Fujifilm X-H1 vs Panasonic L1
The Fujifilm X-H1 and the Panasonic Lumix DMC-L1 are two digital cameras that were announced, respectively, in February 2018 and February 2006. The X-H1 is a mirrorless interchangeable lens camera, while the L1 is a DSLR. The cameras are based on an APS-C (X-H1) and a Four Thirds (L1) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 7.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Panasonic Lumix DMC-L1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Fujifilm X-H1 and the Panasonic L1. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic L1 is notably smaller (6 percent) than the Fujifilm X-H1. Moreover, the L1 is markedly lighter (10 percent) than the X-H1. It is worth mentioning in this context that the X-H1 is splash and dust resistant, while the L1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-H1) and the Four Thirds Lens Catalog (L1). Mirrorless cameras, such as the Fujifilm X-H1, have moreover the advantage that they have a relatively short flange to focal plane distance and can thus use many lenses from other systems via adapters.
The power pack in the X-H1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Fujifilm X-H1||140 mm||97 mm||86 mm||673 g||310||Y||Feb 2018||1,899||ebay.com|
|2.||Panasonic L1||146 mm||87 mm||64 mm||606 g||750||n||Feb 2006||999||ebay.com|
|3.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||amazon.com|
|4.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899||ebay.com|
|5.||Fujifilm X-H2S||136 mm||93 mm||85 mm||660 g||580||Y||May 2022||2,499||amazon.com|
|6.||Fujifilm X-T4||135 mm||93 mm||64 mm||607 g||500||Y||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|10.||Leica Digilux 3||146 mm||87 mm||77 mm||606 g||750||n||Sep 2006||1,499||ebay.com|
|11.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|12.||Olympus E-330||140 mm||87 mm||72 mm||637 g||750||n||Jan 2006||999||ebay.com|
|13.||Olympus E-300||147 mm||85 mm||64 mm||624 g||750||n||Sep 2004||799||ebay.com|
|14.||Panasonic G9||137 mm||97 mm||92 mm||658 g||400||Y||Nov 2017||1,699||amazon.com|
|15.||Panasonic GH5||139 mm||98 mm||87 mm||725 g||410||Y||Jan 2017||1,999||ebay.com|
|16.||Panasonic L10||135 mm||96 mm||78 mm||556 g||450||n||Aug 2007||599||ebay.com|
|17.||Sony A7 III||127 mm||96 mm||74 mm||650 g||610||Y||Feb 2018||1,999||amazon.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The L1 was launched at a markedly lower price (by 47 percent) than the X-H1, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Panasonic L1 a Four Thirds sensor. The sensor area in the L1 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-H1 has a native 3:2 aspect ratio, while the one in the L1 offers a 4:3 aspect.
With 24MP, the X-H1 offers a higher resolution than the L1 (7.4MP), but the X-H1 has smaller individual pixels (pixel pitch of 3.92μm versus 5.51μm for the L1). However, the X-H1 is a much more recent model (by 11 years and 11 months) than the L1, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic L1 are 15.7 x 11.8 inches or 39.8 x 29.9 cm for good quality, 12.5 x 9.4 inches or 31.9 x 23.9 cm for very good quality, and 10.5 x 7.8 inches or 26.6 x 19.9 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-L1 are ISO 100 to ISO 1600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-H1 uses Fujifilm's X-Trans layout of photosites, while the L1 employs the more common Bayer array.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Panasonic L1||Four Thirds||7.4||3136||2352||none||20.8||10.4||80||52|
|3.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|10.||Leica Digilux 3||Four Thirds||7.4||3136||2352||none||21.0||10.6||127||53|
|11.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|12.||Olympus E-330||Four Thirds||7.4||3136||2352||none||20.8||10.4||73||52|
|13.||Olympus E-300||Four Thirds||8.0||3264||2448||none||20.4||10.1||-40||48|
|14.||Panasonic G9||Four Thirds||20.2||5184||3888||4K/60p||23.1||12.8||1138||74|
|15.||Panasonic GH5||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|16.||Panasonic L10||Four Thirds||10.0||3648||2736||none||21.3||10.8||429||55|
|17.||Sony A7 III||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-H1 indeed provides movie recording capabilities, while the L1 does not. The highest resolution format that the X-H1 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the L1 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-H1 offers a wider field of view (100%) than the one in the L1 (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the X-H1 has a higher magnification (0.75x vs 0.47x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-H1 and Panasonic L1 along with similar information for a selection of comparators.
