Fujifilm X-H1 vs Leica S2
The Fujifilm X-H1 and the Leica S2 are two digital cameras that were revealed to the public, respectively, in February 2018 and September 2008. The X-H1 is a mirrorless interchangeable lens camera, while the S2 is a DSLR. The cameras are based on an APS-C (X-H1) and a medium format (S2) sensor. The Fujifilm has a resolution of 24 megapixels, whereas the Leica provides 37.5 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Fujifilm X-H1||Leica S2|
|Mirrorless system camera||Digital single lens reflex|
|Fujifilm X mount lenses||Leica S mount lenses|
|24 MP, APS-C Sensor||37.5 MP, Medium Format Sensor|
|4K/30p Video||no Video|
|ISO 200-12800 (100-51200)||ISO 80-1250|
|Electronic viewfinder (3690k dots)||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 460k dots|
|Fully flexible touchscreen||Fixed screen (not touch-sensitive)|
|14 shutter flaps per second||1.5 shutter flaps per second|
|In-body stabilization||No shake reduction|
|Weathersealed body||Weathersealed body|
|140 x 97 x 86 mm, 673 g||160 x 120 x 80 mm, 1410 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Fujifilm X-H1 and the Leica S2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Fujifilm X-H1 and the Leica S2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica S2 is notably larger (41 percent) than the Fujifilm X-H1. Moreover, the S2 is substantially heavier (110 percent) than the X-H1. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The power pack in the X-H1 can be charged via the USB port, so that it is not always necessary to take the battery charger along when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Fujifilm X-H1»||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899||Fujifilm X-H1|
|Leica S2«||6.3 in||4.7 in||3.1 in||49.7 oz||..||Y||Sep 2008||22,995||-||Leica S2|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-T3« »||5.2 in||3.7 in||2.3 in||19.0 oz||390||Y||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||5.2 in||3.6 in||1.9 in||17.9 oz||340||Y||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica S3« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2018||24,490||Leica S3|
|Leica S-E Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 007« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||6.3 in||4.7 in||3.1 in||44.4 oz||..||Y||Sep 2012||21,950||-||Leica S Typ 006|
|Nikon Z6« »||5.3 in||4.0 in||2.6 in||23.8 oz||310||Y||Aug 2018||1,999||Nikon Z6|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Pentax KP« »||5.2 in||4.0 in||3.0 in||24.8 oz||390||Y||Jan 2017||1,099||Pentax KP|
|Pentax 645D« »||6.1 in||4.6 in||4.7 in||52.2 oz||800||Y||Mar 2010||9,995||-||Pentax 645D|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||-||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-H1 was launched at a markedly lower price (by 92 percent) than the S2, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Fujifilm X-H1 features an APS-C sensor and the Leica S2 a medium format sensor. The sensor area in the S2 is 267 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.5 and 0.8. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 37.5MP, the S2 offers a higher resolution than the X-H1 (24MP), but the S2 nevertheless has larger individual pixels (pixel pitch of 6.00μm versus 3.92μm for the X-H1) due to its larger sensor. However, the X-H1 is a much more recent model (by 9 years and 4 months) than the S2, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The resolution advantage of the Leica S2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the S2 for good quality output (200 dots per inch) amounts to 37.5 x 25 inch or 95.3 x 63.5 cm, for very good quality (250 dpi) 30 x 20 inch or 76.2 x 50.8 cm, and for excellent quality (300 dpi) 25 x 16.7 inch or 63.5 x 42.3 cm. The corresponding values for the Fujifilm X-H1 are 30 x 20 inch or 76.2 x 50.8 cm for good quality, 24 x 16 inch or 61 x 40.6 cm for very good quality, and 20 x 13.3 inch or 50.8 x 33.9 cm for excellent quality prints.
The X-H1 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Fujifilm X-H1 has a native sensitivity range from ISO 200 to ISO 12800, which can be extended to ISO 100-51200. The corresponding ISO settings for the Leica S2 are ISO 80 to ISO 1250 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Fujifilm X-H1»||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-H1|
|Leica S2«||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S2|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Fujifilm X-T3« »||APS-C||26.0||6240||4160||4K/60p||-||-||-||-||Fujifilm X-T3|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||APS-C||24.0||6000||4000||4K/30p||-||-||-||-||Fujifilm X-T2|
|Leica S3« »||Medium Format||64.0||9800||6533||4K/24p||-||-||-||-||Leica S3|
|Leica S-E Typ 006« »||Medium Format||37.5||7500||5000||-||-||-||-||-||Leica S-E Typ 006|
|Leica S Typ 007« »||Medium Format||37.5||7500||5000||4K/24p||-||-||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Medium Format||37.5||7500||5000||-||23.9||12.2||824||76||Leica S Typ 006|
|Nikon Z6« »||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95||Nikon Z6|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-||Panasonic G9|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Pentax KP« »||APS-C||24.1||6016||4000||1080/60i||-||-||-||-||Pentax KP|
|Pentax 645D« »||Medium Format||39.5||7264||5440||-||24.6||12.6||1262||82||Pentax 645D|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A77« »||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-H1 indeed provides movie recording capabilities, while the S2 does not. The highest resolution format that the X-H1 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the S2 has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the X-H1 offers a wider field of view (100%) than the one in the S2 (96%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the S2 has a higher magnification (0.86x vs 0.75x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Fujifilm X-H1 and Leica S2 along with similar information for a selection of comparators.
