Fujifilm X-H1 vs Panasonic GH3
The Fujifilm X-H1 and the Panasonic Lumix DMC-GH3 are two enthusiast cameras that were revealed to the public, respectively, in February 2018 and September 2012. Both the X-H1 and the GH3 are mirrorless interchangeable lens cameras that are based on an APS-C (X-H1) and a Four Thirds (GH3) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Panasonic Lumix DMC-GH3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Fujifilm X-H1 and the Panasonic GH3 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GH3 is notably smaller (9 percent) than the Fujifilm X-H1. Moreover, the GH3 is markedly lighter (18 percent) than the X-H1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Fujinon X Lens Catalog (X-H1) and the Micro Four Thirds Lens Catalog (GH3). Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
Concerning battery life, the X-H1 gets 310 shots out of its Fujifilm NP-W126S battery, while the GH3 can take 540 images on a single charge of its Panasonic DMW-BLF19 power pack. The power pack in the X-H1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-H1 | 140 mm | 97 mm | 86 mm | 673 g | 310 | Y | Feb 2018 | 1,899 | ebay.com | |
2. | Panasonic GH3 | 133 mm | 93 mm | 82 mm | 550 g | 540 | Y | Sep 2012 | 1,299 | ebay.com | |
3. | Fujifilm X-H2 | 136 mm | 93 mm | 85 mm | 660 g | 680 | Y | Sep 2022 | 1,999 | amazon.com | |
4. | Fujifilm X-H2S | 136 mm | 93 mm | 85 mm | 660 g | 580 | Y | May 2022 | 2,499 | amazon.com | |
5. | Fujifilm X-Pro2 | 141 mm | 83 mm | 46 mm | 495 g | 350 | Y | Jan 2016 | 1,699 | ebay.com | |
6. | Fujifilm X-Pro3 | 141 mm | 83 mm | 46 mm | 497 g | 440 | Y | Oct 2019 | 1,799 | amazon.com | |
7. | Fujifilm X-T2 | 133 mm | 92 mm | 49 mm | 507 g | 340 | Y | Jul 2016 | 1,599 | ebay.com | |
8. | Fujifilm X-T4 | 135 mm | 93 mm | 64 mm | 607 g | 500 | Y | Feb 2020 | 1,699 | ebay.com | |
9. | Fujifilm X-T5 | 130 mm | 91 mm | 64 mm | 557 g | 580 | Y | Nov 2022 | 1,699 | amazon.com | |
10. | Olympus E-M1 | 130 mm | 94 mm | 63 mm | 497 g | 350 | Y | Sep 2013 | 1,399 | ebay.com | |
11. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
12. | Panasonic G5 | 120 mm | 83 mm | 71 mm | 396 g | 320 | n | Jul 2012 | 599 | ebay.com | |
13. | Panasonic G9 | 137 mm | 97 mm | 92 mm | 658 g | 400 | Y | Nov 2017 | 1,699 | ebay.com | |
14. | Panasonic GH2 | 124 mm | 90 mm | 76 mm | 442 g | 330 | n | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GH4 | 133 mm | 93 mm | 84 mm | 560 g | 500 | Y | Feb 2014 | 1,499 | ebay.com | |
16. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | 1,999 | ebay.com | |
17. | Sony A77 | 143 mm | 104 mm | 81 mm | 732 g | 470 | Y | Aug 2011 | 1,399 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GH3 was launched at a markedly lower price (by 32 percent) than the X-H1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Panasonic GH3 a Four Thirds sensor. The sensor area in the GH3 is 39 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 2.0. The sensor in the X-H1 has a native 3:2 aspect ratio, while the one in the GH3 offers a 4:3 aspect.