|1.||Fujifilm X-H1||3690||Y||3.0 / 1040||full-flex||Y||1/8000s||14.0/s||n||Y|
|2.||Panasonic L1||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|3.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5/s||n||n|
|4.||Canon 350D||optical||n||1.8 / 115||fixed||n||1/4000s||3.0/s||Y||n|
|5.||Fujifilm X-H2S||5760||Y||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|6.||Fujifilm X-T4||3690||n||3.0 / 1620||swivel||Y||1/8000s||15.0/s||n||Y|
|7.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|8.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|9.||Fujifilm X-T2||2360||n||3.0 / 1040||full-flex||n||1/8000s||8.0/s||n||n|
|10.||Leica Digilux 3||optical||n||2.5 / 207||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|12.||Olympus E-330||optical||n||2.5 / 215||tilting||n||1/4000s||3.0/s||Y||n|
|13.||Olympus E-300||optical||n||1.8 / 134||fixed||n||1/4000s||2.5/s||Y||n|
|14.||Panasonic G9||3680||Y||3.0 / 1040||swivel||Y||1/8000s||20.0/s||n||Y|
|15.||Panasonic GH5||3680||n||3.2 / 1620||swivel||Y||1/8000s||12.0/s||n||Y|
|16.||Panasonic L10||optical||n||2.5 / 207||swivel||n||1/4000s||3.0/s||Y||n|
|17.||Sony A7 III||2359||n||3.0 / 922||tilting||Y||1/8000s||10.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the X-H1, but is missing on the L1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-H1 writes its imaging data to SDXC cards, while the L1 uses SDHC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the L1 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the L1 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Panasonic Lumix DMC-L1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Fujifilm X-H1||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|2.||Panasonic L1||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|4.||Canon 350D||Y||- / -||-||-||-||2.0||-||-||-|
|5.||Fujifilm X-H2S||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|6.||Fujifilm X-T4||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|7.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|8.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|9.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|10.||Leica Digilux 3||Y||stereo / mono||-||-||-||2.0||-||-||-|
|11.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|12.||Olympus E-330||Y||- / -||-||-||-||2.0||-||-||-|
|13.||Olympus E-300||Y||- / -||-||-||-||2.0||-||-||-|
|14.||Panasonic G9||Y||stereo / mono||Y||Y||full||3.0||Y||-||Y|
|15.||Panasonic GH5||Y||stereo / mono||Y||Y||full||3.1||Y||-||Y|
|16.||Panasonic L10||Y||- / -||-||-||-||2.0||-||-||-|
|17.||Sony A7 III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
It is notable that the X-H1 offers wifi support, while the L1 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Studio photographers will appreciate that the Fujifilm X-H1 (unlike the L1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the X-H1 and the L1 have been discontinued, but can regularly be found used on ebay. The L1 was replaced by the Panasonic L10, while the X-H1 does not have a direct successor. Further information on the features and operation of the X-H1 and L1 can be found, respectively, in the Fujifilm X-H1 Manual (free pdf) or the online Panasonic L1 Manual.
So what is the bottom line? Which of the two cameras – the Fujifilm X-H1 or the Panasonic L1 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Fujifilm X-H1:
- More detail: Offers more megapixels (24 vs 7.4MP) with a 84% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.47x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 207k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More modern: Reflects 11 years and 11 months of technical progress since the L1 launch.