|Fujifilm X-H1»||3690||Y||3.0||1040||full-flex||Y||1/8000s||14.0||n||Y||Fujifilm X-H1|
|Leica S2«||optical||Y||3.0||460||fixed||n||1/4000s||1.5||n||n||Leica S2|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Fujifilm X-T3« »||3690||n||3.2||1040||tilting||Y||1/8000s||11.0||n||n||Fujifilm X-T3|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||1/8000s||8.0||n||n||Fujifilm X-Pro2|
|Fujifilm X-T2« »||2360||n||3.0||1040||tilting||n||1/8000s||14.0||n||n||Fujifilm X-T2|
|Leica S3« »||optical||Y||3.0||922||fixed||n||1/4000s||3.0||n||n||Leica S3|
|Leica S-E Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S-E Typ 006|
|Leica S Typ 007« »||optical||Y||3.0||922||fixed||n||1/4000s||3.5||n||n||Leica S Typ 007|
|Leica S Typ 006« »||optical||Y||3.0||922||fixed||n||1/4000s||1.5||n||n||Leica S Typ 006|
|Nikon Z6« »||3690||Y||3.2||2100||tilting||Y||1/8000s||12.0||n||Y||Nikon Z6|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||1/8000s||20.0||n||Y||Panasonic G9|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Pentax KP« »||optical||n||3.0||921||tilting||n||1/6000s||7.0||Y||Y||Pentax KP|
|Pentax 645D« »||optical||Y||3.0||921||fixed||n||1/4000s||1.1||n||n||Pentax 645D|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||1/8000s||10.0||n||Y||Sony A7 III|
|Sony A77« »||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the X-H1 and the S2 is in-body image stabilization (IBIS). The X-H1 reduces the risk of handshake-induced blur with all attached lenses, while the S2 has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-H1 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-H1 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The X-H1 writes its imaging data to SDXC cards, while the S2 uses Compact Flash or SDHC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The X-H1 supports UHS-II cards (on both slots), while the S2 cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Fujifilm X-H1 and Leica S2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Fujifilm X-H1»||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-H1|
|Leica S2«||Y||-||-||-||-||mini||2.0||-||-||-||Leica S2|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Fujifilm X-T3« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Fujifilm X-T3|
|Fujifilm X-Pro2« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X-Pro2|
|Fujifilm X-T2« »||Y||stereo||mono||Y||-||micro||3.0||Y||-||-||Fujifilm X-T2|
|Leica S3« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S3|
|Leica S-E Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S-E Typ 006|
|Leica S Typ 007« »||Y||stereo||mono||Y||Y||mini||3.0||Y||-||-||Leica S Typ 007|
|Leica S Typ 006« »||Y||-||-||-||-||mini||2.0||-||-||-||Leica S Typ 006|
|Nikon Z6« »||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y||Nikon Z6|
|Panasonic G9« »||Y||stereo||mono||Y||Y||full||3.0||Y||-||Y||Panasonic G9|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Pentax KP« »||Y||stereo||mono||Y||-||-||2.0||Y||-||-||Pentax KP|
|Pentax 645D« »||Y||stereo||-||-||-||-||2.0||-||-||-||Pentax 645D|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A77« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the X-H1 offers wifi support, while the S2 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The X-H1 is a recent model that features in the current product line-up of Fujifilm. In contrast, the S2 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the S2 was succeeded by the Leica S Typ 006. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Fujifilm and Leica websites.
So how do things add up? Which of the two cameras – the Fujifilm X-H1 or the Leica S2 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Fujifilm X-H1:
- Broader imaging potential: Can record not only still images but also 4K/30p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 96%).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 460k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 1.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (140x97mm vs 160x120mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 737g or 52 percent) and hence easier to carry around.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has hand-shake reducing image stabilization built-in.
- More legacy lens friendly: Can take a broad range of non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 9 years and 4 months of technical progress since the S2 launch.
Arguments in favor of the Leica S2:
- More detail: Has more megapixels (37.5 vs 24MP), which boosts linear resolution by 25%.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.86x vs 0.75x).