With 24MP, the X-H1 offers a higher resolution than the GH3 (15.9MP), but the X-H1 nevertheless has larger individual pixels (pixel pitch of 3.92μm versus 3.76μm for the GH3) due to its larger sensor. Moreover, the X-H1 is a much more recent model (by 5 years and 4 months) than the GH3, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-H1 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-H1 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic GH3 are 23 x 17.3 inches or 58.5 x 43.9 cm for good quality, 18.4 x 13.8 inches or 46.8 x 35.1 cm for very good quality, and 15.4 x 11.5 inches or 39 x 29.3 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-GH3 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 125-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. The X-H1 uses Fujifilm's X-Trans layout of photosites, while the GH3 employs the more common Bayer array.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-H1 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 24.0 | 13.3 | 1806 | 82 | |
2. | Panasonic GH3 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 22.7 | 12.4 | 812 | 71 | |
3. | Fujifilm X-H2 | APS-C | 39.8 | 7728 | 5152 | 8k/30p | 24.3 | 13.9 | 2249 | 86 | |
4. | Fujifilm X-H2S | APS-C | 26.0 | 6240 | 4160 | 6.2k/30p | 24.3 | 13.9 | 2224 | 86 | |
5. | Fujifilm X-Pro2 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.0 | 1608 | 80 | |
6. | Fujifilm X-Pro3 | APS-C | 26.0 | 6240 | 4160 | 4K/30p | 24.1 | 13.6 | 1968 | 84 | |
7. | Fujifilm X-T2 | APS-C | 24.0 | 6000 | 4000 | 4K/30p | 23.8 | 13.1 | 1653 | 81 | |
8. | Fujifilm X-T4 | APS-C | 26.0 | 6240 | 4160 | 4K/60p | 24.1 | 13.6 | 1995 | 84 | |
9. | Fujifilm X-T5 | APS-C | 39.8 | 7728 | 5152 | 6.2k/30p | 24.3 | 13.9 | 2264 | 86 | |
10. | Olympus E-M1 | Four Thirds | 15.9 | 4608 | 3456 | 1080/30p | 23.0 | 12.7 | 757 | 73 | |
11. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
12. | Panasonic G5 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 21.4 | 11.6 | 618 | 61 | |
13. | Panasonic G9 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.1 | 12.8 | 1138 | 74 | |
14. | Panasonic GH2 | Four Thirds | 15.9 | 4608 | 3456 | 1080/60i | 21.2 | 11.3 | 655 | 60 | |
15. | Panasonic GH4 | Four Thirds | 15.9 | 4608 | 3456 | 4K/30p | 23.2 | 12.8 | 791 | 74 | |
16. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
17. | Sony A77 | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 24.0 | 13.2 | 801 | 78 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the X-H1 provides a higher video resolution than the GH3. It can shoot video footage at 4K/30p, while the Panasonic is limited to 1080/60p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The two cameras under consideration are similar with respect to both having an electronic viewfinder. However, the one in the X-H1 offers a substantially higher resolution than the one in the GH3 (3690k vs 1746k dots). The table below summarizes some of the other core capabilities of the Fujifilm X-H1 and Panasonic GH3 in connection with corresponding information for a sample of similar cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-H1 | 3690 | Y | 3.0 / 1040 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
2. | Panasonic GH3 | 1746 | n | 3.0 / 614 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
3. | Fujifilm X-H2 | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
4. | Fujifilm X-H2S | 5760 | Y | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
5. | Fujifilm X-Pro2 | 2360 | n | 3.0 / 1620 | fixed | n | 1/8000s | 8.0/s | n | n | |
6. | Fujifilm X-Pro3 | 3690 | n | 3.0 / 1620 | tilting | Y | 1/8000s | 8.0/s | n | n | |
7. | Fujifilm X-T2 | 2360 | n | 3.0 / 1040 | full-flex | n | 1/8000s | 8.0/s | n | n | |
8. | Fujifilm X-T4 | 3690 | n | 3.0 / 1620 | swivel | Y | 1/8000s | 15.0/s | n | Y | |
9. | Fujifilm X-T5 | 3690 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 15.0/s | n | Y | |
10. | Olympus E-M1 | 2360 | n | 3.0 / 1037 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
11. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
12. | Panasonic G5 | 1440 | n | 3.0 / 920 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
13. | Panasonic G9 | 3680 | Y | 3.0 / 1040 | swivel | Y | 1/8000s | 20.0/s | n | Y | |
14. | Panasonic GH2 | 1534 | n | 3.0 / 460 | swivel | n | 1/4000s | 3.0/s | Y | n | |
15. | Panasonic GH4 | 2359 | n | 3.0 / 1036 | swivel | Y | 1/8000s | 12.0/s | Y | n | |
16. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
17. | Sony A77 | 2359 | Y | 3.0 / 921 | full-flex | n | 1/8000s | 12.0/s | Y | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that is present on the X-H1, but is missing on the GH3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The GH3 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the X-H1 does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 and the Panasonic GH3 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the X-H1 and the GH3 write their files to SDXC cards. The X-H1 features dual card slots, which can be very useful in case a memory card fails. In contrast, the GH3 only has one slot. The X-H1 supports UHS-II cards (on both slots), while the GH3 can use UHS-I cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Panasonic Lumix DMC-GH3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-H1 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
2. | Panasonic GH3 | Y | stereo / mono | Y | Y | mini | 2.0 | Y | - | - | |
3. | Fujifilm X-H2 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
4. | Fujifilm X-H2S | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
5. | Fujifilm X-Pro2 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
6. | Fujifilm X-Pro3 | Y | stereo / mono | Y | - | - | 3.1 | Y | - | Y | |
7. | Fujifilm X-T2 | Y | stereo / mono | Y | - | micro | 3.0 | Y | - | - | |
8. | Fujifilm X-T4 | Y | stereo / mono | Y | - | micro | 3.1 | Y | - | Y | |
9. | Fujifilm X-T5 | Y | stereo / mono | Y | - | micro | 3.2 | Y | - | Y | |
10. | Olympus E-M1 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
11. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
12. | Panasonic G5 | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic G9 | Y | stereo / mono | Y | Y | full | 3.0 | Y | - | Y | |
14. | Panasonic GH2 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
15. | Panasonic GH4 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | - | |
16. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
17. | Sony A77 | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - |
It is notable that the GH3 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The X-H1 lacks such a headphone port.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the X-H1 and the GH3 have been discontinued, but can regularly be found used on ebay. The GH3 was replaced by the Panasonic GH4, while the X-H1 does not have a direct successor. Further information on the features and operation of the X-H1 and GH3 can be found, respectively, in the Fujifilm X-H1 Manual (free pdf) or the online Panasonic GH3 Manual.
Review summary
So what conclusions can be drawn? Is the Fujifilm X-H1 better than the Panasonic GH3 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Fujifilm X-H1:
- More detail: Offers more megapixels (24 vs 15.9MP) with a 25% higher linear resolution.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More detailed viewfinder: Has higher resolution electronic viewfinder (3690k vs 1746k dots).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.75x vs 0.67x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 614k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 6 flaps/sec) to capture the decisive moment.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Reflects 5 years and 4 months of technical progress since the GH3 launch.
Advantages of the Panasonic Lumix DMC-GH3:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less heavy: Has a lower weight (by 123g or 18 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (540 versus 310) out of a single battery charge.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (32 percent cheaper at launch).
- More heavily discounted: Has been around for much longer (launched in September 2012).
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the match-up (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Panasonic GH3 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the X-H1 and the GH3 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Fujifilm X-H1 | .. | + | 5/5 | 86/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,899 | ebay.com | |
2. | Panasonic GH3 | 5/5 | + + | .. | 79/100 | 4.5/5 | 4.5/5 | Sep 2012 | 1,299 | ebay.com | |
3. | Fujifilm X-H2 | 5/5 | + + | 5/5 | 89/100 | 5/5 | 5/5 | Sep 2022 | 1,999 | amazon.com | |
