Canon M10 vs Panasonic S5
- Fujifilm X-H1 vs Fujifilm X-T100
- Fujifilm X-H1 vs Panasonic G10
- Fujifilm X-H1 vs Sony A7R III
- Fujifilm X-H1 vs Sony NEX-3N
- Nikon Z50 vs Panasonic S5
- Olympus E-PM1 vs Panasonic S5
- Panasonic FZ200 vs Panasonic S5
- Panasonic S5 vs Sony A7R
Specifications: Fujifilm X-H1 vs Panasonic S5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Panasonic S5|
|Camera Type||Mirrorless system camera||Mirrorless system camera|
|Camera Lens||Fujifilm X mount lenses||Leica L mount lenses|
|Launch Date||February 2018||September 2020|
|Launch Price||USD 1,899||USD 1,999|
|Sensor Specs||Fujifilm X-H1||Panasonic S5|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||23.6 x 15.6 mm||35.6 x 23.8 mm|
|Sensor Area||368.16 mm2||847.28 mm2|
|Sensor Diagonal||28.3 mm||42.8 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.92 μm||5.94 μm|
|Pixel Density||6.52 MP/cm2||2.83 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||4K/60p Video|
|ISO Setting||200 - 12,800 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 51,200 ISO||50 - 204,800 ISO|
|Image Processor||X-Processor Pro2||Venus|
|DXO Sensor Quality (score)||..||94|
|DXO Color Depth (bits)||..||25.1|
|DXO Dynamic Range (EV)||..||14.5|
|DXO Low Light (ISO)||..||2697|
|Screen Specs||Fujifilm X-H1||Panasonic S5|
|Viewfinder Type||Electronic viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||3690k dots||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1840k dots|
|LCD Attachment||Fully flexible screen||Swivel screen|
|Shooting Specs||Fujifilm X-H1||Panasonic S5|
|Focus System||On-Sensor Phase-detect||Contrast-detect AF|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||14 shutter flaps/s||7 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||In-body stabilization||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Single or Dual Card Slots||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||Single UHS-II|
|Connectivity Specs||Fujifilm X-H1||Panasonic S5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 3.2|
|HDMI Port||micro HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Fujifilm X-H1||Panasonic S5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||310 shots per charge||440 shots per charge|
|In-Camera Charging||USB charging||USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
133 x 98 x 82 mm
(5.2 x 3.9 x 3.2 in)
|Camera Weight||673 g (23.7 oz)||714 g (25.2 oz)|
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