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More heavily discounted: Has been around for much longer (launched in September 2008).
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 is the clear winner of the match-up (20 : 5 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Fujifilm X-H1 and the Leica S2 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera and Best DSLR Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the X-H1 and the S2 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Fujifilm X-H1»||+||86/100||4.5/5||-||4.5/5||Feb 2018||1,899||Fujifilm X-H1|
|Leica S2«||-||-||-||-||-||Sep 2008||22,995||-||Leica S2|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Fujifilm X-T3« »||+ +||88/100||5/5||5/5||5/5||Sep 2018||1,499||Fujifilm X-T3|
|Fujifilm X-Pro2« »||+||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699||Fujifilm X-Pro2|
|Fujifilm X-T2« »||+ +||86/100||4.5/5||5/5||5/5||Jul 2016||1,599||-||Fujifilm X-T2|
|Leica S3« »||-||-||-||-||-||Sep 2018||24,490||Leica S3|
|Leica S-E Typ 006« »||-||-||-||-||-||Sep 2014||16,900||-||Leica S-E Typ 006|
|Leica S Typ 007« »||-||-||-||-||-||Sep 2014||24,490||Leica S Typ 007|
|Leica S Typ 006« »||-||-||-||-||-||Sep 2012||21,950||-||Leica S Typ 006|
|Nikon Z6« »||-||-||4.5/5||4.5/5||5/5||Aug 2018||1,999||Nikon Z6|
|Panasonic G9« »||+ +||85/100||5/5||5/5||5/5||Nov 2017||1,699||Panasonic G9|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Pentax KP« »||-||82/100||5/5||-||4.5/5||Jan 2017||1,099||Pentax KP|
|Pentax 645D« »||-||-||-||4.5/5||-||Mar 2010||9,995||-||Pentax 645D|
|Sony A7 III« »||+ +||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A77« »||91/100||81/100||-||4.5/5||5/5||Aug 2011||1,399||-||Sony A77|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 77D vs Leica S2
- Canon M6 Mark II vs Leica S2
- Canon T3i vs Fujifilm X-H1
- Fujifilm X-H1 vs Panasonic GH3
- Fujifilm X-H1 vs Panasonic TS7
- Fujifilm X-H1 vs Sony A6500
- Leica S2 vs Leica X Typ 113
- Leica S2 vs Nikon D3
- Leica S2 vs Nikon D800
- Leica S2 vs Olympus E-330
- Leica S2 vs Olympus E-P1
- Leica S2 vs Sony A7S II
Specifications: Fujifilm X-H1 vs Leica S2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Fujifilm X-H1||Leica S2|
|Camera Type||Mirrorless system camera||Digital single lens reflex|
|Camera Lens||Fujifilm X mount lenses||Leica S mount lenses|
|Launch Date||February 2018||September 2008|
|Launch Price||USD 1899||USD 22995|
|Sensor Specs||Fujifilm X-H1||Leica S2|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||23.6 x 15.6 mm||45.0 x 30.0 mm|
|Sensor Area||368.16 mm2||1350 mm2|
|Sensor Diagonal||28.3 mm||54.1 mm|
|Sensor Resolution||24 Megapixels||37.5 Megapixels|
|Image Resolution||6000 x 4000 pixels||7500 x 5000 pixels|
|Pixel Pitch||3.92 μm||6.00 μm|
|Pixel Density||6.52 MP/cm2||2.78 MP/cm2|
|Moiré control||no AA filter||no AA filter|
|Movie Capability||4K/30p Video||no Video|
|ISO Setting||200-12800 ISO||80-1250 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Screen Specs||Fujifilm X-H1||Leica S2|
|Viewfinder Type||Electronic viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||96%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||460k dots|
|LCD Attachment||Fully flexible screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Fujifilm X-H1||Leica S2|
|Autofocus System||On-Sensor Phase-detect||Phase-detect AF|
|Manual Focusing Aid||Focus Peaking||No Peaking Feature|
|Continuous Shooting||14 shutter flaps/s||1.5 shutter flaps/s|
|Electronic Shutter||up to 1/32000s||no E-Shutter|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Image Stabilization||In-body stabilization||No handshake reduction|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CF or SDHC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||Dual UHS-II||no|
|Connectivity Specs||Fujifilm X-H1||Leica S2|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||micro HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Body Specs||Fujifilm X-H1||Leica S2|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|In-Camera Charging||USB charging||no USB charging|
140 x 97 x 86 mm
(5.5 x 3.8 x 3.4 in)
160 x 120 x 80 mm
(6.3 x 4.7 x 3.1 in)
|Camera Weight||673 g (23.7 oz)||1410 g (49.7 oz)|
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