Advantages of the Panasonic Lumix DMC-L1:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Gets more shots (750 versus 310) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (47 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in February 2006).
If the number of relative strengths (bullet points above) is taken as a guide, the X-H1 is the clear winner of the match-up (30 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Panasonic L1 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-H1 and the L1 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Fujifilm X-H1||..||+||5/5||86/100||4.5/5||4.5/5||Feb 2018||1,899||ebay.com|
|2.||Panasonic L1||..||85/100||..||+||..||3.5/5||Feb 2006||999||ebay.com|
|3.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999||amazon.com|
|4.||Canon 350D||..||80/100||..||+ +||o||..||Feb 2005||899||ebay.com|
|5.||Fujifilm X-H2S||..||..||..||..||..||..||May 2022||2,499||amazon.com|
|6.||Fujifilm X-T4||5/5||+ +||5/5||88/100||5/5||5/5||Feb 2020||1,699||amazon.com|
|7.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|8.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|9.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|10.||Leica Digilux 3||..||..||..||..||..||..||Sep 2006||1,499||ebay.com|
|11.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|12.||Olympus E-330||..||..||..||+||o||..||Jan 2006||999||ebay.com|
|13.||Olympus E-300||..||..||..||+||o||4.5/5||Sep 2004||799||ebay.com|
|14.||Panasonic G9||..||+ +||5/5||85/100||5/5||5/5||Nov 2017||1,699||amazon.com|
|15.||Panasonic GH5||4.5/5||+ +||..||85/100||4.5/5||5/5||Jan 2017||1,999||ebay.com|
|16.||Panasonic L10||..||85/100||..||+||3.5/5||4/5||Aug 2007||599||ebay.com|
|17.||Sony A7 III||..||+ +||4.5/5||89/100||5/5||5/5||Feb 2018||1,999||amazon.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 250D vs Fujifilm X-H1
- Canon G3 X vs Panasonic L1
- Canon M6 vs Fujifilm X-H1
- Fujifilm X-H1 vs Nikon Coolpix A
- Fujifilm X-H1 vs Nikon D200
- Fujifilm X-H1 vs Nikon D3200
- Fujifilm X-H1 vs Sony A6000
- Leica S2 vs Panasonic L1
- Nikon D1X vs Panasonic L1
- Nikon D3X vs Panasonic L1
- Nikon D7100 vs Panasonic L1
- Panasonic FZ2500 vs Panasonic L1
Specifications: Fujifilm X-H1 vs Panasonic L1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Panasonic L1|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Four Thirds lenses|
|Launch Date||February 2018||February 2006|
|Launch Price||USD 1,899||USD 999|
|Sensor Specs||Fujifilm X-H1||Panasonic L1|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||23.6 x 15.6 mm||17.3 x 13.0 mm|
|Sensor Area||368.16 mm2||224.9 mm2|
|Sensor Diagonal||28.3 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||7.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||3136 x 2352 pixels|
|Pixel Pitch||3.92 μm||5.51 μm|
|Pixel Density||6.52 MP/cm2||3.28 MP/cm2|
|Moiré control||no AA filter||Anti-Alias filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200 - 12,800 ISO||100 - 1,600 ISO|
|ISO Boost||100 - 51,200 ISO||no Enhancement|
|Image Processor||X-Processor Pro2||Venus|
|Screen Specs||Fujifilm X-H1||Panasonic L1|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||95%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.5inch|
|LCD Resolution||1040k dots||207k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-H1||Panasonic L1|
|Focus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||no Peaking Feature|
|Continuous Shooting||14 shutter flaps/s||3 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||Lens stabilization only|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDHC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm X-H1||Panasonic L1|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-H1||Panasonic L1|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||310 shots per charge||750 shots per charge|
|In-Camera Charging||USB charging||no USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
146 x 87 x 64 mm
(5.7 x 3.4 x 2.5 in)
|Camera Weight||673 g (23.7 oz)||606 g (21.4 oz)|
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