4. | Fujifilm X-H2S | 5/5 | + | 5/5 | 90/100 | 5/5 | 5/5 | May 2022 | 2,499 | amazon.com | |
5. | Fujifilm X-Pro2 | .. | + | .. | 83/100 | 4.5/5 | 4.5/5 | Jan 2016 | 1,699 | ebay.com | |
6. | Fujifilm X-Pro3 | 4/5 | + | 4/5 | 85/100 | 4/5 | .. | Oct 2019 | 1,799 | amazon.com | |
7. | Fujifilm X-T2 | 5/5 | + + | .. | 86/100 | 4.5/5 | 5/5 | Jul 2016 | 1,599 | ebay.com | |
8. | Fujifilm X-T4 | 5/5 | + + | 5/5 | 88/100 | 5/5 | 5/5 | Feb 2020 | 1,699 | ebay.com | |
9. | Fujifilm X-T5 | 5/5 | + + | 4.5/5 | 90/100 | 4.5/5 | .. | Nov 2022 | 1,699 | amazon.com | |
10. | Olympus E-M1 | 5/5 | + + | .. | 84/100 | 4.5/5 | 4.5/5 | Sep 2013 | 1,399 | ebay.com | |
11. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
12. | Panasonic G5 | 3/5 | + + | .. | .. | 4.5/5 | 4.5/5 | Jul 2012 | 599 | ebay.com | |
13. | Panasonic G9 | .. | + + | 5/5 | 85/100 | 5/5 | 5/5 | Nov 2017 | 1,699 | ebay.com | |
14. | Panasonic GH2 | 5/5 | + + | .. | 79/100 | 4.5/5 | 5/5 | Sep 2010 | 899 | ebay.com | |
15. | Panasonic GH4 | 5/5 | + + | .. | 85/100 | 5/5 | 5/5 | Feb 2014 | 1,499 | ebay.com | |
16. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | 1,999 | ebay.com | |
17. | Sony A77 | 5/5 | 91/100 | .. | 81/100 | .. | 5/5 | Aug 2011 | 1,399 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1300D vs Fujifilm X-H1
- Canon 300D vs Panasonic GH3
- Fujifilm X-A1 vs Fujifilm X-H1
- Fujifilm X-H1 vs Nikon 1 V3
- Fujifilm X-H1 vs Panasonic FZ2500
- Fujifilm X-H1 vs Panasonic GH5 II
- Fujifilm X-H1 vs Sony ZV-E10
- Nikon 1 V2 vs Panasonic GH3
- Nikon D3X vs Panasonic GH3
- Nikon D7200 vs Panasonic GH3
- Panasonic GH3 vs Sony A1
- Panasonic GH3 vs Sony A6300
Specifications: Fujifilm X-H1 vs Panasonic GH3
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Fujifilm X-H1 | Panasonic GH3 |
---|---|---|
Camera Type | Mirrorless system camera | Mirrorless system camera |
Camera Lens | Fujifilm X mount lenses | Micro Four Thirds lenses |
Launch Date | February 2018 | September 2012 |
Launch Price | USD 1,899 | USD 1,299 |
Sensor Specs | Fujifilm X-H1 | Panasonic GH3 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 23.6 x 15.6 mm | 17.3 x 13.0 mm |
Sensor Area | 368.16 mm2 | 224.9 mm2 |
Sensor Diagonal | 28.3 mm | 21.6 mm |
Crop Factor | 1.5x | 2.0x |
Sensor Resolution | 24 Megapixels | 15.9 Megapixels |
Image Resolution | 6000 x 4000 pixels | 4608 x 3456 pixels |
Pixel Pitch | 3.92 μm | 3.76 μm |
Pixel Density | 6.52 MP/cm2 | 7.08 MP/cm2 |
Moiré control | no AA filter | Anti-Alias filter |
Movie Capability | 4K/30p Video | 1080/60p Video |
ISO Setting | 200 - 12,800 ISO | 200 - 12,800 ISO |
ISO Boost | 100 - 51,200 ISO | 125 - 25,600 ISO |
Image Processor | X-Processor Pro2 | Venus VII FHD |
DXO Sensor Quality (score) | .. | 71 |
DXO Color Depth (bits) | .. | 22.7 |
DXO Dynamic Range (EV) | .. | 12.4 |
DXO Low Light (ISO) | .. | 812 |
Screen Specs | Fujifilm X-H1 | Panasonic GH3 |
Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.75x | 0.67x |
Viewfinder Resolution | 3690k dots | 1746k dots |
Top-Level Screen | Control Panel | no Top Display |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 614k dots |
LCD Attachment | Fully flexible screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Fujifilm X-H1 | Panasonic GH3 |
Focus System | On-Sensor Phase-detect | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | no Peaking Feature |
Continuous Shooting | 14 shutter flaps/s | 6 shutter flaps/s |
Electronic Shutter | up to 1/32000s | YES |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | In-body stabilization | Lens stabilization only |
Fill Flash | no On-Board Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Dual card slots | Single card slot |
UHS card support | Dual UHS-II | UHS-I |
Connectivity Specs | Fujifilm X-H1 | Panasonic GH3 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 3.0 | USB 2.0 |
HDMI Port | micro HDMI | mini HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Body Specs | Fujifilm X-H1 | Panasonic GH3 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Fujifilm NP-W126S | Panasonic DMW-BLF19 |
Battery Life (CIPA) | 310 shots per charge | 540 shots per charge |
In-Camera Charging | USB charging | no USB charging |
Body Dimensions |
140 x 97 x 86 mm (5.5 x 3.8 x 3.4 in) |
133 x 93 x 82 mm (5.2 x 3.7 x 3.2 in) |
Camera Weight | 673 g (23.7 oz) | 550 g (19.4 oz) |
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